It comes as no surprise God of War would get spotlighted during this year's Tribeca Games Festival, where the game's director and cast spoke about its development and shared behind - the -
scenes stories in front of a live audience.
But current analysis methods can only re-create a crime
scene story in hazy detail.
Not exact matches
Before the White House intervened on Tuesday, Qualcomm had been working its political ties behind the
scenes at least since December, according to a revealing «tick - tock,» as we call such
stories in the media biz, by Wall Street Journal reporters Ted Greenwald, Kate O'Keeffe, and Tripp Mickle.
Each
scene is connected to the bigger picture: the
story in its entirety.
In February, Gallagher published The Airbnb
Story: How Three Ordinary Guys Disrupted an Industry, Made Billions... and Created Plenty of Controversy, telling the behind - the - scenes story of the creation and rise of the online lodging plat
Story: How Three Ordinary Guys Disrupted an Industry, Made Billions... and Created Plenty of Controversy, telling the behind - the -
scenes story of the creation and rise of the online lodging plat
story of the creation and rise of the online lodging platform.
The writing is exceptional; the plot constantly twists; the dialog is crisp and clever and never fails to drive the
story forward; Damian Lewis is, as always, great; Paul Giamatti is, well, he's Paul Giamatti; the moment Wags, played by David Costabile (the ill - fated Gale Boetticher on Breaking Bad), appears
in a
scene, you instantly smile with anticipation.
Near the end of the speech McConaughey gets the team to do the humming routine from «The Wolf Of Wall Street,» and then tells the players the
story of how it ended up
in the movie (Leonardo DiCaprio saw McConaughey warming up with the routine before the
scene and asked him to do it on camera).
Despite the hype around a few incredible dropout success
stories, the vast majority of startup founders complete college, and a whole host of tech
scene veterans (with the notable exception of Peter Thiel) say that, given the huge uncertainty inherent
in the startup game, it's generally wise for aspiring founders to finish their degrees.
Invariably, when we tell the
story of how the band survived 10 years
in the New York and New Jersey bar
scene while struggling to get a record deal, people want to hear war
stories about shady club owners and how we dealt with the implied «mob
scene.»
The craft beer
scene was up and coming there, much like here
in Canada, so I decided to write a
story on it.
Not only is this unfair, but it misses the real
story of how today's big philanthropy is unfolding as new mega-donors enter the
scene — with women
in the lead.
And then
in August 2016, AMI did an even more expensive favor for Trump behind the
scenes, when it paid $ 150,000 for exclusive rights to Karen McDougal's
story of her affair with Trump — and didn't run it.
In this multi-media event, Nicky tells the
story of the NYC dance music
scene from Stonewall to Studio 54.
I even got to sing five lines of solo
in the opening
scene, «The
Story of Chess.»
«Lisac's backdrop may be the political
scene, but his
story is
in the heart of his main characters, their flaws and aspirations.
The Daniels case has a lot
in common with the unfolding
story of the Trump campaign's alleged collusion with Russia — both involve allegations of campaign violations and financial malfeasance, of Trumpworld figures working behind the
scenes to protect their candidate.
If you have any crypto - related
stories or just love to write about what's happening
in the
scene, we'd love to hear from you.
It's quite the
story, though Moby was always an oddity
in the club
scene.
Again, I really want to stress this is not about the messy never ending post divorce antics with an NPD but the culture of leaders
in this publishing / speaking / minor celebrity circle that have smeared names and reputations
in order to appear one way while behind the
scenes another
story is going on.
I am outside of the emergent
scene, but it has helped me put a few things to rest
in my own
story, a different scenario with similar underlying destructiveness.
Such moments, nonetheless, appear» implicit though undramatized» throughout the Old Testament, and the
story of Noah has at least two: Noah's own never - expressed response to the Lord's commission, and the late
scene when Shem discloses Noah's drunken stupor to his brothers, who engage
in a tortuous maneuver to cover their father's nakedness (which only alerts him upon wakening to what has happened).
Director Ryan Coogler explains that although the performances
in this
scene are stunning, it just didn't work
in the overall arc of the
story.
As
in the Abraham
stories, so too
in the Jacob narratives, the sacredness and often the very name of ancient Canaanite sanctuaries are attributed to the visit of a patriarch to the
scene, as witness, only for example, the
stories of Bethel (28) and Peniel (32) This too contributes somewhat more subtly to the validation of Israel's claim.
The essential plot of the
story of the lie is repeated a second time of Abraham
in chapter 20 where the
scene is Gerar, not Egypt, and where, with a greater show of moral sensitivity, the
story attempts to mitigate the patriarch's lie (v. 12) and maintain the sexual integrity of his wife (vv.
Ingmar Bergman's film
Scenes from a Marriage tells, like the Lenten season, a serialized
story culminating
in violence, dawning
in a quiet denouement of fragile new life.
It argues that an author could portray, for example, a rape
scene — even a
scene in which a woman enjoys rape —
in constructing a
story that is ultimately and thoroughly feminist.
