Sentences with phrase «scenes in a film like»

You can feel the Middle Eastern country's impending wave of frustration, corruption, and paranoia simmering underneath every scene in the film like white noise in the background.

I can't think of another scene in a film like it.

In fact the last twenty minutes that take place in the killer's lair, which are traditionally the creepy scenes in a film like this, were met with outright belly - laughs in the screening I attended.

Not exact matches

From the Inside Out - «Making Avengers: Age of Ultron»: A 20 - minute video going back 18 months showing what it was like on set of the film in Italy and Seoul, Sourth Korea; a look at the Avengers Tower; some of the behind - the - scenes early visual effects of Ultron; early concept work for Quicksilver, the Hulk, and Vision; and more.

Unlike other independent films in which big names are ridden into the ground like a sweaty mule, shoehorned into every possible scene in the movie, «Moms» Night Out» has an ensemble cast - an amazing feat for a film with a budget just under $ 5 million, according to Andrew and John Erwin, the brothers who directed the film.

Ingmar Bergman's film Scenes from a Marriage tells, like the Lenten season, a serialized story culminating in violence, dawning in a quiet denouement of fragile new life.

Dinish is well at home with the GOP crowd «For there is no faithfulness in their mouth; their inward part is very wickedness; their throat is an open sepulchre» (ps.5: 9), but God is «not a God that hath pleasure in wickedness» (ps.5: 5) and so although Dinish and by extension the GOP don't care who they hurt with their lies and behind the scenes dirty tactics like that silly film, they are cautioned not to include the name of God in their wickedness.

There's a scene in the film where Krasinski's character and Emily Blunt's character (who are husband and wife in the film as well as real life), share a romantic moment together as they both wear one earbud, and listen to a song — JUST LIKE JIM AND PAM DID.

In times like these, it is remarkable that the two blockbuster films of the season — Harry Potter and the Sorcerer's Stone and The Fellowship of the Ring — contain neither nudity nor profanity nor sex scenes.

they must film this scene in the first person, the applause and cheering muffled, like they do in war movies after big explosions.

It was like the final scene in a slasher film where the kids think they've fought off the antagonist, only for them to suddenly turn up for one more round.

Like a scene in an M Night Shyamalan film.

The individual nature of the agents makes the scene much more lifelike than the sims used in multimillion dollar - budget films like Lord of the Rings and King Kong.

Tarantulas, the hairy spiders that stole movie scenes and won hearts in popular films like «Home Alone,» «Raiders of the Lost Ark,» and «Dr. No,» take a starring role in a new study that reorganizes their group, reclassifying the majority of 55 known tarantula species and adding 14 new ones, including the creepy - crawly named for Cash.

At this new exhibition, you are invited to step into Cameron's role as director and film scenes in 3 - D with a camera just like the ones used in the making of the movie.

The film wasn't great, but I had a really lovely night, and would recommend some of the other outdoor movies the British Film Institute are screening this summer, especially if, like me, you grew up watching the film Grease with the iconic Drive - Thru movie date scene... something it's otherwise very hard to recreate, living in the UK in this day and age.

The film doesn't use sound anything like as effectively as Leone, but the fight scenes feel brutal and realistic, particularly in the final showdown (s) between Carver and Gideon.

She only has one brief scene, but she excels in it, much like she did in the original film.

I really liked it too, It's just a sticking point with me, that the storyline; Wikus and his ordeal is the focal point of the film, and all the buzz, the trailers (which has doco - like scenes that were NOT in the film) and the synopsis, initially did not mention any of it.

Well the film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?

Glazer puts all this into scenes that play out like a classier version of a science - fiction / horror film — one of those cheesy ones about a monster in human form.

The film does falter when Letts and Friedkin choose to take it outside of its theatrical origins, especially in a motorcycle scene that feels like it came from another movie, but it's a minor complaint.

«The Rock» is great like he always is in films like this, and the ending chase scene brings the goods, with a terrific supporting turn from Jon Bernthal as one of his workers who decides to help him out not knowing what he is getting himself into.

Director Nora Twomey changes the film's style for the fantasy story, transitioning from the sharp lines and solid colors of the real - life scenes to animation that looks like paper models in motion.

There are jump - scares that are more than just scares, as you'd imagine in a wilderness where the flora and fauna have mutated like cancer cells (a metaphor made plain in a classroom scene early in the film).

The film's sleek moodiness and visual sophistication are so effective that there's even a scene here that makes Detroit look like the most romantic city in the world.

Helgenberger would continue to appear in films like In Good Company and Mr. Brooks, and found particular success with the starring role of Catherine Willows on the long running proceedural CSI: Crime Scene Investigatioin films like In Good Company and Mr. Brooks, and found particular success with the starring role of Catherine Willows on the long running proceedural CSI: Crime Scene InvestigatioIn Good Company and Mr. Brooks, and found particular success with the starring role of Catherine Willows on the long running proceedural CSI: Crime Scene Investigation.

