Ryan Fleck was originally the figurehead director in the partnership, with Boden working behind - the -
scenes as producer and writer on Half Nelson.
He has married, she is still a spinster, still working at the news station, just behind
the scenes as a producer.
Not exact matches
Producers say new episodes will feature Tinky Winky, Dipsy, Laa - Laa and Po
as characters, but the series will undergo an update with new CGI effects and
scenes shot on replica models of the sets.
'» Working behind the
scenes, Dan scooped up Paul Shaw, a CanStage
producer, and opened the doors on Dancap Productions, with Shaw
as managing director soon after.
In this video, Entrepreneur Network partner Business Rockstars goes behind the
scenes at Clevver, a largely female - driven media company where strong women work
as on - air talent, writers,
producers and more.
And yet not even the foremost professional theatrical
producer has ever had all in such readiness for the stage and for the change of
scenes,
as eternity has all in readiness for time: all — even to the least detail, even to the most insignificant word that is spoken; has all in readiness in each instant — although eternity delays.
«
As the reggae
scene developed in > 64 food and drink • spring 2011 • www.fooddrink-magazine.com http://www.fooddrink-magazine.com Table of Contents for the Digital Edition of Food and Drink - Spring 2011 Food and Drink - Spring 2011 Tableside Chat Table of Contents News a la Carte Current Events FAD Exclusive A Ripening Field History in the Making New Wine Paradigm Don Sebastiani & Sons / The Other Guys St. Julian Winery Ste. Genevieve Winery Herzog Wine Cellars Meier's Wine Cellar Oak Ridge Winery
Producers: Keeping Trade Secrets MaMa Rosa's Pizza Gel Spice Co..
THIS BEHIND THE
SCENES ORAL HISTORY (
as told by the directors,
producers and actors) of the epic last
scene is a must read if you love the movie
as much
as I do.
Go behind the
scenes of The Fourth Estate with director /
producer Liz Garbus,
producer Justin Wilkes, and director /
producer Jenny Carchman
as they discuss the importance of reporters and the press
as they cover the Trump Presidency.
Our Cartoon President, Season 1: Go behind the
scenes with Stephen Colbert and the executive
producers as they discuss their inspiration and everything that goes into the creation of the show.
The Chi, Season 1, Episode 5: Go behind the
scenes with Executive
Producers Lena Waithe and Common
as they reflect on the block party
scene in episode 5.
As a
producer (there were four others) he was able to keep the movie free from Hollywood's indulgent formulas (except for those inexcusable chase
scenes).
The Fourth Estate, Season 1: Go behind the
scenes of The Fourth Estate with director /
producer Liz Garbus,
producer Justin Wilkes, and director /
producer Jenny Carchman
as they discuss the importance of reporters and the press
as they cover the Trump Presidency.
If you were the
producer and decided to make them sing all the songs live in each
scene (
as opposed to lip - sync, post-production), would you pass up the opportunity to capture their face singing up - close?!
But what makes their latest collaboration so unique is that Stallone's involvement is a strictly behind - the -
scenes affair, serving
as both screenwriter and
producer.
I09 have done a typically exhaustive run down of the differences between the first episode,
as directed by TV stalwart Timothy Van Patten, which credits McCarthy
as a Consulting
Producer due to the few
scenes retained, his casting work and a script for the 2009 never - seen version.
They include audio commentaries with Director Kirk Jones and Children
as well
as Actor Emma Thompson and
Producer Lindsay Doran, information about casting the children and village life, a Nanny McPhee makeover, deleted
scenes, a gag reel, and a lesson on How Nanny McPhee Came to Be.
There's also an A-list behind - the -
scenes team,
as both Brian Grazer (of Ron Howard's Imagine Entertainment) and rock pioneer Mick Jagger (who was friends with Brown in real life) serve
as producers.
The cover story, «Grade B — But Choice,» is devoted to an obscure 1934 musical called «Young and Beautiful,» featuring «budding starlets, grade - A character actors, grade - B musical numbers, a pair of vaudevillians, a look behind the
scenes of Hollywood, bogus appearances by Charlie Chaplin and Buster Keaton and a script by Dore Schary» [later famous
as a
producer of films such
as «Crossfire,» «Mr. Blandings Builds His Dream House,» «They Live By Night» and «The Red Badge of Courage»].
