Sentences with phrase «scenes from the film before»

The Blu - ray's top menu and DVD's main menu play choral music over screen - filling scenes from the film before settling on a silent freeze frame.

Not exact matches

Featuring interviews with the band and never - before seen footage, the film features behind - the - scenes views of historic moments from the perspective of the band, their fans, crew and management throughout their sold - out 40th anniversary tour.

Check out this behind - the - scenes featurette from the film opening in limited theatres on 27th December before going wide on 10th January.

From the moment we're introduced to the war between the Assassins and Templars, the film never lets up, and scene bleeds into scene, much like a Christopher Nolan film, before the film just abruptly ends, and you realise you never got a chance to catch your breath.

The film's playful and plentiful bonus offerings include «Piper,» the theatrical short film starring an irresistible sandpiper hatchling; an all - new mini short featuring interviews with Dory's pals from the Marine Life Institute; a behind - the - scenes look at the most challenging character Pixar has ever created; never - before - seen deleted scenes, including a digital exclusive featuring the Tank Gang from «Finding Nemo» who make it their mission to get Marlin and Nemo to the Marine Life Institute; and much, much more.

From the opening scene, which patiently observes Eric Marsh (Josh Brolin), a supervisor at the Prescott Fire Department in Arizona, preparing and packing his gear before training a group of firefighters, it's clear that the film's interests lie in the intricacies and minutiae of firefighting and disaster prevention.

In this clip from the special features of the film's home release, seen first on SPINOFF, the curtain's peeled back a bit on a few scenes to give viewers an idea of how things look before and after the movie magic happens.

Home Video Notes: The Breakfast Club Release Date: 2 January 2018 Criterion releases The Breakfast Club on home video (Blu - ray) with the following extras: - Audio commentary from 2015 featuring actors Anthony Michael Hall and Judd Nelson - New interviews with actors Molly Ringwald and Ally Sheedy - New video essay featuring director John Hughes's production notes, read by Nelson - Documentary from 2015 featuring interviews with cast and crew - 50 minutes of never - before - seen deleted and extended scenes - Rare promotional and archival interviews and footage - Excerpts from a 1985 American Film Institute seminar with Hughes 1999 radio interview with Hughes - Segment from a 1985 episode of NBC's Today show featuring the film's cast - Audio interview with Molly Ringwald from a 2014 episode of This American Life - Trailer - PLUS: An essay by critic David Kamp

Characters walk away from Brown, only to appear in the next scene, as the film flashes back to a time before their departure.

The root and supplemental menus feature a deleted scene from the film of Henry trying to free his pants cuff from the wire leash of a mummified cat carcass (it's beautiful, perversely)-- you have to watch it for a while before you're allowed to select anything, and though you'd think that'd be maddening, it's a nice way to prepare for the picture.

He gives them some tips in gift - wrapping and mail - sorting before turning to moviemaking with some behind - the - scenes footage from the filming of the original movie.

I am just back from the cinema and I am still imitating the lines from blak thunder.The touch of ethan cohen make the sense of the film spread in so many ways.He must to had drunked at least one night with Stiller and decide to make the film that represent the sbluf hollywood production system and his stars.The first scene that comes on mine mind in this moment is the «Appocalypsis Now» scene with Stller and Downey at the end and the quasi-phycological dialog.Wonderfull for a men who was searching for a good comedy, my lastone good comedy was Burn After Reading, before that The Boss of it All fromm LArs von Trier.

Black Panther had dominated the box office way before the release of Avengers: Infinity War this past weekend, and with the film available digitally on May 8, (spoilers ahead) a deleted scene from the film has surfaced, emphasizing the relationship between Danai Gurira's character Okoye and her husband, W'Kabi, played by Get Out star Daniel Kaluuya.

This is pure Hollywood formula carried by star power and carry it they do, even though Harlow died before the film was completed (you can spot a stand - in in the scenes where her character remains with her back conspicuously turned from the camera).

Woody's younger son David (Will Forte, in an understated performance that serves as the film's sympathetic core) arrives at his parents» house to hear from his mother Kate (June Squibb, stealing scenes left and right with her brash commentary) how miserable it is to live with Woody, who maybe has a year or two tops, she suspects, before he succumbs to some form of dementia.

In the film's opening scenes, Jack makes an audacious escape from the clutches of King George before smacking blades with the imposter in a tightly choreographed scene reminiscent of the swordplay between Jack and Will Turner (Orlando Bloom) in the original Pirates» movie.

