Sentences with phrase «scenes do»

Low - light scenes don't pose too much trouble, with very little image noise creeping in unless things get really dark.

As I've been saying for years... the big art scenes don't need you — and chances are, they don't want you.

The trademark «comic panel» cut scenes don't use voiced dialogue, nor do standard in - game dialogue sequences.

«Indie game scenes do have a narrative, and it is as alien to me as a triple - A narrative.

One word of warning though, the CGI cut scenes do not held up well, and are laughably bad.

Some scenes don't even add up, like so - called further training.

The «action» scenes don't inform the story either.

These scenes don't require much thought; instead, players are able to walk around the locale, blindly pressing square in order to find pieces of information.

But the sound implementations and the scenes do effectively give a nice impression.

If you are wondering whether or not Grand Kingdom features a voice track, you will be pleased to learn that most cut scenes do offer a choice of English or Japanese voiceovers.

Most of the scenes do have voice acting, but there are quite a few that are text - only.

This is ripe for an awesome climbing puzzle, but instead we just hold forward, and scripted scenes do the rest.

Pull over and just breathe it in for a while: scenes don't get much lovelier than this, especially in fall when aspen leaves paint the lower hillsides and shorelines gold.

We talked about how many scenes you need this post, Writing Short Stories: How Many Scenes Do You Need?

Graphically violent scenes do not deter me from reading a mystery — so many of the plots are grisly, after all — but many readers want a suspenseful book that will not make them wince.

And through your actions and your reactions, you also get to decide what scenes don't make the cut.

What scenes do you see overused in your genre?

But those sad scenes do nothing to detract from the humour of Risa and Otani, often referred to by friends as the comedy duo.

Plus, how many torture scenes do we need between Keller and Alex?

Something that stimulates and pushes the senses of our being to their brink a lot of the time as the scenes don't break away from the insanity both we and the characters may be facing.

People went hoping that this vengeance tale would be Chan's version of «Taken» and were likely surprised to see that it's much talkier movie than they were expecting, and the action scenes don't have that typical Chan energy as he's too often leaning into the age of his character (although there are a couple of neat stunts).

But its preoccupation with feminine revenge against men and its elaborate murder scenes do more to predict the rise of the rape - revenge sub-genre than reflect noir.

Early scenes do a decent job of portraying the friendship between Judah and Messela.

Though Bobby is far from a «showcase» role, Dafoe's scenes do provide «The Florida Project» «with its only legitimately dramatic moments.

Succeeds in the top priority of creating a worthy opponent for its superheroes and giving the latter a few new things to do, but this time the action scenes don't always measure up.

«This is as «real» acting as the other live - action actors, and the emotions in the scenes don't come from pressing a button or moving a slider.

Sadly, the final scenes do not do justice to Spielberg's intentions.

The repetitive porn scenes do nothing but stall the plot but are there to titillate both genders in the audience.

As we don't, these scenes don't evoke the emotion they should.

Director Steven Quale's storm scenes do look great.

Sometimes deleted scenes don't make a difference, and I don't think they would have with Prometheus.

These scenes do lessen the effect of the film and prove that jingoism in any country is still jingoism, but the rest of the story works too well for them to do too much harm.

And while these scenes do include the presence of the family pet, a gorgeous St. Bernard, he's only around to provide comical reaction shots (the surest sign of lazy filmmaking).

Even though most of his scenes don't need to exist, De Niro does fairly well as Pope.

It's not perfect — the final few scenes do bring the film back down to earth with clichés and conventions that had mostly been glossed over previously, and a final scene that lies curiously flat — but it is still, quite handily, the best entry in the Mission: Impossible series.

It's really immersive at that moment, though some of the scenes don't have the same level of involvement.

These scenes don't grow out of any natural point.

Action or fight scenes don't just happen here for the sake of an actor getting to look cool (Affleck looks pretty damn badass in this, I must admit) but rather any fist fight or gun battle takes place because the story demands it.

The deleted and extended scenes don't add much, but the bloopers are fun to watch even if you don't normally like this sort of thing.

This film doesn't include overt nudity or sexual activity, but scenes do depict young women in minimal dress, some of whom are seen with men.

For whatever reason, these scenes do not provide the requisite lightheartedness to balance out the melodrama best epitomized by the opening scene's «it was a dark and stormy night» cliché, which pervades the tone for the story's duration.

The film crawls along, held together by political scenes we do not care about and history - butchering moments.

But those scenes do amplify key moments in the film and are as good as any included in the almost 2 1/2 - hour running time.

The film's sudden shift to a spoof of Leave it to Beaver is jarring, but the home - based scenes do yield some amusing moments.

The action scenes do nt seem to have progressed past The Longest Yard from 30 years earlier.

The on - field scenes do nt even hold a candle to Any Given Sunday.

It has a melodramatic, overwrought tone, some of the acting (especially by Bill Travers) is really bad, & despite the desire to decry racism, some scenes do have a racist edge the the contemporary eye.

Day sequences and heavily - lit environments benefit best, while darker scenes don't fall that far behind.

New scenes do a better job of establishing the characters — not only of Dreyfuss, but also of Francois Truffaut, as the French scientist.

They are meant to be the film's comic relief, but their scenes do not fit with anything around them.