Your child can enact
scenes of characters expressing anger and its consequences in complete safety while having all of his or her feelings respected.
If a child has been through stressors and the loss of family conflict, he may play out
scenes of characters not getting their way, being disappointed, and losing important things, which symbolically represents him expressing what he has lost.
Card Captor Sakura, Gravitation, Tramps Like Us (Kimi Wa Pet), Harlem Beat, Nodame Cantabile and The Wallflower (Yamato Nadeshiko Shichi Henge) all feature
scenes of characters loving their pocky!
The film is both overlong (123 minutes) and padded, filled with superfluous
scenes of his characters puttering around and talking that neither further the narrative nor develop tension and atmosphere.
Stevenson, Bloom, and Lerman all play their characters over the top (Evans is good in the straight - man slot), and thankfully the script is mostly a string of action sequences punctuated by
scenes of the characters trading quick one - liners and sarcastic jokes.
These evocative tunes should underscore
scenes of the characters cavorting together, with the sense of the pain that comes with love.
Scenes of characters pitying or victimising Carrie limit our identification with her, since we have information that she isn't privy to about how others are manipulating her.
It has the typical
scenes of characters making the worst decisions they could possibly make in that moment, and it happens in droves.
Lots of product placement, hits to hock the soundtrack, and homogenized
scenes of characters looking like they are on the verge of making important statements about life, love, and the pain of everyday existence in this culture that doesn't seem to appreciate them.
(This may be a spoiler, but you'll never see another movie featuring not one but two
scenes of characters reacting joyfully to the arrival of a tractor.)
Too often, the fact that a character is nursing a baby is the only reason to have
a scene of a character nursing a baby.
Equally heartrending is the subsequent
scene of that character's revelation and redemption.
And predictable — the movie then consists of little more than scene - after -
scene of characters running, stumbling and screaming until it's time for the credits to roll.
And there's not much calculation to how «The Bronze» moves from
scenes of character - defining drama to brazen comedy.
It adheres quite well to the formula of the first film, giving us many
scenes of character development, putting Rocky in the role of the extreme underdog, followed by scenes of intense training, and a finale in the ring with everything on the line.
Through the clear keepcase, the reverse side shows us another drawn
scene of the characters at the fireworks stand.
It's harder for children to separate what they see on screen and what they're feeling at the time, which makes scene after
scene of characters turning to dust a pretty intense experience.
Films like «Little Miss Sunshine» and «Knocked Up» display
scenes of character development that happen to be funny.
On the other hand, we wouldn't have
that scene of characters in a Need for Speed film playing Need for Speed.
Even after the 15th
scene of a character wandering around the house by themselves, Wan's sense of pacing and tension is incredible and keeps you on the edge of your seat.
It is the king of anti-climactic moments and often loses conviction in its humorous and sarcastic take on the medium which results in
scenes of character growth that are exceedingly out - of - place.
A scene of a character walking alongside a mule loaded up with equipment also has fans wondering if it'll be possible to share your inventory with your steed.
Not exact matches
It's based on a
scene from the show Silicon Valley, in which
character Jian - Yang creates an app that can identify photos
of food — but only as «hot dog» or «not hot dog.»
One
of my favorite
scenes in the 2000 cult classic Boiler Room is when the Ben Affleck
character informs a room full
of brokerage firm trainees how to behave.
The
scene then pans out to show a photo
of Apu on Lisa's bedside table, explicitly indicating to the viewer what the two
characters are actually referring to.
Memes from
scenes of The Handmaid's Tale, Hulu's new hit series in which female
characters are forced to wear bright red robes, flooded Twitter and Facebook in response to the approved GOP plan to repeal and replace the Affordable Health Care on Thursday.
Producers say new episodes will feature Tinky Winky, Dipsy, Laa - Laa and Po as
characters, but the series will undergo an update with new CGI effects and
scenes shot on replica models
of the sets.
