Sentences with phrase «scenes of slow motion»

Not exact matches

In what must be the most monumental scene of any career, described in arch slow - motion from about 62 camera angles, Alexander on his faithful steed rears up before a similarly rearing armoured elephant.

Everything about this film oozes class; the 60's setting is beautifully captured with it's attention to detail and strikingly rich photography by Eduard Grau; the slow motion scenes with overbearing sound effects; the subtle changes of colour saturation providing an excellent technique in developing the mood and feeling of Firth's character and a fitting soundtrack to accompany the lush imagery.

During Flickering Myth's interview with Bryan Singer about X-Men: Apocalypse, the director's newfound mutant power of shooting super, super, super slow motion scenes came up.

It's sweet, warm and uplifting while remaining honest, poignant and true - to - life (with the exception of the brief use of slow - motion in the scene when Jessica swims in the pool for the first time).

Performances are uniformly not great; the whole thing takes place at night and even scenes inside the house are lit too dark; a PG - 13 rating holds back the violence, most of the action features a weird reliance on cheesy slow motion, and - perhaps the film's greatest misstep - the tech house angle is barely utilized.

However, the fighting scenes are okay even though I've heard some people complaining about the constant use of slow motions.

While a little long and full of some pretty hefty amounts of cheese (slow motion action scenes complete with slow motion talking abound), Young Guns is just downright entertaining, especially if you love the 80s.

The ending feels abrupt and rushed, which is actually a bit bizarre as Gosling moves so turtle like that you mistake many of his scenes to be in slow motion.

The slow - motion scenes were designed to take something horrific and make them more like a work of art.

Rosi uses the same montage style from the «baptism murder» sequence in Coppola's film, cutting from a lavish dinner held in Luciano's honour to scenes of bosses being shot to death in various locations, mostly in Peckinpah-esque slow - motion.

Apocalypse is a weak, bland villain, and a «Sweet Dreams» scene involving Quicksilver, that combines slow - motion and fast - moving elements, has the arrogantly, unfunny tone of «X-Men» spinoff, «Deadpool» — and we don't want to go there.

Carla not only has some of the only entertaining solo scenes in the film, but she's also instrumental in some of its best comedic moments - including a slow - motion dodgeball fight between all the film's parental and kid characters that comes at the end of an already entertaining sequence set within a SkyZone trampoline park.

Whether that actually a good thing or more of a Trojan Horse to smuggle in more hyper macho battle scenes and slow motion sequences of giant mortar shell casings falling to the ground (because big guns are so awesome, guys, right?)

«Mash - Up of Awesomeness: Slo - Mo» focuses the franchises more intense action scenes in slow - motion.

Slow - motion and cheesy music negatively impact some of the dramatic moments and the sex scenes... especially an otherwise effective cross-cut between O'Connell and Long as they seduce Thompson and Jacobs, respectively.

Its jumpy editing, slow motion effects, undisturbing scene of teen drinking, and often - blaring soundtrack of broody tunes come across as a desperate attempt to be hip and edgy.

Ghosts of Mars, however, doesn't seem to have any rules to begin with — it's a chaotic mish - mash of ill - framed excuses for extended and dull fight scenes, most of them shot in extreme slow - motion and without any trace of the exuberance of, say, Carpenter's Big Trouble in Little China and its alleyway deathmatch.

Wong's violent interludes are most often brief riots of slurred or slow - motion action alternating unexpectedly with freeze - frames; these sequences, delivered so rapidly one can often barely perceive what's happening, are obviously abstract versions of the action scenes in conventional martial - arts films (The Eagle Shooting Heroes included).

Random slow - motion and cutaways to lightning strikes and scenes from Ben - Hur are a bit awkward, but Stone is clearly finding epic qualities in what is one of America's most popular (and savage) pastimes.

The worst scene has to be the bloody finale featuring lingering, slow - motion shots of the pervert's swaying private parts.

Speedsters on screen have been well - established through ultra slow motion since the breakout Quicksilver scene in X-Men: Days of Future Past, and Zack Snyder's introduction of The Flash into cinema follows the same template.

Ignatiy Vishnevetsky, AVClub.com: «Despite its illegible chase scenes, awkward slow - motion shots, and fumbling attempts at political commentary, No Escape manages to be intermittently interesting, thanks to an off - beat supporting turn from Pierce Brosnan and the intrinsic curiosity factor of watching a film mishandle an inspired premise.»

Still, for every moment of intrigue there's a scene like that of domestic abuse played out in slow motion, with instant replay too.

Forgiving a few moments of over-contemplative slow - motion and two or three scenes too many establishing that Oscar has a heart, Coogler has some brilliant moments that highlight intimacy on a warm, cozy level that feels hard to deny.

Baranski, Hines, and Sarandon get together for a low - key scene that happens to be the best one in the movie, where they sit down together and trade background information, issuing silly little one - liners that speak to their world views, no extensive slow - motion montages of weak sight gags required.

Rusty is a dull hero, an alleged bad boy who loves his mother, respects his mom's boyfriend, wants to save his best buddy in the whole world, and speaks with unnatural lyrics of love for a woman he just meets in a diner (Marley Shelton, who appears in one scene to walk through a door and to a stool repeatedly in slow motion before making googly eyes at Rusty, who returns the favor).

