Dutch artist Vera van Wolferen creates intricate and meticulously - constructed
scenes out of paper, cardboard and wood.
He has recreated
these scenes out of paper, cardboard and styrofoam in combination with various printmaking techniques.
Not exact matches
In the lead up to the fair the organisers were certainly active in marketing the fair with frequent Facebook posts
of makers» work, behind - the -
scene images
of Outlaw HQ, a competition to win a VIP goody bag, as well as traditional advertising in local
papers, sending
out postcard packs to all involved and clear signage on the day.
Recent updates: Added 1/14: First Showing (additional critic), Slashfilm (additional critic) Added 1/8: Birth.Movies.Death (additional critics), Parallax View, The Tracking Board Added 1/7: Film Journey, The Film Stage (additional critic), First Showing (additional critic) Added 1/5: The Film Stage (additional critics), In Review, Moving Picture Blog, The Playlist (additional critics), Slashfilm (additional critics), Taste
of Cinema Added 1/3: CBS News, Den
of Geek [UK], Film Pulse, The Film Stage (substituted individual lists for consensus list), Hidden Remote, The Playlist (additional critics), PopCulture.com, Reverse Shot, ScreenAnarchy, Slant (substituted individual lists for consensus list), Slashfilm, Wichita Eagle Added 12/31: artsBHAM, Cape Cod Times, CinemaBlend (additional critics), Collider (additional critics), Criterion [The Daily], Criterion Cast, The Film Stage, First Showing, Flavorwire, The Globe and Mail, The Hollywood Reporter / Heat Vision, Lincoln Journal Star, Monkeys Fighting Robots, NOW Magazine, Omaha World - Herald, Paste, People, ReelViews, Salt Lake City Weekly, San Antonio Current, Screen Daily, SF Weekly, These Violent Delights, Toledo Blade, Uncut, Under the Radar, Vancouver Observer, Vancouver Sun Added 12/29: The Arts Desk, Austin American - Statesman, Austin Chronicle, Awards Daily, Boston Globe, Boston Herald, CinemaBlend (additional critics), Cleveland
Scene, Collider (additional critics), The Daily Beast, Deadline, Film Journal International, Houston Chronicle, Ioncinema, Las Vegas Review - Journal, New Orleans Times - Picayune, New York Post,
Paper, The Playlist, San Diego City Beat, San Francisco Chronicle, San Francisco Examiner, St. Louis Post-Dispatch, Salt Lake Tribune, Seattle Weekly, Shepherd Express, The Stranger, Tallahassee Democrat, Toronto Star, Tucson Weekly, Tulsa World, Uproxx, The Virginian - Pilot, Washington City
Paper, White City Cinema Added 12/27: Awards Campaign, Baltimore Beat, Buffalo News, Chicago Daily Herald, CinemaBlend, Collider, Film School Rejects, GameSpot, JoBlo, Metro UK, Newsweek, Observer, San Jose Mercury News, Seattle Times, Sydney Morning Herald, Tampa Bay Times, Thrillist, USA Today, Village Voice (Wolfe), Wired UK Added 12/22: Chicago Sun - Times, Den
of Geek [US], The Guardian, Mashable, Metro US, Sioux City Journal, Star Tribune, The Verge, Wired Added 12/21: BBC, Chicago Reader, The Commercial Appeal, IGN, Las Vegas Weekly, TimeOut New York, Village Voice Added 12/20: A.V. Club, Crave, Esquire, The Independent, Spectrum Culture Added 12/19: The Atlantic, Birth.Movies.Death., CineVue, Newsday, NPR, WhatCulture Added 12/18: Arizona Republic, Yahoo! Added 12/17: Dazed, Flood Magazine, New Zealand Herald, Salon, ScreenCrush, The Star - Ledger (NJ.com), Time
Out London, Total Film Added 12/15: BuzzFeed, Christian Science Monitor, Detroit News, Los Angeles Times, Philadelphia Daily News, Vox Added 12/14: Associated Press, Chicago Tribune, Consequence
of Sound, Little White Lies, Los Angeles Daily News, RogerEbert.com, TheWrap Added 12/13: Evening Standard, Variety Added 12/12: The Hollywood Reporter, Huffington Post, PopCrush Added 12/11: CBC, The Observer [UK], Wall Street Journal Added 12/8: The New Yorker, Rolling Stone, Slant Added 12/7: Culture Trip, IMDb, The Ringer, Slate, Time, Us Weekly Added 12/6: Cahiers du Cinéma, New York Times, Vogue, Vulture (Yoshida), Washington Post Added 12/5: Scorecard launched with 15 lists.
