Sentences with phrase «scenes of the film as»

Not exact matches

The screening was praised by advocates as a milestone in Saudi's modernization efforts, but attendees were reminded of the country's conservative laws when crucial scenes in the film were censored for modesty.

As Disney was wrapping up production on A Wrinkle in Time, the latest film from lauded director Ava DuVernay and an adaptation of the beloved children's book, out Friday, the production team reached out to Rodeo FX to add finishing touches on a selected scene.

The import - export strategy hinges on introducing the Japanese to American bourbons, while also convincing Americans to think of Japanese whisky as more than just the inspiration behind a humorous scene in a Coppola film.

Despite a real - life narrative stuffed with secrets and suspense, the film version quickly feels bloated as Stone treats us to scene after scene of Snowden struggling with his inner dilemma and, especially, with his devoted girlfriend, Lindsay, who is a major character in her own right.

However, the rest of the Getty scenes in the movie are clearly of Plummer, which Scott could pull off as they are mostly scenes shot in one exterior location or interiors, which could all have been filmed on studio sets.

Mad Max rode a winning streak in several technical and behind - the - scenes categories to score six Oscar statues last night, though the film ended the night shut out of most of the show's major categories, such as Best Picture and Best Director.

Scenes shown in the film are the ma - ssacre in Mumbai, the as - sas - sinations of Bhutto and Theo Van Gogh, the conduct of the seven Muslim doctors in the UK, the 9/11 terrorists, the 24/7 Sunni suicide / roadside / market / mosque bombers, the 24/7 Shiite suicide / roadside / market / mosque bombers, the Islamic bombers of the trains in the UK and Spain, the Bali crazies, the Kenya crazies, the Pakistani «koranics», the Palestine suicide bombers / rocketeers, the Lebanese nutcases, the Taliban nut jobs, the Ft. Hood follower of the koran, and the Filipino «koranics».

Most laughable of all the film's many fictional scenes dressed up as fact is a visit by Mr. Churchill to the London Subway.

These mirror neurons are active as men view the most popular porn films, where 88 percent of scenes contain physical violence.

The film, Scene's from a Marriage, leaves unexamined the questions of how to redeem community in the larger society; it seems to have gone irrevocably to the devil as it has become technically more nearly perfect.

Although at times Scenes seems to be administering the physic of the consciousness movement in rather heavy doses, the film is too complex to be dismissed as a celebration of «How to Save Your Own Life» in the mode of Erica Jong, Jerry Rubin or Gail Sheehy.

And while this was undoubtedly Han Solo's film (God bless Harrison Ford, limping around on a broken leg) the new characters felt at home straight away: Daisy Ridley as Rey was an absolute star (the scenes between her and Leia ensured the film passed The Bechdel Test) and Oscar Isaac's Poe stole each of the few scenes he was in (even if his character was just Han Solo in a jumpsuit).

From the looks of the trailer, the entire film is one prolonged fight scene between enormous robots as an enthusiastic Charlie Day cheers them along.

As viewers who went to see the film this weekend noticed, one scene looked extremely familiar to fans of Krasinski's original breakout role of Jim Halpert on The Office.

The essential plot elements of Inherit the Wind — the lonely stand of the brave individualist against the small - minded bigotry of the townspeople, Cates» fear and trembling as he waits in his prison cell, the threat of ruin hanging over his head («The Scopes character and his fiancee play each scene as if he were on the way to the electric chair,» wrote one film reviewer)-- are pure fabrication.

Speaking about the film recently in Los Angeles, Cera — who in this film, takes some refreshingly bold steps away from his usual one - note nerd persona — and co - writer / director Edgar Wright (who also did the zany cult classics Shaun of the Dead and Hot Fuzz) discussed the meaning of the film, the stretching Cera had to go through for the role, and the way in which the film's hyperkinetic action sequences are really just the same as the dance scenes in Grease or a Gene Kelly movie.

For reasons that are difficult to perceive, someone had decided that this sorry spectacle would make a great human - interest scene for the film as Arthur, the famous, rich black American athlete, nobly descends to the lower levels of life and plays table tennis with poor little African children.

If Ross occasionally plays loose with the facts, he remains true to the core of the story, and many of the racetrack scenes evoke more sharply than ever before on film a sense of the surpassing grace and power of the running horse, the sound of rolling thunder of the hooves and a sense of the precarious, perilous nature of the jockeys» existence as they bound along hell - fired at 40 miles an hour, monkeys on a stick, wind - sheared and often screaming at each other in the din.

In short, says Brooks, they wanted to make sure they didn't get another Days of Thunder, the much - reviled (at least in racing circles) 1990 Tom Cruise film, which featured, among other cinematic inventions, scenes of Robert Duvall as a good - ol» - boy team owner who assembles stock cars in a barn.

Fast forward to today, and DigiSpecMedia have recreated the film, scene - by - scene (or as good as given limitations) using Assetto Corsa «s new Dream Pack 1 content, which just so happens to include the McLaren P1 and the ribbon of tarmac infamously known as the Green Hell.

This scene in the Kony 2012 video, between Jason Russell, a founding member of Invisible Children, and his son, Gavin, starkly symbolises the lost opportunity of the film as a consciousness raising tool.

At this new exhibition, you are invited to step into Cameron's role as director and film scenes in 3 - D with a camera just like the ones used in the making of the movie.

More ambitious Hollywood films that want to use computer - animated figures for real - life scenes could also benefit — whether they need a virtual stunt double or a realistic emotional performance to match the gravitas of films such as «Schindler's List.»

