Sentences with phrase «scenes on collaboration»

The fact is as well that it takes a long time to work behind the scenes on collaboration content up until we can finally announce it.

Not exact matches

The Chief of Army Staff, Major General William Azu Ayamdo, who visited the crime scene on Tuesday, said GAF was already in close collaboration with other security agencies to thoroughly investigate and ensure justice for Captain Mahama.
We all know Gwen has been changing the game since the day she stepped on the scene and this collaboration with Shoedazzle is no exception.
Extras: Audio commentary with film producer and historian Bruce Block; new appreciation of the film and select scene commentary by film historian Philip Kemp; «The Flawed Couple,» a new video essay by filmmaker David Cairns on the collaborations between Billy Wilder and Jack Lemmon; «Billy Wilder ABC,» an overview by David Cairns on the life and career of the filmmaker, covering his films, collaborators and more; new interview with actress Hope Holiday; «Inside the Apartment,» a half - hour «making - of» featurette from 2007 including interviews with Shirley MacLaine, executive producer Walter Mirisch, and others; «Magic Time: The Art of Jack Lemmon,» an archive profile of the actor from 2007; original screenplay by Billy Wilder and I.A.L. Diamond (BD - ROM content); theatrical trailer; special collector's packaging featuring newly commissioned artwork by Ignatius Fitzpatrick; collector's 150 - page hardcover book featuring new writing by Neil Sinyard, Kat Ellinger, Travis Crawford and Heather Hyche, generously illustrated with rare stills and behind - the - scenes imagery.
Bonus features on the 2 - disc Blu - ray / DVD Combo Pack include profiles of Katharine Graham and Ben Bradlee, and featurettes about how the creative team came together, recreation of the era during which the story takes place, behind - the - scenes look at the set, and a tribute to the 44 - year collaboration between director Steven Spielberg and composer John Williams.
Isle of Dogs Behind the Scenes (in Virtual Reality) / (Lead Artists: A collaboration between Felix Lajeunesse & Paul Raphael and the Isle of Dogs production team)-- This virtual reality experience places the viewer inside the miniature world of Wes Anderson's upcoming stop - motion animated film, face to face with the cast of dogs as they are interviewed on set, while the crew of the film works around you to create the animation you are seeing.
In an exclusive interview with Collider, Pellington revealed how the project first emerged, what appealed to him about Stuart Ross Fink's script, how Fink created the main character with MacLaine in mind, what convinced her to sign on to star, his directing approach with a veteran actress who is superb at her craft, the importance of getting the tone right between MacLaine and Seyfried in their first big scene together, his collaboration with music supervisor Liza Richardson on a soundtrack packed with unusual and lesser known artists, and his upcoming film Nostalgia starring Ellen Burstyn, John Hamm and Catherine Keener.
During this recent exclusive interview with Collider, actor Brady Corbet and writer / director Antonio Campos talked about how this film came about, what they wanted to explore in the story they were telling, their collaboration on the portrayal of Simon, and the intention behind making the sex scenes so uncomfortable.
The artists describe their long collaboration with Bay and their work on this film to keep the tension high through the film's chaotic scenes of battle.
The second season of Minecraft: Story Mode — which we're once again creating in collaboration with our partners at Mojang — is coming to PS4 on July 11, so we sat down with three of the project's lead developers to gain some behind - the - scenes insights into the references, easter eggs, and teases hidden in the new trailer.
In a new behind - the - scenes video, several members on Gearbox's Borderlands team discuss how their collaboration with Telltale came about and what...
A manga based on the life of Game Freak founder and Pokémon design head Satoshi Tajiri is being published in Japan and one scene in the manga, in collaboration with Game Freak, shows a grid of early Pokémon designs with some unused Pokémon.
Acclaimed pixelart group eBoy (Kai Vermehr, Steffen Sauerteig and Svend Smital), who we've featured a number of times here for its amazing and intricate isometric scenes, has a puzzle game featuring its work and coming to the iPhone (it would look wicked on the iPad, too) courtesy of a collaboration with developer Delicious Toys.
