Sentences with phrase «scenes at the paper»

Last night she faced angry scenes at the paper as she broke the news to journalists.

Not exact matches

In one scene, Gekko appears at the annual shareholders» meeting being held by Teldar Paper.

And today the Post printed a very specific piece of hearsay, which writers acknowledge is «unsubstantiated,» twice on the same page of the paper: that «Paterson was late arriving at the scene of last February's tragic air crash outside Buffalo because he was supposedly preoccupied with a local lady friend.»

The pressure to make the right choices this time is intense because the White Paper will probably set the scene for at least the next decade, and underpin the success or otherwise of British industry in creating wealth well into the next century.

In journals with public peer review, that process, in which embarrassing, if trivial, errors may be discovered, «does not occur anymore «behind the scenes,»» writes Davide Zanchettin, a postdoctoral researcher at the Max Planck Institute for Meteorology in Hamburg, Germany, who co-authored two papers submitted to two different interactive - review and open access journals of the European Geosciences Union, in an e-mail to Science Careers.

The killers left behind no clues at the crime scene, with the exception of a scrap of paper leading Cordin back to his hometown of Caswell.

Here at the Savannah Film Festival, we were analyzing the scene where young Charles Foster Kane's parents sign the papers that will send him East with Mr. Thatcher.

This early scene establishes that the «paper planes» of the title won't be paper at all but CGI renditions, capable of extraordinarily dexterous mid-air manoeuvrability.

Some scenes kind of gives us a bit of a Paper Mario vibe, which isn't a bad thing at all.

On paper, the jump from an emotional funeral scene to a frantic attempt at shower sex during a party might seem like a shock of humour, but on - screen, it's rather unbalanced.

Earn, who is portrayed by Donald Glover got Paper Boi (Bryan Tyree Henry) a performance spot at the Pajama Jam Party, sets up the scene, as they're also joined by Darius (Lakeith Stanfield).

If you're dedicated about finding every scrap of paper and recordable scene you'll get a more complete idea of what is going on, but most players will have more of a shadowy half - formed conception of the plot and forces at work, which is the way things should be in a proper horror experience.

Hanks is equally superb, as is the entire supporting cast, especially an outstanding Odenkirk, the scenes at Bradlee's house involving the trusted members of his editorial board pouring through the papers in an attempt to piece them together as best they can some of the best cinematic moments I've seen in all of 2017.

When Alicia (Julianna Margulies) stops by the lovebirds» engagement party to get legal papers signed, she finds herself at a murder scene again, and Benanti is not as sweet and innocent as she seems.

The first storyboard in history was developed at the Walt Disney studios during the early 1930s, when animator Webb Smith came up with an alternative to describing a cartoon plot with words: He drew sequential scenes on separate sheets of paper and pinned them up to the walls of his office.

Students can use the booklet to revise the play Face itself - plot / characters / practitioner - Brecht They can then work through through each question which has the - CRITERIA MODEL EXAMPLES KEY WORDS / PHRASES Many practise questions for each question varying characters and scenes They can use it to self and peer asses with an overall exam paper quiz at the end.

I've got Scrivener now, which will be a HUGE help with my outlines (I'm a pantser, not a plotter, which means I kinda throw a bunch of words on paper and go from there... okay at first, but not after you've written 190 pages and have no idea where to put a scene).

After eighteen years of marriage, Mayflower descendant Mia Meiklejohn Durkheim has just been served divorce papers in a humiliating scene at the popular local restaurant, Golightly's.

Behind the scenes there is a basic rock - paper - scissors system going on that defines combat with the likes of pikemen faring better against cavalry, but in reality the enemy tends to throw big blobs of mixed units at you and the only real way to respond is doing the same, thus fights tend to be resolved by whoever has the biggest blob, or in many cases by the heroes.

I'd pay for a GOOD sequel to The Crystal Bearers, where they take all of the promise the concept of an action rpg with a character who has telekinesis HAD on paper (and in the awesome cut scenes), and then actually live up to that potential by letting you DO awesome stuff with TK powers (instead of just levitating enemies, and throwing them at other enemies, ad infinitum).

The game is fully painted by the folks at Vanillaware, with the cutscenes reminding me of my favorite storyline scenes from Twisted Metal 2, almost paper - doll like yet alive.

Kaari Upson's recent domestic scenes — upended sofas and despoiled rolls of paper towels at the 2017 Whitney Biennial, and now the GOOD THING YOU ARE NOT ALONE show on the third floor of the New Museum — depict America as a big - box store gone to seed.

Each paper is preserved and presented in a forensic bag such as that used to gather evidence at a crime scene.

Her tender and technically innovative acrylic - and transfer - on - paper scene of embracing lovers sold for $ 1.1 million after competition among about six bidders, a high for the artist at auction and more than three times the high estimate of $ 300,000.

