Sentences with phrase «scenes footage shot»

Producer Mike Kaplan has gone the extra distance to find interviews and behind - the - scenes footage shot during filming on location in Maine, conducted new interviews and shared his own vivid memories of making this lovely picture with director Lindsay Anderson and a once - in - a-lifetime cast: Bette Davis, Lillian Gish, Ann Sothern, Vincent Price, and Harry Carey, Jr..

Not exact matches

Tucked between footage we'd already seen in the full - length trailer were some new shots of characters and scenes.

New footage from the scene where unarmed 12 - year - old Tamir Rice was shot and killed by police shows Rice's 14 - year - old sister running up minutes after he was shot, only to be...

New footage from the scene where unarmed 12 - year - old Tamir Rice was shot and killed by police shows Rice's 14 - year - old sister running up minutes after he was shot, only to be knocked to the ground by police officers.

See outtakes and behind - the - scenes footage of Hailey's photo shoot in turks & caicos.

See outtakes and behind - the - scenes footage of Samantha's photo shoot in malta.

See outtakes and behind - the - scenes footage of Kate's photo shoot in Switzerland.

See outtakes and behind - the - scenes footage of Kate's photo shoot in Tennessee.

See outtakes and behind - the - scenes footage of Sara's photo shoot in Route 66.

If Bay shot footage of an intersection, the animators would integrate computer imagery into Bay's background plate so they could better control the action of the animated characters moving through the scene.

The Redbook team captured some fun behind - the - scenes interviews and exclusive footage of our shoot in the video below:

Blu - ray Highlight: In addition to an excellent six - part documentary that runs the entire gamut of production — from location shooting in Romania, to Nicolas Cage's (creepy) performance capture of the Ghost Rider, to special effects and more — the Blu - ray also includes a feature similar to Warner Bros.» Maximum Movie Mode where directors Mark Neveldine and Brian Taylor dissect the film (sometimes pausing it to discuss certain scenes in more detail) with the help of behind - the - scenes footage.

The additional footage doesn't bring anything new to the story at all, and the extended Murphy death scene includes a panning shot of a dodgy looking model of Murphy right before he takes a bullet to his clearly fake head.

Footage is in quotation marks above because, well, this teaser is a weird mix of moving images, still photos, and behind the scenes shots of Refn and the cast - Miles Teller, Jena Malone, and John Hawkes, amongst others - all set to Cliff Martinez's trademark portentous synths.

Featuring a scene of poor old David proposing to Janet on the day he wouldn't see the end of specially shot for the trailer, as well as talking - to - the - camera Stewart footage, it is in reasonable shape visually, although the soundtrack is rather hissy.

Ridley shot and edited the movie with lots of long takes, overlapping dialogue, some challenging non-linear editing during certain scenes, and used historical footage and old photos from the period.

But with these two movies — one set against the backdrop of the movie biz, the other in the music scene — shooting last year back - to - back, we can only imagine the unbelievable stack of footage Malick's teams of editors are sorting through, as they cut half the cast out and help him find the movie and tone he wants.

That renders it promotional but it is plenty substantial too, giving us welcome looks at filming, set and press interviews with cast and crew, pertinent clips from Tarantino's previous movies and shoots, and even B - roll footage of a deleted scene.

I wrote the script based on my book and some people said the script did not exist and we actually put several trailers on the YouTube or you can go to theneighborssitcom.com or tommywiseau.com and you will see that the script actually exists because we have the footage, we shot behind the scenes 24/7 cameras were always rolling.

The Native Filmmakers Lab, now in its second year of providing dedicated support for short film projects, allows Fellows to identify and break down challenging scenes from their scripts, rehearse with actors, shoot test scenes, edit footage and present for constructive critiques.

Joon - young will re-create the original scenes (which Ji - oh shot), while Ji - oh rushes to the editing room to work on the new footage as it becomes available.

According to the course description, «the movie's source material, script, shot lists, storyboards, shooting schedule, VFX, final cut and even exclusive behind - the - scenes footage» will give students an in - depth look at how a Hollywood film is made.

There is no new footage and no interviews shot for this film, only archival material from Brando's performances, his television interviews and some behind the scenes footage and rare videos of his personal life.

Moving herds of hundreds of animals yield no compression artifacts and all of the scenes are shot in daylight, avoiding the grain of nightvision footage.

«Gremlins: Behind - the - Scenes» is a 1983 vintage featurette featuring footage from the shoot.

YouTuber and X-Men devotee «Philysteak» must be a big fan of the»90s X-Men: The Animated Series, because their shot - for - shot recreation of the X-Men: Apocalypse trailer painstakingly lines up footage from that cartoon with the live - action scenes.

Warner Bros. has unveiled a behind - the - scenes featurette for The Dark Knight Rises that includes more than 13 minutes of movie footage, interviews with cast and crew, and set shots that somehow still manages to keep all the secrets of the conclusion of Christopher Nolan's Batman trilogy.

If you're looking for some behind - the - scenes footage, there's one video of Sam Claflin walking around in his underwear and another of Lawrence trying to predict how high they can go up in a Hovercraft before the fall would kill them, but the standout is definitely the video of Natalie Dormer getting her head shaved to play Cressida, the director of Katniss» propo shoots.

Using real rodeo footage shot by director Nicholas Ray (Rebel Without a Cause) that gives it a semi-documentary feel, the action scenes are a sight to behold and actually drew me in, despite my previously stated disinterest in the sport.