These
scenes are a joy to behold — a bliss -
out of brightly colored
paper and hand - molded clay that can stand shoulder to shoulder with the texturally varied and vibrant stop - motion work seen in Wes Anderson's «Fantastic Mr. Fox» and Henry Selick's «Coraline.»
There are whole
scenes consisting
of Ben or Rose writing
out and reading messages on pieces
of paper, since neither
of their characters knows sign language.
I would drive or run or go about other aspects
of my normal life and when some
scene from my first 20 years floated through my mind, I would reach
out, grab it and make myself a note on whatever slip
of paper I had nearby.
Another is setting
out a variety
of nativity
scenes — from a teensy wooden one purchased when our married daughter was just a baby, to the large
paper mache one for under the big tree in the living room.
I have also enjoyed the cartoon like graphics as in one
of the opening
scenes, Bowser and
Paper Bowser fight within a cloud
of dust and occasionally an arm or head would pop
out of the dust.
Hari Panicker and Deepti Nair are a married couple that creates complex magical
scenes of humans and animals
out of paper and light.
One
of the great virtues
of the exhibition is the wealth
of works on
paper it has brought
out, including Dorothea Rockburne's landmark work, Drawing Which Makes Itself with a portfolio by Hans Haacke that satirizes the real estate
scene.
Whether investigating the phenomenon
of what she dubs «Turbo Sculpture» — monumental statues
of American celebrities and movie characters like Bruce Lee, Johnny Depp, and Rocky Balboa, that have been erected across the former Yugoslavia — or constructing modest steles
out of printer
paper emblazoned with digital distortions
of images from pre - and postwar life, or making semi-autobiographical forays into a rave
scene that united the youth
of the balkanized Yugoslavian territory, Domanović addresses the ways in which we attempt to heal the wounds
of history through conviviality and denial.
His works on
paper are ostensibly
scenes of figures in landscape, though this linework and its all - over wandering discourage the squinting necessary to make
out the action.
They craft
scenes entirely
out of paper, taking origami to the next level, by using complex sculpting to fold and build interesting forms.
In constructing life - sized models
out of paper and cardboard often based on images taken from various media sources, and by photographing the constructed
scene, Demand plays with the viewer's notions
of the real and the fictional.
2006 Gregos, Katarina, «Eve Sussman, The Rape
of the Sabine Women», Flash Art, Jan / Feb Cacoulidis, Cleo, «Sabine Modern: On Location with Eve Sussman & The Rufus Corporation», Art Papers, Jan / Feb Coulson, Amanda, «Spontaneous Combustion», Modern Painters, Dec. 2005 / Jan 2006 2005 Spyridaki, Alexandra, «Video Art», Epsilon, April 17th Schumacher, Mary Louise, «Homage to the Master», Milwaukee Journal Sentinel, February 17th Mays - Powell, Harriet and Eve Sussman, «Frieze Frame», New York Magazine, February 14th Hoban, Phoebe, «Into the Mosh Pit with Velasquez and David ``, The New York Times, February 6th, Snider, Suzanne, «Eve Sussman», The Believer, February Maclaren, Becca, «Another look at Velasquez», Bennington, Fall 2004 / Winter 2005 2004 Stevens, Mark, «Beyond the Frame», New York Magazine, December 13th Gopnik, Blake, «Whittling Down the Whitney», The Washington Post, March 14th Saltz, Jerry, «Being There», The Village Voice, May 7th 2003 Sussman, Eve, «The
Paper Sculpture Book», Goggles for Kaleidoscope Eyes, Cabinet 2001 Sussman, Eve, Cabinet Instant Replay, Fall 2001 2000 Sussman, Eve, «The Whites Were a Mystery», Peirogi Press, Fall 1999 Anton, Saul, «Eve Sussman, China / White (Art Reviews)», Time
Out, September «Goings on about town, Eve Sussman», NewYorker, October 1997 Halle, Howard, «Eve Sussman, Ornithology» (Art Reviews), Time
Out Smith, Roberta, «Despite Changes a Gallery
Scene that's Resilient», The New York Times, May Schwendener, Martha, «Eve Sussman, Ornithology», The New Art Examiner, July Fritz von Klinggäff, Die Tagezeitung, «Das Verschwinden des Barbiers», November Gear, Josephine, «Eve Sussman @ Bronwyn Keenan Gallery», Review, May Berger, Laurel, «In Their Sights», Art News, April 1996 Coen, Eva, «Casa tua «e Casa mia», Guiliette, September 1996 1995 Glueck, Grace, «Prowling the City for Public Art», The New York Observer, August 1995 Cotter, Holland, The New York Times, August 1995 1994 Melrod, George, Sculpture, (NYC exhibition review), January 1994 Mattei, Peter, «Who has enlarged this hole?»