2015 Mobile M +: Live Art, M +, Hong Kong, China The Malady of Death: Écrire and Lire, commissioned by M + for Mobile M +: Live Art, Hong Kong, China The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane, Australia Office Space, Yerba Buena Center for the Arts, San Francisco, USA Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA Remember Lidice, Edition Block, Berlin La vie moderne, 13th Biennale de Lyon, Lyon, France J'adore, Kunsthalle Lingen, Lingen, Germany Future Light, MAK — Austrian Museum for Applied Arts / Contemporary Art, Vienna, Austria Passing Leap, Hauser & Wirth, New York Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York, USA As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore After Babel, Moderna Museet, Stockholm, Sweden Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA Works on Paper, Greene Naftali, New York, USA Fiber: Sculpture 1960 - present, Des Moines Art Center, Iowa, USA Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany Suppleness and Rigidity — The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The past, the present, the possible, Sharjah Biennale 12, Sharjah, UAE Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium 360 °: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany

Avoiding the brand - name flashiness embraced by 1960s Pop and the slick urban scenes introduced at that time by the Photorealists, the artists in Lifelike investigate the quieter side of the quotidian, choosing potentially overlooked items or moments as subject matter: a paper bag, an eraser, an apple core, a waiting room, an afternoon nap.

In addition to serving as senior editor at Paper magazine, McCormick was lead curator for The Downtown Show: The New York Art Scene 1974 — 1985, an exhibition organized by New York University's Grey Gallery and Fales Library in 2006.

Charles Burchfield (1893 - 1967), worked almost exclusively in watercolor on paper and his primary subject was his experience of nature in his immediate surroundings — scenes from his backyard, vistas near his home captured and imbued with highly expressionistic light, at times creating a clear - eyed depiction of the world and at other times one that is wholly unique, mystical, and visionary.

McClure traces scene after scene of spoken dialogue, removing pigment from the paper with each transcription, ultimately condensing the entire text from the full season so that it can be viewed at once, impossible to decipher.

Avoiding the brand - name flashiness embraced by 1960s Pop Art and the slick urban scenes introduced at that time by the Photorealists, the artists in Lifelike investigate the quieter side of the quotidian, choosing often overlooked items or moments as subject matter: a paper bag, an eraser, an apple core, a waiting room, an afternoon nap.

An Uruguayan sculptress who is drawing particular attention on the international scene — just to mention her recent solo shows at Zona MacoMexican Contemporary Art Fair, Mexico City, and the National Museum of Visual Arts (MNAV) of Montevideo, Uruguay — Verónica Vázquez (Treinta y Tres, 1970) focuses her research on found materials, such as iron, fabric, cardboard, paper, threads of varying thicknesses.

In conjunction with his recent solo exhibition at the Charlotte Street gallery in London, Ross Bonfanti's concrete and soft toy sculpture introduce another contrasting texture, the rawness of which complements the richly - layered paintings of Scottish artist Alasdair Wallace and the collage winter scenes of Dione Verulam, crafted from antique book - binding papers and old lithographs.

«a / drift: Scenes from a Penetrable Culture,» curated by Josh Decter, Bard Center for Curatorial Studies, Annandale - on - Hudson, NY, October 26, 1996 — January 5, 1997 «On Paper II,» Schmidt Contemporary Art, St Louis, MO, January 23 — February 20, 1996 «Tangles,» Otis College of Art and Design, Los Angeles, CA, November 2 — December 21, 1996 «Community of Creativity: A Century of MacDowell Colony Artists,» Currier Gallery of Art, Manchester, NH, 1996; traveled to the New York School of Design, New York, NY; Wichita Art Museum, Wichita, KS «The Inner Eye: Art Beyond the Visible,» Manchester City Art Galleries, Manchester, UK, 1996; traveled to the Museum and Art Gallery, Brighton, UK; Glynn Vivan Art Gallery, Swansea, UK; Dulwich Picture Gallery, London, UK; catalogue «Hotter Than July,» Margo Leavin Gallery, Los Angeles, CA, 1996 «a / drift,» Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY, 1996; catalogue «Inclusion / Exclusion: Art in the Age of Post-Colonialism and Global Migration,» Steirischer Herbst 96, Graz, Austria, 1996; catalogue «Art at the End of the 20th Century: Selections from the Whitney Museum of American Art,» National Gallery, Alexandros Soutzos Museum, Athens, Greece, 1996; traveled to Museu d'Art Contemporani, Barcelona, Spain; Kunstmuseum Bonn, Bonn, Germany; catalogue «Burning Issues: Contemporary African - American Art,» Museum of Art, Fort Lauderdale, FL; brochure «Thinking Print: Books to Billboards 1980 - 1995,» Museum of Modern Art, New York, NY, 1996; catalogue «10th Biennale of Sydney: Jurassic Technologies Revenant,» Art Gallery of New South Wales, Sydney, Australia, 1996; catalogue «The Mediated Object: Selections from the Eli Broad Collection,» Fogg Art Museum, Cambridge, MA, 1996; traveled to Forum for Contemporary Art, St Louis, MO «An American Story,» Whitney Museum of American Art, New York, NY, 1996 «Festival Exit,» Maison des Arts de la Culture, Paris - Creteil, France, 1996 «Screen,» Friedrich Petzel Gallery, New York, NY; video catalogue «Prospect «96,» Frankfurt Kunstverein, Frankfurt, Germany, 1996; catalogue

