Sentences with phrase «scenes from the film included»

Other deleted scenes from the film included in the DVD / Blu - ray release include «U.N. Meet and Greet,» «Okoye And W'Kabi Discuss the Future of Wakanda,» «T'Challa Remembers His Father» and «Voices from the Past.»

Depicting portraits, wardrobe tests, and scenes from films including The Hustler, Hud, The Long Hot Summer, Butch Cassidy and the Sundance Kid, and more.

Not exact matches

Noteworthy incidents include John Bonham riding a motorcycle through the hallways, Keith Richards dropping a TV out a window, and scenes from Almost Famous being filmed there.

J. Michael Straczynski's original script was jettisoned in favor of an unfinished one by political thriller specialist Matthew Michael Carnahan (State of Play, Lions for Lambs), with «LOST» - alum script doctors Drew Goddard (The Cabin in the Woods, Cloverfield) and Damon Lindelof (Star Trek Into Darkness, Prometheus) brought in later to write a host of reshoots, including a new climax and ending to the film (the repeated use and imbibing of Pepsi products during these scenes would indicate the source for much of the additional reshoot budget), that pushed the release date from a winter of 2012 release to the summer of 2013.

There are nods to previous Mission: Impossible movies, including the famed wire - drop from the first film when Hunt and company decide to... get this... infiltrate the Vatican (a scene that is accompanied by a charmingly amusing performance of Cruise going all Italian), and even a small homage to «Top Gun».

Not long after our intrepid heroes» arrival in Hollywood, there's a big showdown including most of the characters from the film, and this single scene probably packs in as much madcap insanity as the whole running time of Meet the Feebles.

Recruited by an old chum (Peter Boyle) to help find an exotic prostitute missing in Chinatown, Hammett enlists his implausibly gorgeous neighbor (Marilu Henner) to play Girl Friday as he matches wits with colorful actors including Jack Nance («Eraserhead» and other David Lynch works), David Patrick Kelly (whose strangled voice is an interesting counterpart to his iconic «Come out to play - yi - yay» taunt from «The Warriors»), Roy Kinnear and a few old - timers from film noir's heyday (the scene with Sylvia Sidney is especially good).

The action sequences and fight scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing scenes in Creed, as well as many a James Bond film during a nightclub sequence right out of something like Skyfall.

The film's playful and plentiful bonus offerings include «Piper,» the theatrical short film starring an irresistible sandpiper hatchling; an all - new mini short featuring interviews with Dory's pals from the Marine Life Institute; a behind - the - scenes look at the most challenging character Pixar has ever created; never - before - seen deleted scenes, including a digital exclusive featuring the Tank Gang from «Finding Nemo» who make it their mission to get Marlin and Nemo to the Marine Life Institute; and much, much more.

They include an alternate opening of Carol doing an voice exercise with an annoyingly - voiced woman interviewing her in a bookstore, more of and on Dani and Moe's rocky marriage, a scene featuring an accomplished female voiceover artist (played by Melissa Disney), and a number of additional clips from the convincing fake reality dating TV show woven throughout the film,

Blu - ray Highlight: In addition to an excellent six - part documentary that runs the entire gamut of production — from location shooting in Romania, to Nicolas Cage's (creepy) performance capture of the Ghost Rider, to special effects and more — the Blu - ray also includes a feature similar to Warner Bros.» Maximum Movie Mode where directors Mark Neveldine and Brian Taylor dissect the film (sometimes pausing it to discuss certain scenes in more detail) with the help of behind - the - scenes footage.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

Plus, the film is peppered with great performances from seasoned pros, including Christopher Plummer, Willem Dafoe, and a scene - stealing Jodie Foster.

A smattering of extras begins with a deleted scenes section that more accurately details abandoned concepts for the films; running 12 minutes when «play all» is selected, «All Things Deleted» includes intros from producer Pam Marsden, Disney Toon executive Jeff Howard, and director Matthew O'Callaghan that never once make mention of the precedent - setting nature of the production!

Too much of the time, though, director Rod Lurie (a former film critic whose directorial credits include political dramas such as «The Contender») establishes a pace that dutifully trudges from scene to scene rather than taking time to reveal anything unexpected.

Blu - ray extras include audio commentaries on all three films by writer - producer Bob Gale and producer Neil Canton; a nine - part retrospective documentary; a six - part making - of documentary; deleted scenes; Q&A sessions with Zemeckis, Gale and Fox; a 1989 TV special hosted by Leslie Nielsen; pop - up trivia facts; music videos for «The Power of Love» and (from Part III) ZZ Top's «Doubleback»; and mock 2015 commercials plugging the hoverboard and the release of Jaws 19.

Most of the features that make Lewis» directorial work such a remarkable exception to the dominance of a realist aesthetic in Hollywood filmmaking are brilliantly apparent in The Errand Boy, including the foregrounding of sound manipulation (most blatant in the sequence involving the post-synchronisation of the song «Lover» for a musical film, and in the tape manipulation of Kathleen Freeman's reaction to having been left by her driver in the back seat of a convertible receiving a car wash) and the placement of actors in a shot so as to highlight the presence of the camera (as when Morty, an undirected and oblivious extra in a film - within - the - film cocktail - party scene, keeps looking at the camera from the background of a shot in which other extras, in their roles as party guests, intermittently block him from the camera).