In the midst of ABC Family's Harry Potter week, the channel aired some behind - the - scenes footage narrated by producer David Barron of Daniel Radcliffe, Rupert Grint and Emma Watson diving onto a pad in a green screen shot, the final shot they'll ever shoot within this franchise.

Other production sections include «Sequence Breakdowns,» covering 6 key fight scenes and locations, and offers viewers the chance to read the scene in Goyer's screenplay, compare it with the final shooting script, view the scene through storyboards, jump to the scene in the finished film, and view video footage from the set.

Running time: 129 minutes Studio: Fox Home Entertainment 3 - Disc DVD Extras: Widescreen theatrical feature film, unrated director's cut, Wolverine theatrical trailer, Valkyrie, S. Darko, The Wrestler, Seth MacFarlane's Cavalcade of Cartoon Comedy, commentary by director George Tillman, Jr., screenwriters Reggie Rock Bythewood and Cheo Hodari Coker, and editor Dirk Westervelt, commentary by with Biggie's mom Voletta Wallace, and his manager Wayne Barrow, Behind the Scenes: The Making of Notorious, I Got a Story to Tell: The Lyrics of Biggie Smalls, Notorious Thugs: Casting the Film, Biggie Boot Camp, Anatomy of a B.I.G. Performance, Party & [Expletive](never before seen footage), The B.I.G. Three - Sixty, Directing the Last Moments, It Happened Right Here, The Petersen Exit, The Shooting, The Impala, The Unfortunate Violent Act, The Window, 9 Deleted Scenes, 4 extended / alternate concerts, trailers from: Secret Life of Bees, Gospel Hill and Slumdog Millionaire, digital copy.

is a somewhat standard promotional documentary comprised of on - set interviews, shots from the film, B - roll footage, and a few (too few) nifty behind - the - scenes special effects sequences.

The idea of found footage and shooting the movie from the point of view of a video cameras is fully executed down to each scene.

As for what they might be showing from The Avengers: Age of Ultron, they could show some behind - the - scenes footage of what they've been shooting Johannesburg, South Africa.

Clearly shot - later footage is shoehorned into scenes so ungracefully that poor Kate Mara's real hair / fake hair / real hair edits become actively distracting, characters make abrupt U-turns with no explanation, any sense of causal logic goes out the window, and the film does not so much end as just stop practically mid-sentence.

Partially shot by director Spike Jonze (he and Coppola were married from 1999 - 2003), the documentary features cast / crew interactions, glimpses of Coppola's directorial methods, various scenes from the movie in the process of shooting, and plenty of entertaining footage of the always great Bill Murray — including more than a few instances of his favorite phrase to recite in Japanese: «who do you think you're talking to?»

It is surprising the director found time and energy to film this low - tech (color flickers in and out and Scorsese shoots himself Blair Witch - style) but delightfully candid behind - the - scenes footage that takes us around the set and trailers.

Audiences actually weren't too upset because this collective death scene was as side - splitting as it was stunning, and director David Leitch previously told UPROXX that he enjoyed «f*cking with the audience through Deadpool's lens,» so co-writer Rhett Reese had the actors shoot the footage with the understanding that it wouldn't be part of the film.

It's very heartening, too, that the DVD features such a robust slate of bonus material, anchored by 50 minutes» worth of behind - the - scenes footage that includes interviews with all the cast and crew, and charts the movie from inception (producer Ian Birkett was a film school classmate of Andrews, and his older brother Paul worked up the script) through pre-production work, shooting up in Canada, and post-production.

As expected since the finding of footage is part of the plot, the popular found footage technique of contemporary mainstream horror takes up a good chunk of Demonic, with more traditional shooting methods being used for the investigation and interrogation scenes, as well as flashbacks to the group's initial arrival at Livingston.

The sole extra on the DVD is a five - minute behind the scenes segment, which isn't so much a making - of featurette than a gag reel type assembly of B - roll footage from the film's shoot.

That dedication pays off tremendously, as Everest seamlessly combines the on - location footage with scenes shot in studio, and embellished with CGI, for an experience that is frighteningly in your face, never showing any cracks in where the real environments end and the generated ones begin.

Once that droll scene ends, we're back to the Falcon and more reused footage from ANH, with Tie Fighters swooping and shooting at nothing.

The TV spot features only behind - the - scenes footage of the film currently shooting, since it's a major production and they just started a month ago (and it doesn't come out until 2017).

«Deleted Scenes» (7 mins., SD) extends a couple of moments and offers one extra shot of minor discomfort, while «In the House of the Devil» (14 mins., SD) takes its cue from a few Kim Ki - duk extras in presenting a cluster of behind - the - scenes footage without any narration or organizing prinScenes» (7 mins., SD) extends a couple of moments and offers one extra shot of minor discomfort, while «In the House of the Devil» (14 mins., SD) takes its cue from a few Kim Ki - duk extras in presenting a cluster of behind - the - scenes footage without any narration or organizing prinscenes footage without any narration or organizing principle.

Both segments show the directors using a variety of previsualization techniques to first sketch out, then shoot reference footage of each scene in detail, with stunt performers standing in for the stars.

We've got behind the scenes footage of her photo shoot at the Bullz - Eye Blog and some hot pics at our Kelly Brook profile page as well.

From the appearance of the credit «written and directed by Brian De Palma» overlaid on the sleek outer casing of an Apple MacBook Pro to a shot of a car driving into and destroying a parking - lot Coca - Cola machine, there's a through line of anticorporate humor that juxtaposes the ideas of «art» and «product» — never more so than in an amazing, extended split - screen scene in which footage of a ballet performance competes for our attention with a knowingly clichéd, Halloween - style slasher - on - the - loose set piece.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.