Sentences with phrase «scenes from the film with»

Fans of «The Room» should stay for the end credits as Franco re-enacts several scenes from the film with a near - perfect synchronicity.

In other words — it's a scene from the film with Andy Serkis playing Snoke, but without special effects.

Not exact matches

She begins clobbering computer chips with a hammer, just as the stereo switches to «Still,» the gangsta - funk Geto Boys track made famous in the printer - whupping scene from the 1999 film Office Space.

Filmed over two years, Michelin Stars — Tales From The Kitchen, gives us a behind the scenes look at the lives and stresses of starred chefs with a tale woven together by food critics and diners.

The sense of being outside of time did not change when they departed two days early from school, when they spent three hours on the bus to Eugene staring out the window with their Walkman headphones on, when they wandered through the swirly paisley carpeted hotel hallways, or went in street clothes to have a walk around Autzen Stadium, where a sex scene in Animal House was filmed.

The two parodied the famous lie - detector scene from the film, but with De Niro's Mueller questioning Stiller's Cohen about Trump, Russia and his $ 130,000 payment to adult - film star Stormy Daniels.

After watching a scene from the film Trainspotting, in which a character reaches into the bowl of an indescribably filthy toilet, they sold a pack of pens for an average of $ 2.74, compared with a price of $ 4.58 for participants shown a neutral clip of coral reefs.

If the server decides that there are objects with geographic coordinates that fall within the camera's field of view, it superimposes these objects on the picture from the phone camera, in a fashion similar to the way the director of a science fiction movie might use special effects to add a spacecraft to a filmed scene.

In a memorable scene in The Program, a film based on his fall from grace, he is portrayed being injected with EPO accompanied by the line: «This is science; no longer confined to Earth — now we have learned to fly.»

On those steps at the entrance was filmed the latest 007 movie and I even remember that scene when he came down these steps with the car, such an epic scene (check the 3rd pic from this post).

Judge Allows $ 750 Million Lawsuit from JonBenet... FX's «Versace» Joins Parade Of True - Crime Conte... Judge wona t dismiss suit filed Offers news, comment and features about the British arts scene with sections on books, films, music, theatre, art and architecture.

Jack hands off one of his stories early in the film for his brothers to read and while hints to its plot are dropped, only later does it manifest itself into one of the few scenes in the film that felt not merely fresh to me but touching; briefly, we glimpse an event from the day of the funeral, awkward and uncomfortable, with the kind of details that only siblings might later recall.

Bluntly edited, with no hand - holding transitional scenes, the film is an intimate portrait of an idealistic, understaffed, sometimes wrongheaded team battling youth prostitution, thievery rings and adult predators from every class of society.

Haneke's methods are clear from the opening: after a long, quiet stretch of simple credits, followed by an extended black screen as silent as the grave, the film smash - cuts into its first scene with a terrifying jolt.

, a map a Tehran for your next vacation, showing notable locations from scenes in the film, a 40 - page book with images and info on the movie, and a reproduction of Tony Mendez's CIA card (with the face of Ben Affleck as Tony, alas).

J. Michael Straczynski's original script was jettisoned in favor of an unfinished one by political thriller specialist Matthew Michael Carnahan (State of Play, Lions for Lambs), with «LOST» - alum script doctors Drew Goddard (The Cabin in the Woods, Cloverfield) and Damon Lindelof (Star Trek Into Darkness, Prometheus) brought in later to write a host of reshoots, including a new climax and ending to the film (the repeated use and imbibing of Pepsi products during these scenes would indicate the source for much of the additional reshoot budget), that pushed the release date from a winter of 2012 release to the summer of 2013.

From the opening scenes, with Marco's crew crouched around a poker game in the back of a military vehicle, with Wyclef Jean's «Fortunate Son» blaring from the sound system, it is clear that this film has a political head on its shouldFrom the opening scenes, with Marco's crew crouched around a poker game in the back of a military vehicle, with Wyclef Jean's «Fortunate Son» blaring from the sound system, it is clear that this film has a political head on its shouldfrom the sound system, it is clear that this film has a political head on its shoulders.

In most cases, flashbacks often do nothing for a film, except oversell the protagonist's loss with affected sentimentality, in a scene that depicts happier times, where the grieving spouse gets all red - eyed after waking up from a reverie.

Two years later, Gazzara played arrogant murder - trial defendant Lieutenant Manion — the one with the «irresistible impulse» — in Otto Preminger's Anatomy of a Murder, slyly stealing scenes from the film's «official» star, James Stewart.

This moody, elegiac film has universally been acclaimed as a cinematographic masterpiece, from the talents of Cuban - born European Nestor Almendros (and «additional photography» by Haskell Wexler), with naturally - lit, sweeping, 70 mm images of crystal clarity and scope, and artfully composed scenes reminiscent of Andrew Wyeth paintings.

Finally, we have three scenes from the movie, each with commentary by a different person (Satrapi, Paronnaud, and Mastroianni, who played the title role), and 11 minutes of storyboard - to - film comparisons with commentary by Satrapi.

It's a tricky narrative challenge to shift from inherently compelling wildlife scenes to abstract courtroom debate, but the film manages it capably, even spicing things up with one justice's admonition that Wise needs to cut his slavery analogies.

A decent character study whose main strength lies in two great performances by Foster and Harrelson, who shine in a sad story that deals with the psychological consequences of a terrible job, but the film also suffers from some tiresome pacing and unnecessary scenes.

Daniel Radcliffe portrays Harry Potter in a scene from «Harry Potter and the Deathly Hallows: Part 2,» the final movie in the eight - film series that began with «Harry Potter and the Sorcerer's Stone,» released in 2001, when the actor was 12.

