Sentences with phrase «scenes between»

There's a lot of nuance to navigate in the scenes between Daniel and Marek, yet they strike the perfect balance, communicating layers of distrust while never sacrificing the foundational chemistry that drew them together.

The tragic LGBT best friend is another cinematic cliché, of course, but at least the scenes between Gillan and Matthew Beard's Alistair demonstrate her strength as both director and actor, capturing the easygoing camaraderie and tender intimacies true friendship can elicit with a looseness and naturalness absent from the rest of the film.

That's not to say «The Hitman's Bodyguard» is a total wash, however; the cast seems game, and perhaps they realize it's on them to elevate the material, so the scenes between Reynolds and Jackson have some genuine snap to them, even though the dialogue and characterization are barely memorable.

Actress EMILY BLUNT reportedly turned down a role opposite controversial British comic RUSSELL BRAND - because the sex scenes between the pair were too explicit.

Scenes between Brolin and Jennifer Connelly, playing Marsh's loving but long - suffering wife Amanda, are highly charged and very affecting.

Some of the scenes between Bridges and Arquette slightly elevate what's essentially a B - level movie.

Most of the movie consists of scenes between Lopez and Fonda, meetings of earth and fire.

The scenes between Mackenzie Davis and Charlize Theron are so gorgeously written, they push out new space in the studio apartment generally occupied by female character.

So begins the punchy scenes between Nick and Clyde, where the attorney thinks he has Clyde dead to rights, but Clyde begins to pull some sly legal tricks by not outright confessing but making clear he's responsible for the deaths of the two men and demanding a deal in exchange for his confession.

The film starts off surprisingly well — especially the scenes between Kinnaman's recovering cop and Oldman's conflicted doctor in the OmniCorp labs — but it begins to drag in the middle and never quite recovers.

The fight scenes between the real - life actors and wholly CGI villains are the one truly magnificent aspect though, as the vile creatures pounce, grab and wrestle in seamless fashion with the actual environs.

Sandler's late - career weakness for familial bonding comes into play here, too: His ease in the warm scenes between Danny and Eliza have the heartbreaking dimension of a guy whose real successes in life (primarily parenting) could resemble arrested development, his rapport with a teenager looking almost too easy.

Sure, there are love scenes between Ellen and Kate, but unlike the love scene in the Rachel McAdams - Rachel Weisz - starring Disobedience, these aren't about freedom.

The scenes between Christine and her father might not be as emotionally powerful as the ones with her mother, but they still spark emotion and feel very true to life.

The scenes between her and George work, but until the finale, they feel just as tacked on as the rest of the neighbors.

The awkward romantic scenes between Anna Kendrick and him were outstanding.

Honestly, there are some scenes between the two that I can confidently say Stewart was the best part of.

Similarly, the cartoon action and colourful tone compete with slower, talky scenes between Gamora and Thanos.

Luhrmann... confirmed he'd found his man: «In casting Tom one had to find an actor who could credibly be (as Fitzgerald describes him) «one of the most powerful ends that ever played football at New Haven,» had five - star acting chops and in the big dramatic showdown scenes between Gatsby and Tom, hold the screen against Leonardo DiCaprio, in the appropriate age group.

Overall though it is the scenes between a young boy and an old man that carry the heart and soul of this film.

Not only can you wear the green garb of the legendary hero but players will also be able to dress up the companion character, a Felyne called Nabiru, as Skull Kid, which leads to some pretty bizarre cozy scenes between Link and one of his creepiest foes.

There are some good scenes between Abbie and her mother (the wonderful Tamara Tunie), where Abbie pushes her mother away, resenting the worried interference.

I liked the scenes between Anne Hayward and Keir Dullea in The Fow 1967.

The scenes between the two are just wonderful.

The scenes between the Russian (Whip Hubley) and the kids are the best part of the movie, partly because the kids are so well cast.