It is like a play
in which the
scene and the general outline of the
story is fixed by the author, but certain minor details are left for the actors to improvise.
Mark may have allowed himself some imaginative freedom
in depicting the
scene - the
story of the young man, for instance.
It has been observed that where we have more than one version of a
scene, the different versions generally agree rather closely
in the report of what Jesus said, but use more freedom
in telling the
story which provides the occasion for it.
But taken together, these
stories, told from many different points of view, converge to give a distinct impression of a real person
in action upon a recognizable
scene.
Symbols and images of this kind cluster thickly
in the
scenes of the «Christmas
story» which
in Matthew and Luke is the prelude to their account of the public career of Jesus: visits of angels, prophetic dreams, the marvelous star
in the east, the miraculous birth greeted with songs from the heavenly choir, all the appealing incidents so familiar
in the appropriate setting of Christmas carol and nativity play.
The fusion of the two ideal figures of Messiah and Servant of the Lord
in the historical person of Jesus is dramatically represented
in the
scene which
in all gospels prefaces the
story of his public career.
What we find is a series of separate
scenes — snapshots rather than a movie — and the four writers, who
in the closing
scenes were constrained to follow a fixed order of events, use a large liberty
in arranging the separate
stories they tell, and the arrangement comes out differently
in each of them.
The gospel account looms behind every
scene in the lengthy midsection of the film, an unfilmable
story, written
in poetic, metaphorical, passionate, committed language.
But, what about the thief on the cross who was going to meet Jesus
in paradise that very day and yet had no knowledge about the resurrection
scene of Jesus»
story?
Within the Protestant ecclesiastical
scene in California there are not many contrasts more colorful than that between Berkeley and Orange County: the University of California and Disneyland, an adult class using Bread for the World material and one deep into the Bethel Bible Series, a Georgian church building hosting the Earl Lectures (Tillich, Niebuhr, Bennett, Marty, Lehman et al.) and a 14 -
story Tower of Hope hosting preachers and teachers of «possibility thinking.»
Meanwhile for Singer, until the day of the coming there is the vivid passing
scene, full of interest even when also full of tragedy, worth taking part
in, worth telling
stories about.
We still have to ask ourselves what the
story says about how God deals with humans, and what is going on behind the
scenes in some (but not all) of the tragedies and difficulties of human life.
Sometimes it is by a revealing incident, commonly, however, by a telling analysis of what the subject of the
story «thought
in his heart» — but, by whatever means, the writers succeed
in portraying the inmost nature of the men and women who under their hands move across the
scene before us.
Given the line of questioning that opens the
story, a shameful but universal lie fingers
in the air throughout its several
scenes.
It is a combination of historical
story, with the
scene laid
in the time of King Nebuchadnezzar, and a new type of writing, the apocalyptic literature.
And it's not as if that message is tacked onto the movie
in an arbitrary way; it's really placed at the core of the
story, and it bleeds through every
scene, almost to the point of overkill.
The last
scene of the
story anticipates the last
scene of the Gospel: just as later the disciples are «continually
in the Temple, blessing God,» so here the former demoniac proclaims throughout the city how much Jesus has done for him.
As for specialties
in the individual narratives, Matthew alone records the sealing and guarding of the tomb and he alone introduces an earthquake; Luke expands the
story of the revelation on the road to Emmaus, which Mark's addition suggests, and introduces the meal of broiled fish partaken of by Jesus to prove the reality of his resuscitation; John alone, at the end of the century, narrates at length the conversation between Jesus and Mary Magdalene and records the
scene between Jesus and Thomas and the appearance by the Sea of Galilee.
For the
story I'm writing, well - known published writers
in our critique group, who were getting their stuff published
in paper by CBA publishers commented, among other things: - «The
scene where Tammy throws her bikini up into the tree would never get published by a CBA publisher.»
One notes the weird night
scene, the underground setting, the fact that only the witch is reported to have seen Samuel, the complete credulity of Saul, Samuel's rising out of Sheol
in bodily form, clothed
in a robe and physically recognizable, and, implied
in the whole
story, the popular prevalence of such necromancy
in making use of the still - existent dead.
(So that when you read a news
story, for instance, you might also get a composite assessment value that was assigned directly from other readers without them ever having to express such assessment via speaking, writing, etc. if a group of people are on the
scene of some event covered by the news, then obviously there would be great value
in knowing some directly transferred assessment values from their brains, rather than what today we get as a summary from a few reporters plus maybe a few witnesses that still have to express what they saw.)
Luke tells the
story in such a way as to make the whole of Palestine the locale of Jesus» ministry: as
in Acts 10:37, the
scene is «all Judea.»
Kurtis sees this
scene repeated
in almost any courtroom where «two lead actors — the prosecuting and defense attorneys» face off
in an effort to create a persuasive
story» that will «make the jury think the way [they] think.»
Long
story short, on a drive to take his cousin somewhere, they come across a beautiful
scene of cattle grazing on a hillside with the sun setting
in the background.