Sentences with phrase «scenes accompanying the story»

Our hero can explore the world both on foot and by riding horses, while the plot is conveyed through cinematic cut - scenes accompanying the story missions.

Not exact matches

While many of the images represent scenes and figures unrecognisable without the stories that accompanied the original photographs, others show familiar news themes and events.

The villains in this story are the psychiatric cabal that protects their own kind with a shield of neurological folderol (highlighted by the weird, palpitating Ennio Morricone music that accompanies every brain scan scene) and coddles the prisoners with insanity defenses.

The incessant rumbling and flashing that accompanies virtually every other scene underscores the hollowness of a story that in the decades since the original «Omen» has had any freshness trampled out of it by a rampaging army of Freddies, Jasons and Michael Myerses, not to mention assorted «Omen» and «Exorcist» sequels and knockoffs.

There is no new footage, as director Kapadia collects terrific clips from a variety of sources (including behind - the - scenes meetings and home movies) and assembles them into a narrative structure that tells Senna's story chronologically, accompanied by Antonio Pinto's moody score.

For every main mission, there are accompanying cut scenes and dialogue, all of which felt slightly out of place in the context of the wider story.

Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.

The accompanying script, which appears in different colors that correspond to those of each scene, speaks of the man's fear of the sea, feelings of emptiness, hope and failure, a yearning to know what future a prophecy might foretell, and an ominous reference to a line in T.S. Eliot's The Waste Land, which tells the story of Phlebas the Phoenician, who died, apparently by drowning.

This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York's downtown art scene in the 1980s — from a DIY counterculture in the East Village to a legitimate gallery business in SoHo.