He is energetic and fun as you would expect from the role, but shows a lot of emotional depth during several powerful scenes between Lumpy and Ramsey.

There are some good scenes between Myron and Abbie, especially when Myron opens up about his own marriage.

Again, it's not a role that breaks any new ground, and much like Neeson, Harris can do this sort of thing in his sleep, but he's fantastic here and the scenes between he and Neeson in particular are very good.

The scenes between Moll and Pascal are electric, thanks to the beautifully calibrated performance of Jessie Buckley, who plays Moll with subtle shadings of innocence, defiance, desperation and menace.

The connecting scenes between those three amazing fights are played at the speed of a disabled tortoise.

The scenes between these men, staring at each other across a table in a barred room in the prison, work, not so much as intellectual debates (because anyone with a shred of decency will know that Blomfeld is wrong), but as a study of patience and the willingness to find some understanding with another human being — even a man as monstrous as Blomfeld.

There is also a complete lack of tension, which is most notable in scenes between Antonina and Heck.

However, in scenes between Heck and Antonina there isn't the tension you'd expect from this kind of scenario; the common «scary Nazi is attracted to heroic Jewish sympathiser».

The scenes between Buscemi and Plummer provide many of the film's best moments.

The scenes between her and Lady Bird are the film's strongest, and the brief glimpses into her professional life (she is seen counseling a priest and a teacher at Lady Bird's school who suffers from depression) are intriguing.

IT also makes the silence all the more chilling in the scenes between him and Forrester.

It's the scenes between these two where the story finds it's heart and best storytelling tactics.

The scenes between Dern and June Squibb as his feisty wife are hysterical.

While it's unlikely that the smörgåsbord of well - known faces will disrupt any scenes between the characters, there's no doubt that it could be one of the largest ensemble casts in superhero film, if not general film, history.

As I am truly a sucker for romance between elderly people, I found the scenes between Helen Mirren and Christopher Plummer particularly moving.

The bursts of violence are then more affecting than they otherwise would be, and even more impressively, the quiet (or loud) scenes between the characters are usually the most gripping parts of the film.

But the film never loses sight of the significance of Ali's command of the media, particularly in scenes between Ali and Cosell, the old «strange looking white man» who becomes the boxer's on - air verbal sparring partner and off - screen confidante.

For the time being, I'll say that it's as much for the scenes between the two women (played by two extraordinary actresses, Anne Dorval as the mother and Suzanne Clément as the neighbour) and for the scenes between mother and son (Antoine - Olivier Pilon).

Purportedly a heist film — we know almost immediately that the story is headed in this direction — the movie surprisingly has most of its dramatic tension in the first half, during the scenes between Gal and Logan.

Some dialogue scenes between Spider - Man and the Green Goblin are awkward because of the costuming.

But it's the scenes between Gleeson's nice - guy Caleb and Vikander's cold and naïve Ava that make «Ex Machina» work as well as it does, striking such a great rapport that it completely sells the idea of a man falling in love with a robot, no matter how ridiculous that may sound.

Civil War further benefits from including several fun interactions between the movie's various superhero characters, with the dynamics between Scarlet Witch / Vision and Bucky / Sam Wilson a.k.a. Falcon (Anthony Mackie) among the highlights - while Natasha Romanoff / Black Widow's (Scarlett Johansson) tendency to shift allegiances makes the scenes between her and both Steve / Tony all the more interesting for it.

All of their kids go to the same school (although the kids of the latter two moms might as well not exist at all, since those kids have about three scenes between them).

At first, Ruth and Amy's banter leads to some genuinely funny scenes between Kunis and Baranski, but as the older mother's antics get increasingly more selfish and destructive to her daughter's morale, it becomes practically impossible to care or feel bad for Ruth in any way whatsoever.

There is some actual meat to the scenes between the two, as, from his professor, the egotistical, young «smart aleck» learns about the balance of the author's voice with an actual story, the humility of rejection, and that being a writer means a devotion that doesn't always result in success.