The
scene helps bring context and backstory to a
character who wasn't at the forefront
of 2012's «Avengers» as audiences are introduced to Hawkeye's wife (Linda Cardellini), who has a baby on the way, and two children.
Tucked between footage we'd already seen in the full - length trailer were some new shots
of characters and
scenes.
Despite a real - life narrative stuffed with secrets and suspense, the film version quickly feels bloated as Stone treats us to
scene after
scene of Snowden struggling with his inner dilemma and, especially, with his devoted girlfriend, Lindsay, who is a major
character in her own right.
The «awful»
scene of the blood eagle in season two was not a cynical attempt to shock the audience: It was about the
character's attempt to enter Valhalla by not showing his pain and suffering.
Her
character dreamed
of getting married at the Plaza, though the wedding
scene for the show was actually filmed at the Fairmont Royal York in Toronto.
A pivotal
scene in 2001's «Zoolander» is when the two main
characters, Derek Zoolander and Hansel, decide to see which one
of them is the best model by having a «walk - off.»
«Lisac's backdrop may be the political
scene, but his story is in the heart
of his main
characters, their flaws and aspirations.
however it wasn; t perfect, there was quite a lot
of filler in this 12 episode season which I could have done without,
characters which were really interesting and important in the last seasons are just not as much right now and can be quite annoying, breaking the flow
of the emotionally heavy
scenes in that very episode.
The Irish poet Seamus Heaney finds in that
scene an allegory for poetry: «The drawing
of those
characters [in the sand] is like poetry, a break with the usual life but not an absconding from it.
At the end
of the movie, we see some tension between these two
characters, but this
scene would have developed that tension more had it made the final cut.
The sweetest parts
of the movie occur in
scenes between these two
characters where they begin to understand one another better.
Through all the «
scenes» what we see and hear is a moving mosaic
of many scenarios, schemes used and discarded by both central
characters as they try to explain the causes
of their misery and the forms
of their salvation.
Reversing the words
of the first
scene's title, Bergman has moved his principal
characters from panic to a kind
of knowing innocence.
It is meager and scattered, as was recently demonstrated to me by my 22 - year - old cousin, and a lot
of it I learned through
character work and
scene study.
It's the same difference between two types
of trial testimony: The
character reference given by the accused mother being akin to religious persuasion and CSI type hard evidence that places him at the
scene, with the victim's blood on his hands and a video
of him doing it.
Not happy with his life, Hader's
character travels to Los Angeles to off someone and «ends up finding an accepting community in a group
of eager hopefuls within the LA theater
scene.»
This basically mirrors the
scene in Mission to Mars between the
characters played by Tim Robbins and Connie Nelson, whereby the death
of one leads to a void whereby the other is willing to act in a heroic and self - sacrificial manner.
And while this was undoubtedly Han Solo's film (God bless Harrison Ford, limping around on a broken leg) the new
characters felt at home straight away: Daisy Ridley as Rey was an absolute star (the
scenes between her and Leia ensured the film passed The Bechdel Test) and Oscar Isaac's Poe stole each
of the few
scenes he was in (even if his
character was just Han Solo in a jumpsuit).
In neither case does the eulogy take on the
character of an elegy: for both men, neoconservatism departs the
scene not because it has failed but because it has, in large part at least, succeeded in what it set out to accomplish.
The play's cast
of community performers and professional actor, Duncan Rennie - who plays Jesus - are currently working on improvised
scenes as well as writing parts for their own
characters.
There's a
scene in a recent episode
of the sitcom The Carmichael Show, where the
characters — members
of a suburban African - American family — discuss a moral dilemma.
The chapter is preceded by a graphic picture
of the judgment
scene, clearly showing the
characters who participate in it.
In the first ten
scenes John Merrick is an irresistibly sympathetic
character who suffers «humiliations in order to survive» yet believes in happiness and is capable
of compassion for other victims as well as
of wit in the face
of brutality.