His influence has been so phenomenal over the years that for example, the legendary boxer Sugar Ray Leonard said he developed his amazing speed by emulating the fight scenes of Bruce Lee's films such as Enter the Dragon.

Behind the scenes of filming 5 - Minute Chest Exercises ⭐ this took two attempts since one transition didn't film as #diastasisrecti aware as I liked.

I envisioned This Land Is Mine as the last scene of my potential - possible - maybe - feature film, Seder - Masochism, but it's the first (and so far only Saraswati (Sanskrit: सरस्वती, Sarasvatī) is the Hindu goddess of knowledge, music, arts, wisdom, and learning worshipped throughout Nepal

With scenes in Technicolor, this artful film was intended as the first of two — until its controversial release further widened the rift between «Von» and Hollywood execs.

The film's 1080p transfer is stunning, with the actors» skin tones, tanned or not, rendered accurately, and the bright colors of the Spanish - set scenes countering the dark grading of the England sequences with exceptional clarity, though the level of grain is sometimes excessive, and as such distracting.

I'm tempted to write off the entire documentary as being solely of interest to nut - and - bolts geeks, except for the segment devoted to Oliver Reed, who died of a heart attack three weeks before principal filming wrapped, necessitating some CGI trickery to insert him into a crucial final scene of the film.

The action scenes highlight Rodriguez's trademark ability to choreograph firefights and explosions, but they're doled out with uncharacteristic stinginess between long stretches of exposition that clear up much less than they should, as the film builds toward a climax featuring some strangely underpopulated riot action.

It's possible to admire each scene and still see this film, in its entirety, as in need of some serious sharpening.

Haneke's methods are clear from the opening: after a long, quiet stretch of simple credits, followed by an extended black screen as silent as the grave, the film smash - cuts into its first scene with a terrifying jolt.

At the end of a big rhinoceros battle, a male character submits to Gurira in the film's single most iconic shot, while an earlier scene in which she tosses aside a bad wig ranks as the most gay - friendly Marvel moment to date.

Seldom having more than a scene or two in any film (his first was 1932's Fires of Fate, his last was 1974's 11 Harrowhouse), Morton nonetheless made the most of his limited screen time in such quality productions as Scott of the Antarctic (1949), Richard III (1956), Lawrence of Arabia (1962) and Young Winston (1971).

Also unlike Hollywood's current slate of animated films, this one is decidedly less for adults and geared more toward a young audience, as most scenes depict the childish adventures of Ponyo (voiced with high - pitched glee by Miley Cyrus's little sister Noah) and her new best friend.

Out 1 is largely a film of conversation, as its prolonged rehearsal vignettes regularly give way to even lengthier scenes of verbal self - analysis.

, a map a Tehran for your next vacation, showing notable locations from scenes in the film, a 40 - page book with images and info on the movie, and a reproduction of Tony Mendez's CIA card (with the face of Ben Affleck as Tony, alas).

As I said above, this is one of Lewis» goriest films, and where the guy actually had some skill was staging memorably morbid death scenes utilizing bizarre props.

Another factor is that the trailers and other advertisements leading up to the release of the film already show you the climaxes of the best scenes, from the aforementioned traffic jam, the zombie horde working in unison to scale a great wall, as well as jumping onto helicopters that foolishly get too close.

The 3:47 «Meet Katie» focuses on the story of the furry little yak who just steals her scenes in the film, as the creators talk about the development of the character from a background drawing to full - fledged cult hero.

Corbijn isn't making a stereotypical Hollywood thriller, with the stakes spelled out in neon and the loud fight scenes spaced every few minutes, but he doesn't seem to realize there is such a thing as being too vague, and in his efforts to make some kind of art - house / thriller hybrid, he goes too far the other direction and creates a nicely rendered film with no emotional hook.

Cameo appearances by familiar faces such as Chris Penn and Jason Bateman are a lot of fun, while Vaughn steals all his scenes and makes it impossible not to wish the film were called Reese Feldman.

Note that most other awards organizations treated Damien Chazelle's Whiplash script as an original screenplay, but the Academy considered it to be an adapted screenplay for reasons known only to the Academy (Chazelle has previously released a single Whiplash scene as a short film to raise funds to complete the full movie, which is apparently the source of the problem).

In one of the strongest scenes in this final film, a character tells Harry about the importance of words and how things that exist only in the mind are as real as anything else.

The scene is also hampered, as are many others in the second half of the film, by Hooper's poor sense of pacing, going steadily from one number to the next without pause or variation.

Everyone knows that a great film needs a great soundtrack as it what truly brings some of the more emotional scenes alive; the movie however does lack that.

The film only genuinely falters in its string of resolving scenes (We learn some vital things, such as the extent of Curtis» need to bet on a loser and the subtle way the crux of Gerry's character is revealed in his meal choice, but many of the late scenes feel more uncertain than everything else in the film).

Well the film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?

Just as Jason Reitman's «Up in the Air» — a film that took a mildly more sanguine view of the past decade's far - reaching financial crisis — made its viewers endure repeated scenes of humiliating personal disenfranchisement at the hands of corporate America, so does «99 Homes.»

This moody, elegiac film has universally been acclaimed as a cinematographic masterpiece, from the talents of Cuban - born European Nestor Almendros (and «additional photography» by Haskell Wexler), with naturally - lit, sweeping, 70 mm images of crystal clarity and scope, and artfully composed scenes reminiscent of Andrew Wyeth paintings.