A manga based mostly on the lifetime of Game Freak founder and Pokémon design head Satoshi Tajiri is being revealed in Japan and one scene within the manga, in collaboration with Game Freak, exhibits a grid of early Pokémon designs with some unused Pokémon.
Other highlights include «LA / LA and Institutional Collaboration», which will use Pacific Standard Time: LA / LA as a reference point to examine how institutions can encourage the growth of regional art scenes; «Digital Museums and Virtual Audiences», focusing on digital innovation and how new technology is starting to leave a deeper mark on the museum world; and «I Was Raised on the Internet», which brings together curators from three major institutions that collaborate on exhibitions investigating the effects of the Internet on contemporary art.
Her choice of collaborations, whether with musicians, photographers, video makers, designers, or auteurs, has always been on the cutting edge of the downtown Manhattan scene, and her gift for recognizing burgeoning talent is yet another part of her effortless cool.
Overgaden prioritizes close contact with the art scenes and on a running basis presents a large program of events, talks, and performances in collaboration with art professionals from Denmark and abroad.
A behind - the - scenes look into David Altmejd's collaboration with Yeasayer on their album Amen & Goodbye.
Coinciding with the republishing of Who is Sleeping on My Pillow, a 2009 collaboration with his wife Karin Mamma Andersson, Nordström's latest solo exhibition, For the Insects and the Hounds, showing at the David Zwirner Gallery, London, introduces horsemen, hounds, ghosts, Grecian and suburban Swedish architecture, humanised wolves, gothic madonnas and barefaced scenes of a pornographic level.
The exhibition which will feature both works on loan and for sale — is a collaboration between Sotheby's Modern & Post-War British Art department and the legendary Sixties dealer Kasmin, whose gallery at 118 New Bond Street (just up the road from Sotheby's) was the first «white cube» space in London and the scene of many ground - breaking shows, including Hockney's first major solo exhibition at the end of 1963.
As part of ICI's collaboration with the Colección Patricia Phelps de Cisneros to create research opportunities in Central America and the Caribbean, ICI is pleased to announce the launch of a resource platform that offers information on institutions, archives, museums, collections, and other relevant activities constituting Central America and the Caribbean's contemporary art scene, including independent initiatives, biennials, and private foundations.
With the support and collaboration with Peckham Space, Donkor led the group on a series of after - hours and behind - the - scenes visits to exhibitions at Tate Britain and Tate Modern, as well as to Tate's conservation studio.
Widely known in the LA street art scene and increasingly recognizable from her collaborations with brands like North Face and Nike, Hueman will show 10 new works on canvas and wood panel painted in her signature bold and fluorescent color palette.
Weiblichkeit im Surrealismus, Kunsthalle Bielefeld, Bielefeld, Germany The Promisse of Photography, Schim Kunsthalle, Frankfurt, Germany Collaboration with Parkett, 1984 to Now, The Museum of Modern Art, NYC, NY, USA Audit, Casino Luxembourg, Luxembourg 24 h International Biennale of Graphic Arts, Ljubljana, Slovenia World Without End: Aspects of 20th Century Photography, Art Gallery of New South Wales, Sydney, Australia Melodrama, Tate Gallery, Liverpool, UK Trauma, Hayward Gallery in collaboration with Dundee Contemporary Arts, London, UK Australian Art and Society 1901 - 2001, National Gallery of Australia, Australia 2000 12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia Deep Distance - Die Entfiernung der Fotografie, Kunsthalle Basel, Switzerland Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia Photography Now, Contemporary Art