In addition to starring in the film, Jackman was involved behind the
scenes on The Greatest Showman, serving
as one of its
producers.
is one of those behind - the -
scenes featurettes that combines morsels of making - of info with lots of talking - heads hagiography,
as various actors and
producers gab about how great everyone involved in the picture was and hold forth on how inspirational the story is.
There are also vintage interviews with Irons, Cronenberg,
producer Marc Boyman, and co-writer Norman Snider,
as well
as a vintage behind - the -
scenes featurette, and the original theatrical trailer.
Sometimes the movie strays into Wag the Dog territory (especially in
scenes with Alan Arkin
as a scrappy L.A.
producer thrilled by the game); elsewhere, it has some of the big - budget period vibe of Spielberg's Munich.
Bonus features consist of a six - minute featurette charting John's involvement
as both an executive
producer and songwriter; two alternate (storyboarded) endings with optional introductions from director Kelly Asbury; two character - based, two - minute interview chats with Ashley Jensen and Ozzy Osbourne; a collection of deleted
scenes; trailers; and a music video for «Crocodile Rock.»
Special features include feature commentary with Writer / Director Scott Stewart,
Producer Jason Blum, Executive
Producer Brian Kavanaugh - Jones and Editor Peter Gvozdas
as well
as alternate and deleted
scenes from the film.
Goodwin joined directors Byron Howard («Tangled») and Rich Moore («Wreck - It Ralph»), and
producer Clark Spencer («Wreck - It Ralph») to help introduce fun
scenes from the film that included the fox pulling a clever con at an elephant - run ice cream parlor where he first meets the rabbit, and a segment that aptly illustrates every driver's least favorite experience of waiting at the DMV (Department of Mammal Vehicles) with all the employees portrayed
as sloths.
For the Blu - ray debut of «Snatch,» Sony has brought over most of the bonus features from the two - disc special edition DVD — including an audio commentary with director Guy Ritchie and
producer Matthew Vaughn, deleted
scenes, and a making - of featurette —
as well
as some exclusive extras found only on BD - Live.
Some recognizable Lord - Miller touches survive in the better bits of dialogue, particularly in the
scenes with legacy characters (something the filmmakers, now credited
as executive
producers, tried out via The Lego Movie).
Use your «radar sensors» for the audio commentary by
producers David Kirschner and Corey Sienega, and writers Seth E. Bass and Jonathan Tolins, and your «optical indicators» for deleted
scenes as well
as the featurettes Handle With Care (working with the Martian Child) and The Real Martian Child.
Except for a well - staged
scene depicting the attack on the marchers on the Edmund Pettus Bridge, the best
scenes in «Selma» are the small - scale ones: Oprah Winfrey (also one of the film's
producers)
as an bedraggled activist denied the opportunity to vote; a
scene where King's wife, Coretta (Carmen Ejogo), confronts him about his philandering; a cameo involving the father (portrayed by that marvelous actor Henry G. Sanders) of a murdered man in Selma.
May I live the rest of my life without ever having to see Charlie Day ape masturbation again,
as he eavesdrops while a hot actress calls a
producer for an audition, however horribly true to life that
scene may be.
EXTRAS: In addition to an audio commentary by co-directors Pete Docter and Ronnie del Carmen and
producer Jonas Rivera, there's a behind - the -
scenes look at the movie's evolution, featurettes on sound design, film editing and creating the emotions and the inside of Riley's mind,
as well some deleted
scenes, the short film «Lava» and an all - new short titled «Riley's First Date?»
Watch
as the actor takes us behind - the -
scenes on the set in this video, which also includes new footage and interviews with star Hugh Jackman and
producers Cameron Mackintosh, Debra Hayward, discussing the importance of bringing this original cast member into this new version.
That sets the
scene for the directorial debut for both actor Edmond O'Brien, who also stars
as Detective Lt. Barney Nolan, the violent, angry cop, and
producer Howard W. Koch, who apprenticed
as an assistant on (among others) the early B - movie film noirs of Anthony Mann.
As my hour with Disney Infinity's Toy Box mode at the San Diego Comic - Con came to a close,
producer John Vignocchi had dressed up The Incredibles» Dash in the wings from 1981's Condorman and was attempting to recreate the movie's flight
scene.
The mini-locker edition includes two «notebooks,» each featuring detailed episode information and production photos,
as well
as a replica yearbook embellished with signatures from cast members, behind - the -
scenes photos and classic show memorabilia, and liner notes penned by Fred Savage, series creators Neal Marlens and Carol Black and executive
producer Bob Brush.