The scene comes in a section of the film that includes video of Mick Jagger and Brian Jones of the Rolling Stones introducing a 1965 British TV audience of screaming teenagers to «one of our greatest idols,» blues legend Howlin» Wolf, and an archival recording of Howlin» Wolf describing how he learned the guitar from his own idol, Patton.

Extras include a six - minute behind - the - scenes featurette whose highlight is star Wilson suiting up for a pre-production supersonic flight; seven deleted or extended scenes — among them odd alternate opening and closing title sequences — with optional commentary from director Moore and editor Paul Martin Smith — these trims carry a viewer discretion warning, for they would've threatened the film's PG - 13 rating; a fantastic, largely CGI pre-visualization (with, again, optional Moore / Smith commentary) of the virtuoso ejection set piece that at times gives Final Fantasy a run for its money; the teaser trailer for Spielberg's upcoming Minority Report; and two engrossing full - length commentaries, one by Moore and Smith, the other producer John Davis and executive producer Wyck Godfrey.

Special features include feature commentary with Writer / Director Scott Stewart, Producer Jason Blum, Executive Producer Brian Kavanaugh - Jones and Editor Peter Gvozdas as well as alternate and deleted scenes from the film.

In the UK, you can also stream the film on We Are Colony, which includes an exclusive bundle of special features, including the film, additional behind - the - scenes interviews, a Q&A from Tribeca, and stills.

It is packed with interesting interviews (including one from 1978 with Donald Pleasance who fails to conceal his contempt for the project) and production trivia (e.g. the mask of the killer originally bore the face of William Shatner), and includes two scenes which were shot later to make the film long enough for NBC to televise.

That's why we've included some great scenes from films that might not be entirely set at a theme park.

Goodwin joined directors Byron Howard («Tangled») and Rich Moore («Wreck - It Ralph»), and producer Clark Spencer («Wreck - It Ralph») to help introduce fun scenes from the film that included the fox pulling a clever con at an elephant - run ice cream parlor where he first meets the rabbit, and a segment that aptly illustrates every driver's least favorite experience of waiting at the DMV (Department of Mammal Vehicles) with all the employees portrayed as sloths.

This is an abstract making - of alternating B - roll shot in a variety of media, watermarked outtakes (including one from a deleted scene between Phoenix and Amy Adams), and snatches of dialogue from the film that gives the impression of a tight - knit cast and crew there to serve Spike's vision.

Also included is the «Postcards from Provence» behind - the - scenes experience that sprinkles video featurettes and audio commentary throughout the length of the film, as well as a short promo for the film.

Marvel Studios takes us behind the scenes of Avengers: Infinity War with a «Family» featurette that includes snippets of new footage from the highly anticipated film, as well comments from the stars about their Marvel Cinematic Universe experiences.

This film's highlights include scenes featuring Hobbs and Deckard (Jason Statham), the villain from the last film, who are forced to work together by the elusive Mr. Nobody (Kurt Russell).

Mediocre as the film may be, the Blu - ray release for «The Last Kiss» actually delivers a solid collection of extras including two audio commentaries (one with director Tony Goldwyn and star Zach Braff, and another with Goldwyn, Braff and fellow co-stars Jacinda Barrett, Rachel Bilson, Michael Weston and Eric Christian Olsen) and a 40 - minute making - of featurette on everything from casting to the actor's favorite scenes.

Limited Edition 2 Disc DVD set & Blu - Ray Extras: 36 minute Black Metal short film of deleted scenes, Alternate ending, Outtakes, The Cutting Room with musicians not in the film including: Enslaved, Ted «Nocturno Cutlo» Skjellum from Darkthrone, and Jørn «Necrobutcher» from Mayhem, plus more with Ulver, Immortal, Jan Axel «Hellhammer» Blomberg, Gylve» Fenriz» Nagell and Kjetil «Frost» Haraldstad, 46 more minutes of Varg Vikernes and a 45 minute class on the history of black metal with Fenriz

In the featurette «To Fight,» we get a behind the scenes look at the film with brief quotes from the film's cast, including Olivia Munn (Psylocke) and Alexandra Shipp (Storm).

His journey includes some of the most iconic war scenes put to film, from surf - loving Lt Col Kilgore, and the famous helicopter attack on a Viet Cong village (to the strains of Wagner), the surreal USO jungle show by Playboy Playmates, to the Do Lung Bridge, the US» last outpost, where soldiers are abandoned to their fate and the only sound, besides explosions, is the yelling of the damned for salvation.

Aside from talking about abusers, the hosts also touched about some of the year's nominated films, including the infamous «Call Me By Your Name» peach scene.

It features tons of behind - the - scenes footage and secrets from the filming process, including appearances by her collaborators Future and Ed Sheeran.

EXTRAS: The Blu - ray release includes Paul Thomas Anderson's 2002 short film «Blossoms & Blood,» a new interview with composer Jon Brion, behind - the - scenes footage from one of Brion's recording sessions, deleted scenes, an essay by filmmaker Miranda July and more.