Center, New Orleans, USA Flight Patterns, Museum for Conternporary Art, Los Angeles, USA Behind ihe Scenes, The Museum of Contemporay Photography, Chicago, USA Presumed Innocent, capc Musée d'Art contemporain de Bordeaux, France Artist Films, Kunstverein München, Munich, Germany 1999 Konstruksjon eller virkelighet, Lillehammer Kunstmuseurn, Lillenhammer, Norway La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria Wohin kein Auge reicht, Deichtorhallen, Hamburg, Germany Das Versprechen der Photographie (The Promise ofPholography), Selections from the DG Bank Collection, PS 1 Contemporary Art Centre, New York Kunstwelten im Dialog, Museum Ludwig, Köln, Germany Nuevas Visiones, Nuevas Pasiones, Fundación Marcelino Botin, Santander, Spain 1998 Family Viewing, Museum of Contemporary Art, Los Angeles, USA Portraits, Paul Morris Gallery, New York, USA Echolot, Museum Fridericianum, Kassel, Germany Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of New South Wales, Sydney, Australia Nature of Man, Lund Konsthall, Lund, Sweden «Roteiros» x 7 XXVI Bienal de São Paulo, São Paulo, Brazil Life is a bitch, De Appel Foundation, Amsterdam, Netherlands Pusan International Contemporary Art Festival, Pusan, Korea Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany 1997 Venice Biennale, Venice, Italy Site Santa Fe, Santa Fe, New Mexico, USA 1996 Fundacao Bienal de São Paula, São Paulo, Brazil» Campo 6», The Spiral Village, Museum of Modem Art, Torino, Italy Jurassic Technologies Revenant, 10 th Biennale of Sydney, Australia Prospect 96, Schirn Kunsthalle, Frankfurt, Germany 1995 Antipodean Currents, The Guggenheim Museum (Soho), New York, USA»95 Kwangiu Biennale, KCollaboration with Parkett, 1984 to Now, The Museum of Modern Art, NYC, NY, USA Audit, Casino Luxembourg, Luxembourg 24 h International Biennale of Graphic Arts, Ljubljana, Slovenia World Without End: Aspects of 20th Century Photography, Art Gallery of New South Wales, Sydney, Australia Melodrama, Tate Gallery, Liverpool, UK Trauma, Hayward Gallery in collaboration with Dundee Contemporary Arts, London, UK Australian Art and Society 1901 - 2001, National Gallery of Australia, Australia 2000 12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia Deep Distance - Die Entfiernung der Fotografie, Kunsthalle Basel, Switzerland Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia Photography Now, Contemporary Art Center, New Orleans, USA Flight Patterns, Museum for Conternporary Art, Los Angeles, USA Behind ihe Scenes, The Museum of Contemporay Photography, Chicago, USA Presumed Innocent, capc Musée d'Art contemporain de Bordeaux, France Artist Films, Kunstverein München, Munich, Germany 1999 Konstruksjon eller virkelighet, Lillehammer Kunstmuseurn, Lillenhammer, Norway La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria Wohin kein Auge reicht, Deichtorhallen, Hamburg, Germany Das Versprechen der Photographie (The Promise ofPholography), Selections from the DG Bank Collection, PS 1 Contemporary Art Centre, New York Kunstwelten im Dialog, Museum Ludwig, Köln, Germany Nuevas Visiones, Nuevas Pasiones, Fundación Marcelino Botin, Santander, Spain 1998 Family Viewing, Museum of Contemporary Art, Los Angeles, USA Portraits, Paul Morris Gallery, New York, USA Echolot, Museum Fridericianum, Kassel, Germany Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of New South Wales, Sydney, Australia Nature of Man, Lund Konsthall, Lund, Sweden «Roteiros» x 7 XXVI Bienal de São Paulo, São Paulo, Brazil Life is a bitch, De Appel Foundation, Amsterdam, Netherlands Pusan International Contemporary Art Festival, Pusan, Korea Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany 1997 Venice Biennale, Venice, Italy Site Santa Fe, Santa Fe, New Mexico, USA 1996 Fundacao Bienal de São Paula, São Paulo, Brazil» Campo 6», The Spiral Village, Museum of Modem Art, Torino, Italy Jurassic Technologies Revenant, 10 th Biennale of Sydney, Australia Prospect 96, Schirn Kunsthalle, Frankfurt, Germany 1995 