Included in the two discs set is a commentary by writer - director George Lucas,
producer Rick McCallum, animation director Rob Coleman, and ILM visual effects supervisors John Knoll and Roger Guyett,
as well
as deleted
scenes introduced by George Lucas and Rick McCallum.
Over the last few years, Ulaby has strengthened NPR's television coverage both in terms of programming and industry coverage and profiled breakout artists such
as Ellen Page and Skylar Grey and behind - the -
scenes tastemakers ranging from super
producer Timbaland to James Schamus, CEO of Focus Features.
As for the DVD and Blu - ray, the disc
producers have skipped the usual commentary track and traditional making - of documentary for a more eclectic collection of supplements, including all six minutes (credits included) of the film - within - a-film «Nation's Pride» and three illuminating deleted / extended
scenes.
Pitt (who also serves
as a
producer on the film) also has some lovely, intimate
scenes with Mireille Enos, who gives a natural, stand - out performance
as his wife and the mother of the couple's two daughters.
«It's very Richard Linklater,» said
producer Robert Teitel of the film's many
scenes of winding conversations, which unfold
as the couple wanders through the city, much in the same way Ethan Hawke and Julie Delpy tease and bicker and draw closer to one another in Linklater's trilogy of films beginning with «Before Sunrise.»
The behind - the -
scenes action of Living in Oblivion is no exception, and although we've seen many films just like it in recent years, such
as Mistress and The Big Picture, Tom DiCillo's (Double Whammy, Box of Moon Light) creation distinguishes itself by being about a independent filmmaking, not greatly influenced by the dictation of a major studio or bigwig
producer, but by conflicts within the filmmaker himself.
After graduating from Yale, Finn was a member of the Ensemble Studio Theatre in New York City, where she was expected not only to act onstage but also to take on behind - the -
scenes roles such
as director and
producer.
Since she first appeared
as Nina in Goran Dukić's Wristcutters: A Love Story (2006), Seimetz has been active in the independent film
scene in many capacities —
as a collaborator to Joe Swanberg (which involves wearing many hats), (14) a
producer (for Barry Jenkins's elegant and sensitive Medicine for Melancholy [2008], among others) and an actress for edgy, polyvalent directors who often blur the boundary between acting, directing, writing and crewing: Jay Keitel (also the DP for Sun Don't Shine), Lawrence Michael Levine, Lena Dunham, Kentucker Audley, David Robert Mitchell, Adam Wingard, Cherie Saulter, Josh Slates, Dan Bush and Tomer Almagor.
The DVD features audio commentary from Falco, Mendelsohn and the film's two
producers; deleted
scenes with Mendelsohn's commentary; and a wonderful short, filmed in the same locations, that Mendelsohn obviously used
as a stylistic blueprint for «Judy Berlin.»
There are interesting side - by - side storyboard / finished
scene comparisons for the film's more visually complex sequences; a selection of rather understandably deleted
scenes that can be viewed with commentary by director and
producer as well
as within the context of the film (albeit in rather cumbersome fashion); a largely useless montage of still photos from the production cut to a cue of John Murphy's score; the usual cast and crew filmographies and production notes; plus a full - frame version of the film to go with the nicely transferred anamorphic widescreen one.
Along with a telestrator commentary with writer / director McKittrick and
producer Jeff Balis that's subpar at best, disc two includes a short interview with three real - life servers («Sending It Back: The Real Dish on Waiting Tables»),
scene specific audio commentaries and casting tapes («Side Dishes»),
as well
as «The Works,» a longer, rehashed version of the documentary found on disc one.
Come to find out,
producer and star Ryan Reynolds felt equally
as conflicted at first, thinking that the
scene was «cheating» the rest of the movie.
Presented in a widescreen video transfer and Dolby Digital 5.1 audio soundtrack, the «Man on Fire» DVD includes two full - length audio commentary tracks (the first by director Tony Scott, and the other with
producer Lucas Foster, screenwriter Brian Helgeland and star Dakota Fanning),
as well
as deleted
scenes and an alternate ending (also featuring optional director commentary).
▪ Two $ 60,000 bids — for a total of $ 120,000 — for a «Marvelous opportunity» to join Rudd on a tour of the Atlanta set of his next movie, «Ant - Man and the Wasp,» attend the premiere next summer, meet Rudd's fellow Avengers (
as in Chris Hemsworth and Robert Downey Jr.) and possibly appear in a crowd
scene,
as long
as the
producer approves.