Running time: 129 minutes Studio: Fox Home Entertainment 3 - Disc DVD Extras: Widescreen theatrical feature film, unrated director's cut, Wolverine theatrical trailer, Valkyrie, S. Darko, The Wrestler, Seth MacFarlane's Cavalcade of Cartoon Comedy, commentary by director George Tillman, Jr., screenwriters Reggie Rock Bythewood and Cheo Hodari Coker, and editor Dirk Westervelt, commentary by with Biggie's mom Voletta Wallace, and his manager Wayne Barrow, Behind the Scenes: The Making of Notorious, I Got a Story to Tell: The Lyrics of Biggie Smalls, Notorious Thugs: Casting the Film, Biggie Boot Camp, Anatomy of a B.I.G. Performance, Party & [Expletive](never before seen footage), The B.I.G. Three - Sixty, Directing the Last Moments, It Happened Right Here, The Petersen Exit, The Shooting, The Impala, The Unfortunate Violent Act, The Window, 9 Deleted Scenes, 4 extended / alternate concerts, trailers from: Secret Life of Bees, Gospel Hill and Slumdog Millionaire, digital copy.

The first scene from Brave was previewed almost a year before the film's release, character art from Monsters University was unveiled, 2014's The Good Dinosaur and 2015's Inside Out were announced, and a retrospective panel was held with the talented pool of Pixar directors.

Restoring a few of these cut - scenes would put much - needed flesh back on this skeletal film, though it's worth noting that many of them still suffer from Haythe's insecure shoehorning of subtext into the dialogue, as in a moment where Frank tells a story to guests Shep and Millie they've obviously heard before, only to have April come right out and confirm it.

Joffe, channeling Kubrick's The Shining with long nightmarish shots of hotel corridors and dark shadows behind doors, brings the film to life in these scenes, awakening Before I Go To Sleep (if you will forgive the pun) from its slumber.

Although the three lead actors are all working under serious impediments — Travolta has been equipped with a singularly ridiculous soul patch and a Boston accent that runs the gamut from non-existent to «SNL» sketch broadness, oftentimes in the same scene, Plummer has a role that all but insists on being played in the hammiest manner imaginable and Sheridan (whose previous films have included such better projects as «The Tree of Life,» «Mud» and «Joe») is playing a contrivance instead of a character — they are not without a certain innate charm, and indeed, the best scenes here are the ones in which they are simply allowed to interact and bounce off of each other in a relaxed manner before having to return to the mechanics of the increasingly forced plot.

Given the film's reportedly chaotic development, there's probably five times as much fascinating footage as we get in a tantalizing selection of «Deleted Scenes» (12:22, SD), but we're given trims that compliment the finished product: CIA Director Ezra Kramer (Scott Glenn) testifying before Congress and firing Landy, a slaying on the streets of Spain, Ross getting a point in the right direction, Bourne attempting to squeeze information from a contact, extra footage from the Waterloo Station sequence, two strategic pow - wows between Landy and Vosen, and Bourne seeing off Parsons.

As with Bourne, car chases and hand - to - hand fights are heavily edited, and quite exciting visually, though there is a curious lack of white - knuckle tension that should have resulted from the scenes had the script by first - time feature film scribe David Guggenheim spent more time with the characters to get us to care about their situations before throwing them on the run.

The film moves quickly, working from the outside in, providing glimpses of the powers that be, comfortable and in control in their respective spaces before the weight of inevitability obliges the editors to get to the good stuff, a dynamite, if not bizarre, twenty - minute scene in which Spacey and Shannon are allowed to unbutton and let loose.

Posting on the social media platform Vero, Snyder — who directed part of the film before stepping down — uploaded a photo from a cut scene that shows Ezra Miller's Barry Allen wearing a Watchmen - inspired t - shirt.

Cloud Atlas by David Mitchell contains «never - before - seen footage from the major motion picture, behind - the - scenes material shot during production, and interviews with the author, directors (Tom Tykwer, Andy Wachowski, and Lana Wachowski), and actors (including Tom Hanks, Halle Berry, Hugh Grant, Hugo Weaving, and James D'Arcy) discussing both the book and the film.»

But Knee Deep actually make the UI in the game an actual stage, guiding the player through the story of this fascinating Florida town overwhelmed by this tragedy but orchestrated before the player's eyes and transforming as if hopping from scene to scene in a film or play.

Behind a curtain that is printed with a scene from Disney's Fantasia, a viewing room plays another slow - motion film, A Night in Hell, Part II (2014), in which a flaming man covered in mummy bandages falls before our eyes.

The film weaves together scenes from the places and events that shaped Suzuki's life and career with a filming of his «Last Lecture», which he describes as «a distillation of my life and thoughts, my legacy, what I want to say before I die.»