2006 Gregos, Katarina, «Eve Sussman, The Rape of the Sabine Women», Flash Art, Jan / Feb Cacoulidis, Cleo, «Sabine Modern: On Location with Eve Sussman & The Rufus Corporation», Art Papers, Jan / Feb Coulson, Amanda, «Spontaneous Combustion», Modern Painters, Dec. 2005 / Jan 2006 2005 Spyridaki, Alexandra, «Video Art», Epsilon, April 17th Schumacher, Mary Louise, «Homage to the Master», Milwaukee Journal Sentinel, February 17th Mays - Powell, Harriet and Eve Sussman, «Frieze Frame», New York Magazine, February 14th Hoban, Phoebe, «Into the Mosh Pit with Velasquez and David ``, The New York Times, February 6th, Snider, Suzanne, «Eve Sussman», The Believer, February Maclaren, Becca, «Another look at Velasquez», Bennington, Fall 2004 / Winter 2005 2004 Stevens, Mark, «Beyond the Frame», New York Magazine, December 13th Gopnik, Blake, «Whittling Down the Whitney», The Washington Post, March 14th Saltz, Jerry, «Being There», The Village Voice, May 7th 2003 Sussman, Eve, «The Paper Sculpture Book», Goggles for Kaleidoscope Eyes, Cabinet 2001 Sussman, Eve, Cabinet Instant Replay, Fall 2001 2000 Sussman, Eve, «The Whites Were a Mystery», Peirogi Press, Fall 1999 Anton, Saul, «Eve Sussman, China / White (Art Reviews)», Time Out, September «Goings on about town, Eve Sussman», NewYorker, October 1997 Halle, Howard, «Eve Sussman, Ornithology» (Art Reviews), Time Out Smith, Roberta, «Despite Changes a Gallery Scene that's Resilient», The New York Times, May Schwendener, Martha, «Eve Sussman, Ornithology», The New Art Examiner, July Fritz von Klinggäff, Die Tagezeitung, «Das Verschwinden des Barbiers», November Gear, Josephine, «Eve Sussman @ Bronwyn Keenan Gallery», Review, May Berger, Laurel, «In Their Sights», Art News, April 1996 Coen, Eva, «Casa tua «e Casa mia», Guiliette, September 1996 1995 Glueck, Grace, «Prowling the City for Public Art», The New York Observer, August 1995 Cotter, Holland, The New York Times, August 1995 1994 Melrod, George, Sculpture, (NYC exhibition review), January 1994 Mattei, Peter, «Who has enlarged this hole?»

Along these lines she has published chapters in Deathscapes: Spaces for Death, Dying and Bereavement, Ashgate (2010), and Telling Stories: Countering Narratives in Art, Theory and Film, Cambridge Scholars Publishing (2009), and presented papers at conferences such as The Death Scene: Perspectives on Mortality, Brisbane (2009); Death, Dying and Disposal 9, Durham University (2009); Arctic Discourses, Tromsø (2008).

Zagreb, Croatia 89 seconds at Alcázar, Focal Point Gallery, Southend - on - Sea, Essex, UK Whitney Biennial 2004, Whitney Museum, NYC 89 Seconds at Alcazar, Margaret Harvey Gallery, Hertfordshire UK Sprawl, Chewyprojects, NYC 2003 The Paper Sculpture Show, Sculpture Center, LIC, NY 2002 Eye - Stalk, Smack - Mellon Gallery, Brooklyn, NY Artist to Artist, Ace Gallery, NYC Brooklyn in Paris, Espace Paul Ricard, Paris, France 2001 Dialogue of Things, Mysliborz Regional Museum, Mysliborz, Poland 1999 China / White - scenes from an exile, Bronwyn Keenan Gallery, NYC 1998 Seven Year Itch, Ambrosino Gallery, Miami FL InSitu, site - specific installation @ Linda Hall Library, Kansas City, MO 1997 5th International Istanbul Biennial, Istanbul, Turkey New York Drawers, Pierogi 2000 @ the Gasworks, London U.K. Ornithology, Bronwyn Keenan Gallery, NYC Just what do you think your doing Dave?

«Will Barnet: 1950s Works on Paper» at Alexandre Gallery is the latest in a string of recent shows delving into less familiar and esoteric aspects of the New York art scene circa 1950.

The defendant entered the scene when an intermediary approached a deputy editor at the Sunday Mirror, a paper in the MGN stable.

In direct examination, he testified that at the scene of the accident a witness had written down the accident location on his vehicle registration papers and he could not read her handwriting so reported to ICBC that the accident had happened in New Westminster and that he was coming from Douglas College.

It basically gives you a little behind the scene peek at Paper & Fox.

I have been working behind the scenes over at the Paper & Fox World Headquarters (my kitchen table) to get Paper & Fox Custom Watercolors up and running.