Extras: Audio commentary with film producer and historian Bruce Block; new appreciation of the film and select scene commentary by film historian Philip Kemp; «The Flawed Couple,» a new video essay by filmmaker David Cairns on the collaborations between Billy Wilder and Jack Lemmon; «Billy Wilder ABC,» an overview by David Cairns on the life and career of the filmmaker, covering his films, collaborators and more; new interview with actress Hope Holiday; «Inside the Apartment,» a half - hour «making - of» featurette from 2007 including interviews with Shirley MacLaine, executive producer Walter Mirisch, and others; «Magic Time: The Art of Jack Lemmon,» an archive profile of the actor from 2007; original screenplay by Billy Wilder and I.A.L. Diamond (BD - ROM content); theatrical trailer; special collector's packaging featuring newly commissioned artwork by Ignatius Fitzpatrick; collector's 150 - page hardcover book featuring new writing by Neil Sinyard, Kat Ellinger, Travis Crawford and Heather Hyche, generously illustrated with rare stills and behind - the - scenes imagery.

Extras: Audio commentary from writer - director John DeBello, writer / co-star Steve Peace and «creator» Costa Dillon; deleted scenes; six exclusive featurettes: «Legacy of a Legend,» a collection of interviews, including comments from John DeBello, Costa Dillon, film critic Kevin Thomas, fans Kevin Sharp and Bruce Vilanch, future «Tomatoes» mainstay John Astin and actors Steve Peace, Jack Riley, and D.J. Sullivan, «Crash and Burn,» a discussion about the famous helicopter crash that could have killed everyone because the pilot was late on his cue, «Famous Foul,» about the San Diego Chicken and his role in the climatic tomato stomping ending, «Killer Tomatomania,» a smattering of interviews with random people on the streets of Hollywood about the movie, «Where Are They Now?»

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

«Matilda's Movie Magic» (16:14) allows DeVito and others (including Davidtz, Perlman, a make - up effects artist and a visual effects supervisor) to break down the film's illusions one at a time, with help from behind - the - scenes footage and some graphic illustrations.

While embracing many of the stereotypes we've watched play out in these films, Tom Flynn's script includes handfuls of scenes that set Gifted apart from the rest.

An additional bonus disc includes «The Director's Notebook,» which is an interactive look behind the scenes of the film with concept art, translated text from del Toro's notes and video spots giving further insight in the development of the film.

Also included: a segment of musical numbers from the film, a series of alternate scenes and extensive filmographies.

The film also weaves in lots of scenes that are meant to make us think that Barnum was the first 21st century - style «woke» white straight man in America — a goodhearted fellow who gave circus jobs to outcasts of one kind or another (talk about a big tent: the repertory company includes African - Americans, little people, giants, conjoined twins and a bearded lady), not just because they happened to possess certain talents or physical characteristics that Barnum could exploit (often by appealing to the majority's prurient interests or bigotries) but because the onetime poor boy Barnum sees himself in their striving, and wants to build a theatrical - carnival arts utopia in America's largest city with help from his new partner, rich kid turned playwright Philip Carlyle (Zac Efron).

From Jonathan Mostow, the director of Terminator 3: Rise of the Machines and Breakdown, and written for the screen by John Brancato & Michael Ferris (Terminator 3: Rise of the Machines and Terminator Salvation), The Hunter's Prayer home entertainment release includes three behind - the - scenes featurettes taking an in - depth look at the making of the film.

The 2.0 cut was a new version of the film with over 250 reworked scenes, remastered by Mamoru Oshii himself including a new voice cast recording and brand new score from Kenji Kawai.

Don't miss: The extras include a nine - part retrospective from 2009 on the legacy of the trilogy; a short film, «Doc Brown Saves the World,» with Christopher Lloyd, that shows why some of the futuristic gadgets from the second film do not exist today; a peek at the 2012 restoration of the iconic DeLorean; two episodes from «Back to the Future: The Animated Series;» a 2015 commercial for a hoverboard and a trailer for «Jaws 9»; a five - part documentary on the making of the movies, a look at the franchise's physics; deleted scenes; a question - and - answer session with Fox; eight archival featurettes; behind - the - scenes footage; music videos; commentaries; and a look at «Back to the Future: The Ride.»

The release includes most of the same extras from the deluxe DVD, as well as a new interview with composer Jon Brion, a new piece featuring behind - the - scenes footage of a recording session for the film's soundtrack, and a new conversation between curators Michael Connor and Lia Gangitano about the art of Jeremy Blake, used in the film.

Other production sections include «Sequence Breakdowns,» covering 6 key fight scenes and locations, and offers viewers the chance to read the scene in Goyer's screenplay, compare it with the final shooting script, view the scene through storyboards, jump to the scene in the finished film, and view video footage from the set.

Aside from two audio commentaries with the film's stars, the only other extras included was a short promotional featurette and a handful of deleted scenes and outtakes.

In Deleted Scenes, we find six sequences that never made the final film (including three alternate openings) and substantial discussion from the filmmakers.