The film lives and thrives on these whiplash moments; it seems as if Wong hadn't yet perfected the languor that I love so much about his films, and so there is no small thrill in the chases, or the extended scenes of almost sadomasochistic violence inflicted on and by Wah (often shot in extremely long slow motion shots), or of course the unspoken flirtations.

Typifying the film's dramatic inflation is Daniels» choice to shoot the riot scenes in slow - motion and making the flames of the Ku Klux Klan look like hellfire.

When combined with the atonal maelstrom of Jonny Greenwood's score, these scenes become akin to watching a slow - motion car crash, our fixed position making the sudden eruptions of chaos all the more disturbing and surreal.

In the first scene of Wet, you slide down a long table in slow motion, smashing through towers of champagne glasses and a giant cake as you gun down thugs who are trying to kill you.

Director Kathryn Bigelow gives the proceedings a hefty dose of style, using a lot of dreamy slow motion and quick editing, and staging the action scenes with great energy; her most brilliant work here are the on - screen recreations of the SQUID clips, shot in long takes and with appropriately edgy and shaky handheld camera work.

We also hear from plenty of his friends about several behind - the - scenes events that led him to, and kept him in, Buddhist practice: the souring of his relationship with his manager, Brad Grey, his participation in a series of lawsuits, some health scares, and the slow - motion car - crash that was his film, What Planet Are You From?

And when a substance of hers, that Buchannon describes as stronger than «bath salts on meth,» washes up on shore, the gang goes into action to solve the crime, but also for additional phallic jokes (more than just Oscar's member is sacrificed on the alter of cheap laughs), near drownings, shootings, various vomiting scenes (a body function that seems to have totally replaced farting in the screenwriter's lowest denomination guidebook), shipboard fires, shark attacks, Mitch getting fired and replaced by Brody, and slow - motion shots of well - endowed women running up and down the beach.

In one emblematic scene, he happens upon a multiple - car pileup and strides down the line of automobiles as the slow - motion, blurred sound, and the bright red watermelon guts strewn over the cars (one of the vehicles was carrying a load of melons) give the whole thing a surrealistic vibe.

Not understandable in the slightest is Beck's decision to devote a whole scene to Kathy getting excited over the bathroom, and shooting a good deal of it in slow motion, to boot.

And about five minutes into a tedious prologue that features a novel's worth of voiceover, blather about a virus that makes people dangerously embrace their emotions, and a sloppy action scene of murder and fucking that included a pair of bare tits disturbingly distorting in slow - motion, I thought only, «Fuck me.»

The first is a DELETED SCENE which actually adds a great deal to the ending and makes one of the stranger shots in the film (which is in slow - motion) suddenly make sense.

A handful of enemies are depicted with exposed organs, and one scene depicts an enemy having its hand cut off in slow - motion.

Trip Report, England in Slow Motion: 190 Miles on the Coast - to - Coast Walk www.slowtrav.com/tr/tripreport.asp?tripid=800 >> Bud Lowe, www.slowtrav.com/cl/detail.asp?l=1735 Prize: Three sets of five boxed cards, with envelopes, each card a reproduction of a different scene painted in Tuscany.

Behind a stark urban façade, another world unwinds in slow motion, reminiscent of a scene from the Swiss Family Robinson: wood - and - thatch... Read More

Behind a stark urban façade, another world unwinds in slow motion, reminiscent of a scene from the Swiss Family Robinson: wood - and - thatch dwellings, screened by banana trees, form a quadrangle crisscrossed by rustic stairs and wood - railed balcony porches.

As well as the Hollywood-esque dives for cover, the slow - motion headshots or the ludicrous Enemy At The Gates - style sniper face - offs, there are serious side - missions in which, for example, you must sap a field of mines to protect the locals, or, much later, scenes in which you fight against child soldiers (characters that, hitherto in the series, have only been talked about, never encountered during play).

Also, there is the now added bonus of a slow - motion camera similar to Fallout's VATS system where the final strike appears as a gnarly cut scene.

In Sniper Elite 4, these kills have been upped quite a bit to be included in other types of kills, so if you throw a grenade and it lands right next to a guy, expect to see a slow motion scene of shrapnel piercing various points and arteries of the Nazi's body.

The gallery was packed with ultra-cool clientele; the drinks were free and plentiful; the artwork was flat, graphic, and not particularly challenging; and watching over the whole scene was a slow - motion video of the artist drawing a skull accompanied by a heavy bass soundtrack.

Named for the stunt restaged in the opening scene of this film, Full Burn pictures an ex-special ops marine set on fire in extreme slow motion, transforming the stunt into a ritualized reenactment of trauma.

Recreating the feeling of dizziness and confusion by letting the paint blur and allowing shapes to dissolve, Alexandra suggestions motion in order to slow down the scene and capture the fleeting moments, which tend to be forgotten.

Shot primarily in slow motion, the competitive nature of the Jiu - Jitsu fighters and racehorses is paralysed by an extreme aestheticisation, transforming scenes of action into objects of contemplation and visual pleasure.

Gionee has put in a number of shooting modes including Night, Time Lapse, Slow Motion and Smart Scene and even added «productive» modes like Text Recognition, Card Scanner and Smart Scan.

On the left side of the UI you'll see a little button made up of four colored squares, and this is the menu for the other modes which includes a Translation mode, a Card Scanner mode, Mood Photo, Time - Lapse, Smart Scene, PicNote, Night, Slow Motion (video), GIF, and there's even another button for Professional mode here.