Antipodean Currents, The Guggenheim Museum (Soho), New York, USA»95 Kwangiu Biennale, Kcollaboration with Dundee Contemporary Arts, London, UK Australian Art and Society 1901 - 2001, National Gallery of Australia, Australia 2000 12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia Deep Distance - Die Entfiernung der Fotografie, Kunsthalle Basel, Switzerland Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia Photography Now, Contemporary Art Center, New Orleans, USA Flight Patterns, Museum for Conternporary Art, Los Angeles, USA Behind ihe Scenes, The Museum of Contemporay Photography, Chicago, USA Presumed Innocent, capc Musée d'Art contemporain de Bordeaux, France Artist Films, Kunstverein München, Munich, Germany 1999 Konstruksjon eller virkelighet, Lillehammer Kunstmuseurn, Lillenhammer, Norway La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria Wohin kein Auge reicht, Deichtorhallen, Hamburg, Germany Das Versprechen der Photographie (The Promise ofPholography), Selections from the DG Bank Collection, PS 1 Contemporary Art Centre, New York Kunstwelten im Dialog, Museum Ludwig, Köln, Germany Nuevas Visiones, Nuevas Pasiones, Fundación Marcelino Botin, Santander, Spain 1998 Family Viewing, Museum of Contemporary Art, Los Angeles, USA Portraits, Paul Morris Gallery, New York, USA Echolot, Museum Fridericianum, Kassel, Germany Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of New South Wales, Sydney, Australia Nature of Man, Lund Konsthall, Lund, Sweden «Roteiros» x 7 XXVI Bienal de São Paulo, São Paulo, Brazil Life is a bitch, De Appel Foundation, Amsterdam, Netherlands Pusan International Contemporary Art Festival, Pusan, Korea Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany 1997 Venice Biennale, Venice, Italy Site Santa Fe, Santa Fe, New Mexico, USA 1996 Fundacao Bienal de São Paula, São Paulo, Brazil» Campo 6», The Spiral Village, Museum of Modem Art, Torino, Italy Jurassic Technologies Revenant, 10 th Biennale of Sydney, Australia Prospect 96, Schirn Kunsthalle, Frankfurt, Germany 1995 Antipodean Currents, The Guggenheim Museum (Soho), New York, USA»95 Kwangiu Biennale, Kwangju, Korea
A fixture on the scene at St. Marks Church - in - the - Bowery, Schneeman (1934 — 2009) thrived on these kinds of freewheeling collaborations, churning out myriad collages, book covers, and paintings of and alongside
The video was created in collaboration with on - scene colleagues during her artist residency in Morocco a year ago, and is Koch's first venture into a 3D film medium.
This is the first English - language monograph devoted to the full scope of Kluge's work, from his appearance on the cultural scene in the 1960s to his contributions to New German Cinema in the 1970s and early 1980s to his recent collaborations with such artists as Gerhard Richter.
She has published writing in a number of journals and publications, including a report on the art scene in Tunisia for the book Moment's Notice: Collected Encounters, published in Berlin and Manila; Case study in Tunisia in REDES; La singularité artistique face au danger de l'apanage identitaire, in collaboration with the National Center for Scientific Research of Paris; and contributed to The Changing Room: Arab Reflections on Praxis and Times.
2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Hatch
Since November 2011, she is working on a research of visual art scene at Autonomous Cultural Center (ACC) Metelkova City (Ljubljana, Slovenia) in collaboration with Alkatraz Gallery and Saša Nabergoj.
Since November 2011, she is working on a research of visual art scene at Autonomous Cultural Center (ACC) Metelkova City (Ljubljana, Slovenia) in collaboration with Alkatraz Gallery and Simona Žvanut.
We just received a press release on the collaboration between the incredible Italy - based furniture company, Natuzzi and Fabrizio Plessi, one of the most important and innovative artists on the contemporary scene.
a b c d e f g h i j k l m n o p q r s t u v w x y z