Sentences with phrase «scenes footage so»

Not exact matches

PRO: The «Bite and Smile» is so familiar to audiences that its lift - bite - chew motion operates subliminally — rather than intellectualizing the process, a viewer simply regards the footage as a natural activity associated with your product, like scenes of a car being driven or a mobile phone being talked - on.

If Bay shot footage of an intersection, the animators would integrate computer imagery into Bay's background plate so they could better control the action of the animated characters moving through the scene.

Well the film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?

If you're like me and think 1D makes ears bleed, then the obviously - scripted terrible humor movie this claims to be (heh, calling it a movie as if its good... trust me its not) will throw constant amateur footage of concerts at you instead of giving any scenes with the group in and if so, it will just be dumb little skits.

Correlative footage for many of the trial scenes exists in the first Paradise Lost film; the waxworks reenactments are so robbed of immediacy that they seem almost trivializing.

Perhaps it's because they had so much behind - the - scenes footage on hand that The Curious Case of Benjamin Button received its Criterion Collection stamp immediately, or maybe it was studio politics.

We've already seen behind - the - scenes footage and two teasers so far for the Force Awakens, so more is expected to be revealed soon (especially as Disney gets closer to their D23 convention).

The race scenes, parked at the beginning and the end of the movie, exhibit an unprecedented level of textural detail (at times, only the giant windshield peepers and lolling hood tongues remind that you're not watching real NASCAR footage), while the animators capture the soft dusk glow of the rural heartland so invitingly that Cars 3 may inspire even more road trips than Toys «R» Us shopping sprees.

Extras include a theatrical trailer (which contains so much excised footage it could qualify as a deleted - scenes section), four distinct television spots, a video for Jars of Clay's «Unforgetful You» and a hyperlink to that band's website, plus Britney Spear's «Drive Me Crazy» clip, a headache - inducing rocker that is mercifully underused in the film itself.

Bonus materials include all of the extras found on the DVD, plus Nim's Spyglass BonusView Mode (a picture - in - picture playback so you can simultaneously watch behind - the - scenes production footage and cast / crew interviews) and interactive games (Write Your Own Alex Rover Adventure, Coconut Soccer Game, Seaside Shuffle Shell Game and Nim's Island Trivia Track).

But as was made public well before the film's release, Singer had to cut a lot of footage to get the film to an acceptable theatrical length, and in doing so he cut out almost all of Anna Paquin's scenes as Rogue.

It has its moments, and Whedon / WB did a great job of smoothing over the rough edges so as not to feel like a Frankenstein's Monster of Snyder and Whedon's footage — it's surprising how relatively seamless the movie flows from scene to scene.

JIM & ANDY: THE GREAT BEYOND There is so much more going on here than the behind - the - scenes footage of Jim Carrey's extreme method performance as Andy Kaufman in Man on the Moon.

The trailer shows off lots of cool game play footage without dialogue, but also shares a couple of scenes that some fans may consider spoilers, so be warned!

Scotsman Danny Boyle contributes commentary to the feature as well as a section of poorly - preserved deleted scenes (each overzealously watermarked within the letterboxed bands so that we never mistake it for finished footage).

Clearly shot - later footage is shoehorned into scenes so ungracefully that poor Kate Mara's real hair / fake hair / real hair edits become actively distracting, characters make abrupt U-turns with no explanation, any sense of causal logic goes out the window, and the film does not so much end as just stop practically mid-sentence.

Audiences actually weren't too upset because this collective death scene was as side - splitting as it was stunning, and director David Leitch previously told UPROXX that he enjoyed «f*cking with the audience through Deadpool's lens,» so co-writer Rhett Reese had the actors shoot the footage with the understanding that it wouldn't be part of the film.

The extended versions of scenes which exist in the film often contain only a smattering of new footage, so we are forced to sit through something we've already seen.

So to get The Room footage for the side - by - sides, we had to put the scene back in.

So, sorry DVD owners, no footage of Christian Bale's rant, no topless Moon Bloodgood scene.

Academy Award - winning director Guillermo del Toro was so smitten with the diner's art deco aesthetic, he set extra scenes in the greasy spoon, according to Hakim, although it's unclear how much of the footage made it into the film.

The sole extra on the DVD is a five - minute behind the scenes segment, which isn't so much a making - of featurette than a gag reel type assembly of B - roll footage from the film's shoot.

From the appearance of the credit «written and directed by Brian De Palma» overlaid on the sleek outer casing of an Apple MacBook Pro to a shot of a car driving into and destroying a parking - lot Coca - Cola machine, there's a through line of anticorporate humor that juxtaposes the ideas of «art» and «product» — never more so than in an amazing, extended split - screen scene in which footage of a ballet performance competes for our attention with a knowingly clichéd, Halloween - style slasher - on - the - loose set piece.

So far in the promotional history for Laika Studios» new film The Boxtrolls, we've had a short teaser and a longer, behind - the - scenes - meets - footage - snippets trailer.

Some time - lapse footage of Tokyo at night, a scene of Bly and Simone at a pool with an enormous Japanese flag flying at one end (and an Exit sign in English on the reverse angle)... oh yeah, we are so in Japan.

Morrison Groom destroyed the footage, so the scenes reproduced in Echolalia are, ironically, all that remains of the film --» Why «ironically»?

In an interview with Kingdom Hearts director Tetsuya Nomura by Famitsu, it was revealed that the E3 trailer only showed footage from «only in the Hercules world,» and he also said that the next trailer «will have a Japanese version and a North American version but the battle scenes were from an actual gameplay footage, so we couldn't make them exactly the same.

So, not only does this video include some in depth behind - the - scenes footage, map zoom - outs, and interesting answers to the top questions for whats going on outside of what you can see in the game; it also is introduced by Solid Snake himself!

Unfortunately the music in the original video just cut out after the castle scene for whatever reason, so I had to splice in some ridiculously out of place music from the Wii version to stop the footage from that point onwards being in complete silence.

Scenes pulled straight from Kingsglaive are even used to explain the most important story development in the opening hours of the game, but the footage is so poorly edited it would be totally lost on a player who had filled their boots with canon before starting it.

Trillo even covers motion tracking so your green screen footage moves along with the rest of the scene.

Aerial Video of Mayflower Oil Spill As shocking as that scene on the ground is, this aerial footage of the Mayflower oil spill is easily the most disturbing video of the Arkansas oil spill I've seen so far.

Exclusive content is how creators get patrons to pay them a monthly subscription fee on Patreon, so the startup is equipping them with a Snapchat - like tool to turn their private lives into «behind - the - scenes» footage.

We brought our video camera along with us while we shopped yesterday and hopefully we'll get a chance to use it again today, while we work on the room, so that we can post some behind - the - scenes footage here on our blog.

He didn't get to Tweet as much as he had hoped because it just too darn dark for his cell phone camera, but he was able to shoot lots of well - lit, high - def, behind - the - scenes footage with our friend Josh's RIDICULOUSLY awesome Canon 5D camera, so I look forward to sharing some of it here on our blog this week.

I believe the video will be shown on TheNest.com at some point, so if you're interested in seeing the tour of our home and other behind - the - scenes footage, make sure to check out our video when it posts!