Sentences with phrase «scenes kind of playing»

Wayne Rooney and Luke Shaw are set to miss out again as things behind the scenes kind of playing its part in them being overlooked.

Not exact matches

There's nothing like standing up in front of an expectant audience when you have no script and no idea what kind of scene you're about to play to put the fear of making a pitch or cold call into perspective.

Symbols and images of this kind cluster thickly in the scenes of the «Christmas story» which in Matthew and Luke is the prelude to their account of the public career of Jesus: visits of angels, prophetic dreams, the marvelous star in the east, the miraculous birth greeted with songs from the heavenly choir, all the appealing incidents so familiar in the appropriate setting of Christmas carol and nativity play.

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McCarthy plays that kind of scene with enough style, confidence and wit to pitch the jokes past the straight men, and the film is an example of her doing what she does best.

As a refreshingly firm female villain, Malin Akerman plays her scenes strongly and, thanks to the wonders of CGI, the rapidly expanding gorilla is kind of fun, too.

Because the nerves have grown numb now, there are scenes of cruel torture in the picture — the kind that a troubled child would enact on his action figures after a few days of standard play: Dr. Strange at the mercy of glass needles, Nebula (Karen Gillan) bloodlessly segmented like a plasticine exhibit in a sadist's medical museum... The atrocity escalates because there's nothing at stake here.

Not a problem in of itself (and, in fact, many filmmakers would do well to follow his lead, as few commentaries hold any kind of interest aside from the stray tidbit now and again), when the commentary track is enabled through remote or Special Features menu, as the film plays on into un-commented scenes the regular soundtrack doesn't return.

Yet the film remains true to McEwan's intellectual preoccupations with different kinds of love, and has lost none of the novel's most memorable elements: the plays on the ambiguity of the title, the arresting first scene, and the strange dynamics of the relationship between Joe and Jed.

The fantastic Bruno Ganz (best known in the US for «Wingsof Desire») plays Hitler with a broken kind of humanity that makeshis evil subtler than expected, but by extension all the more chilling.His senior staff is accounted for nearly every moment of the detailed film, but none of them stands out except Ulrich Matthes as psychotically loyalpropaganda minister Joseph Goebbels, and Corinna Harfouch as his wife.She has the film's most disturbing scene, poisoning her children to «save «them from growing up in a world without National Socialism.

Visual effects artist turned director Stewart played around with the casting (Brad Dourif and Urban share a scene, a mini «Lord of the Rings» reunion) and indulges himself in Western iconography to such a degree that you kind of wish he'd designed this movie, then found a better script to go with it.

The precise evolution of her feelings during the final scene is crucial, but I was also touched by her tenderness in earlier scenes; she plays a kind woman who has been deposited into an ugly situation by the inertia and hopelessness of alcoholism.

It's a tour - de-force moment, the kind of scene they'd play immediately after they announced you as one of the nominees for Best Supporting Actress on awards night.

These cigar - smoking party boys are loving the life of the downsized but also ironically hold a key to Paul's fate, as does a Vietnamese refugee named Ngoc who sports a prosthetic leg below the knee (Hong Chau plays this one - of - a kind character in a way you will not forget, stealing every scene she's in).

Tsui sets his avoidance dances in confined spaces (tiny apartments, backstage dressing rooms), but To's are set out in the open: a fountain in a public park, a street corner, a sidewalk (a similarly choreographed scene plays out as well early in Romancing in Thin Air, itself a kind of compendium of all of To's romantic comedies, where Sammi Cheng and Louis Koo wander outside the grounds of the hotel, oblivious to each others» presence despite occupying the same film frame).

A scene in which Milo's vaguely hilarious food allergy comes into play is curiously never resolved, two of Milo's hacker pals from the old days are so similar in appearance and voice to one another that I was abstractedly surprised to see them on the screen together at the end of the film, the reveal of a secret molestation is abused in an insulting and clumsy way, and a stock blue - collar cop character is introduced as the worst kind of deus ex machina: the late - in - the - game triumph of a heretofore marginalized comic foil (see: Barnard Hughes in The Lost Boys).

The four main characters are stellar personalities, and each one stands out for a different reason: Becca is the young filmmaker who takes her work very seriously, carefully crafting frames and cinematic scenes for her documentary; Pop Pop takes extreme pride in being a strong farmworker, but struggles greatly with his increasing age; Nana is kind and fun - loving, baking cookies and playing hide and seek with her grandchildren, but fights to retain control of her faculties in the evening.

In Brett Haley's gentle but potent comedy, veteran actress Blythe Danner plays a seventy - ish retired schoolteacher, long widowed, whose staid life takes a sharp left when two men appear on the scene almost simultaneously: Pool cleaner Martin Starr is the kind of platonic friend you meet only once in a lifetime; silver fox Sam Elliott is the love interest you never could have planned for.

Crowe's side of the film plays like some kind of «Bored - walk Empire,» where men in early - twentieth century suits and hats fret and impotently throw their weight around, but at least Crowe gets to hang out with a movie star who puts in a unbilled (and uninspired) two - scene turn as Lucifer.

Over the course of her six - decade acting career, Mirren has both been in a high - class porno (1979's Caligula, although she did not participate in the XXX scenes) and played the Queen Of England (2006's The Queen), and you can't acquire that kind of curriculum vitae without a healthy sense of humor about yourselof her six - decade acting career, Mirren has both been in a high - class porno (1979's Caligula, although she did not participate in the XXX scenes) and played the Queen Of England (2006's The Queen), and you can't acquire that kind of curriculum vitae without a healthy sense of humor about yourselOf England (2006's The Queen), and you can't acquire that kind of curriculum vitae without a healthy sense of humor about yourselof curriculum vitae without a healthy sense of humor about yourselof humor about yourself.

Caught between playing up a subplot of budding romance with Kailani, and following Michael Caine's lead as the kind of person Sean aspires to be, Hutcherson gets hung out to dry in every scene he shares with Hank.

Many kinds of traditional literature — folktales, legends, myths, fables, as well as short stories, poetry, and scenes from plays — enable and reward close reading.

But you're in the middle of play, in the middle of the game, then all of a sudden you're in a cut - scene [and] you're not supposed to operate at all — that's not the kind of game I want to do.

From ghosts appearing out of rippling water to the feel of droplets running down your body, water's played an important element in all kinds of horror scenes, but it's always been difficult to depict in video - game graphics.

Like really play it, and I don't mean just push «X» and «Y.» Those are the kinds of things I want to explore... I think you can actually make gameplay into a beautiful love scene and actually play it and control it.

What kind of role do you hope to play in your local art scene or community?