Some of the banter between Ruth and the jaded cop named Det. William Bendix (Gary Anthony Williams, TMNT: Out of the Shadows — yes, William Bendix, like the classic film actor) on the case offer some insights on where the film could have found its comedic spark, but even those scenes lose flavor when we see that cop break down in anguish because of his own personal relationship issues bubbling up to the surface.

The only real thing I liked in this film was the scene with the three little pigs being bad mercenaries, but the funny thing about it is that Cheech marin plays one pig and Chong plays another, and I found that pretty funny actually, but the rest of the film is just crap, and Is undoubtedly the worst film I've seen this year.

A docudrama that in its early scenes feels like a documentary — the co-directors have a nonfiction background, and the actors are actual carnival performers — the film plays out like a small - scale fairy tale.

Here, it's as if her camera only exists to allow for the moment where she asks to take her long - ago lover's photograph, but in this scene, like the film's final one, there isn't even a sense that Ronit is looking to reclaim something that was never hers.

Wiig has been the funniest person on the planet for a while, ruling SNL when she was on it, stealing scenes in movies like «Knocked Up,» and now, in this script she co-wrote with Annie Mumolo, who plays her airplane seatmate in the film, she's front - and - center in all of her awkward glory.

Zhao films this in a long, loving scene, showing Brady's long - learned skills, a knowledge of horses that is simply so deep and practiced that it's like watching a great musician.

Works that go behind the scenes of the cinematic process — like Francois Truffaut's Day for Night and Tim Burton's Ed Wood — tend to home in on the absurdity of such efforts, portraying directors at the center of manic three - ring circuses that couldn't possibly result in a meaningful film.

The music in this film has a masterpiece atmosphere that controls characters» feelings scene - by - scene but the cinematography and jump - cuts is also a masterpiece that nobody would ever find a British film with a masterpiece cinematography like

There's a second big battle scene, late in the film, which allows Spielberg to display the chops he earned on pictures like Jaws and Jurassic Park.

The portrait of Lincoln that Spielberg presents — in a film that often plays like a tense, high - spirited political thriller as influence is peddled behind the scenes and votes come down to the wire — will no doubt surprise viewers raised on a more staid version of the Great Man.

Like Kurosawa did before him, Altman used multiple cameras to film the big crowd scenes; the actors had to remain in character because they had no way of knowing what footage of them might be used.

The film finds joy in scenes like the one in which he creates a fake Walkman and dances to the music in his head.

The film is rife with scenes in which characters voice sentiments like «I believe it is important to assert that materialism as we conceive it differs from bourgeois materialism by questing for a more humane society.»

The action sequences and fight scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing scenes in Creed, as well as many a James Bond film during a nightclub sequence right out of something like Skyfall.

The film might benefit from a trim, particularly when it shifts gears in the second half, but its protracted style also delivers some sensational soundtrack moments — like the remarkably paced opening scene, which introduces our free - spirited chanteuse winning over a rowdy crowd.

That Q&A doesn't add much to fans» understanding of the film's history — It plays like a «I'm just happy to be here» interview with a pro athlete, which is understandable since Unger was only in that scene and had no involvement in the rest of the filming.

Since director Sebastian Gutierrez likes to employ loosely connected vignettes in his films, these deleted scenes should fall into place pretty well.

The footage in the trailer was impressive, I just would've liked to have seen a full scene in the context of the film.

A late scene with «Driver» holding himself around the middle, then getting in his car as Refn splashes neon on him and The Chromatics play on the soundtrack is something like a perfect moment in a film indicated by them.

Every October for most of the last two decades, director Adam Green and his production company Ariescope have released a new Halloween - themed short film, resulting in classics like Jack Chop (2009) and the hilarious Halloween «deleted scene» Driving Lessons (2012), and this year's 18th annual film, Don't Do It, has just arrived.

Verbinski certainly did his western - movie homework, for outside of all the rootin» - tootin» Rube Goldbergian action scenes, the director consciously evokes John Ford with his widescreen vistas of sun - baked deserts (on - location shooting took place in Utah, Texas, and beyond), and his nod to films like The Searchers with scenes of near - helpless families under attack in the wilderness.

Goodman known mostly for scene stealing bit parts in Oscar winning pictures like «Argo» or «The Artist» is the real star of the film.

The film plays like an awkwardly edited clip show of highlights from his troubled life and career — complete with all the booze, drugs and womanizing that's become commonplace in the subgenre — jumping from scene to scene with little direction or purpose.