But even at a scant 90 minutes, the film manages to cover a lot of ground, hopping around from interviews to live footage, the highlights of which are a live studio take of «Higgs Bossom Blues,» a 9 minute epic whose slithering slow build plays out uninterrupted and the finale, a blistering live performance of «Jubilee Street» featuring a string section and children's choir, intercut with scenes of Cave onstage over the years.

His fateful encounter with Voldemort and his snake, witnessed from behind a frosted glass door, is perhaps the best scene in the whole film.

«The Rock» is great like he always is in films like this, and the ending chase scene brings the goods, with a terrific supporting turn from Jon Bernthal as one of his workers who decides to help him out not knowing what he is getting himself into.

The interacting with Killmonger and the secondary character and the final few scenes that he and T'Challa get to spend together are honestly some of the best moments from any of these films in a very long time.

The film follows the lieutenant as he makes his way to various crime scenes, concerned only with taking bets from his fellow cops on the outcome of the ongoing National League playoffs.

But here is where the film blossoms and Celie finally gets revenge on Mister too (the scene where Celie is shaving Mister with a straight sharp razor where she is about inches from cutting his throat), along with other characters that blend into this movie.

Featuring interviews with the band and never - before seen footage, the film features behind - the - scenes views of historic moments from the perspective of the band, their fans, crew and management throughout their sold - out 40th anniversary tour.

Clooney proves again that he knows how to direct intelligent films that rely on a great dialogue, and this intriguing character study is gripping from the first scene to the last, centered on a brilliant political battle and with an intense performance by the always fantastic Ryan Gosling.

The film is artfully shot with eye candy galore: sumptuous dresses, beautiful people and scenes from Pierre and Yves's time in Morocco.

In the final, incredible scenes at Candie Land, easily the peak of the film and some of the best scenes of the year, everyone on - screen is hiding something from Django pretending to be a mandingo expert to Broomhilda pretending she doesn't know him to Samuel L. Jackson's memorable turn as a loyal butler with plenty to hide.

Even the reason for a potential romance seems a forced attempt to humanize the queen; her desire for Raleigh is intercut with scenes from the first film showing her a happy, naïve girl.

From the series of pranks and stunts that are done to ruin Shack professionally throguh the scenes of A No. 1 trying to educate Cigaret all the way to the big final confrontation aboard the moving train, this film is fileld with energy, tension, and the world being presented really comes alive in all of its unsavory detail.

It's a tremendously engrossing scene that ultimately stands as the film's high point, with Weaver's sitcom - like sensibilities ensuring that Weather Girl suffers from a pervasively uneven vibe that only grows more and more problematic as time progresses.

He's already racked with guilt from watching the costs of his education tear their marriage apart — in the film's most wrenching scene, we discover that David's father has slumped into a drunken stupor.

The film doesn't shy away from the horrors of slavery, yet the grim material is balanced with a deliciously dark sense of humour - just check out the scene with a band of white - sheeted vigilantes, acting as a precursor to the KKK, which is one of the funniest scenes Tarantino has ever written.

Penny Dreadful, Season 3: Get a look back at the third season of Penny Dreadful with this mashup, featuring a quick behind the scenes shot from each day of filming, from August 31, 2015 to February 11, 2016.

Bay is at his best, paradoxically, when he's at his worst, if for no other reason than the fact that the most enjoyable and the most offensive parts of his films (which are often the same scenes and sequences) extend from the mind of a man with a very particular visual sense.

De Palma remains their only interview subject as he chronologically spins fascinating tales of his experiences intercut with photos and key scenes from his films.

This film noir spoof takes footage from the old movies and mixes them with scenes of Steve Martin as a detective.

It's a scene that makes sense from a character perspective, but the way it's wedged into the story stops the film in its tracks and it doesn't improve from there as only seconds later Tris and Four have to discuss Caleb's leaving, combined with the requisite «It's not your fault» moment.

The central gimmick allows the film's modern - day stars to, through clever editing, interact with scenes and characters from actual period thrillers.

I was once a very harsh critic of Mr. Tarantino, the video store clerk turned auteur, who seemed to be preoccupied with the inventiveness of his in - jokes and visual quotations of scene compositions from other films.

Recruited by an old chum (Peter Boyle) to help find an exotic prostitute missing in Chinatown, Hammett enlists his implausibly gorgeous neighbor (Marilu Henner) to play Girl Friday as he matches wits with colorful actors including Jack Nance («Eraserhead» and other David Lynch works), David Patrick Kelly (whose strangled voice is an interesting counterpart to his iconic «Come out to play - yi - yay» taunt from «The Warriors»), Roy Kinnear and a few old - timers from film noir's heyday (the scene with Sylvia Sidney is especially good).

Special kudos must be given to film editor Michael Kahn, whose facility with these completely unhinged battle sequences should shame anybody who's ever worked on a Michael Bay movie; to cinematographer Janusz Kaminski, who has given these scenes a dull grey cast evocative of nightmares torn from America's sleeping subconscious brain; and to sound designer Gary Rydstrom, who has crafted a World War II soundscape that rattles and unnerves you even when your eyes are closed.

The film is rife with scenes in which characters voice sentiments like «I believe it is important to assert that materialism as we conceive it differs from bourgeois materialism by questing for a more humane society.»

The film is structured around conflicting accounts of the same events told by Harding and her former husband, Jeff Gillooly (Sebastian Stan), with occasional interruptions from Harding's pitiless, abusive mother, LaVona, brilliantly played by Allison Janney, who can strike terror (and steal scenes) with little more than a long pause or the wily crook of her half - grin.