Not exact matches
Remember the
story from
last week about a mysterious «angel» priest who appeared at the
scene of a car accident to pray with an injured driver before mysteriously vanishing?
The
last scene of the
story anticipates the
last scene of the Gospel: just as later the disciples are «continually in the Temple, blessing God,» so here the former demoniac proclaims throughout the city how much Jesus has done for him.
Theologically, we repeat, Joshua is the
last scene of the first great act of the Old Testament
story, the completion of the first great event, the total event of Egypt - Sinai.
Although these look infinitely more delicious, your
last photo somehow reminds me of the
scene in A Christmas
Story where Ralphie's mother sticks a cake of red soap in his mouth as punishment for swearing.
Another day, another big shift in the Jose Mourinho to Manchester United
story...
Last night, a series of sensational tweets exploded out of Manchester as the highly regarded United forum Red Issue, made some sweeping statements about the twisted power struggle currently going on behind the
scenes at Old Trafford.
We experimented again with
stories, ideas, technical skills and a huge amount behind the
scenes last year - which I am guessing is evident, though of course, the backstage stuff always seems like a mystery, I am sure.
To the people saying the
story sucks, it doesn't at all and even gets strongly emotional when you are forced to do something terribly heart breaking late in the game, now that is a gripping and sad emotional moment granted it doesn't
last long enough but it is better
story and more emotional than anything in halo or gears and that is one
scene on a handheld!
Brice stops his
story just before it becomes redundant — most filmmakers these days can't say that — and although I didn't believe the outrageous next - to -
last scene, he caps it with a laugh - out - loud joke.
The formerly titled Lawless (now without a title after that name was taken by
last year's John Hillcoat drama) is set in the Austin music
scene, and stars Ryan Gosling, Christian Bale, Cate Blanchett, Natalie Portman, Rooney Mara and Haley Bennett in a
story of sexual obsession and betrayal.
Oliva proved his mettle in hand - to - hand combat
scenes with the «Laira» segment of Green Lantern: Emerald Knights
last year, and at times in the
story's exposition, it's like he hungers to get to the beatdowns.
By the time the movie gets to the final climax, basically where every
last character is suddenly together in a big obviously - in - a-warehouse-set with an impending action
scene pitting them all against each other, I had completely lost interest in the
story.
The
Last King Rated R for violence and a
scene of sexuality Rotten Tomatoes Score: 67 % Game of Thrones actor and Wyndham Hotels spokesman Kristofer Hivju stars in this Norwegian true
story about a team of soldiers who, in 1206, try to save a baby from being assassinated when it is discovered that the child is the heir to the throne of the recently killed king.
A film about a man who is always
last to the
scene of the crime is a solid starting point, but no amount of flashy directing can make up for a weak
story.
1 «Superstar: the Karen Carpenter
Story» (Todd Haynes, 1987) 2 «Don't Look Back» (DA Pennebaker, 1967)-- Bob Dylan 3 «Gim me Shelter» (David Maysles / Albert Maysles / Charlotte Zwerin, 1970)-- Rolling Stones 4 «24 Hour Party People» (Michael Winterbottom, 2002)-- Manchester
scene 5 «Topsy - Turvy» (Mike Leigh, 1999)-- Gilbert and Sullivan 6 «Monterey Pop» (DA Pennebaker, 1968)-- concert 7 «Be Here to Love Me» (Margaret Brown, 2004)-- Townes Van Zandt 8 «Thirty Two Short Films about Glenn Gould» (Francois Girard, 1993)-- Glenn Gould 9 «Cocksucker Blues» (Robert Frank, 1972)-- Rolling Stones 10 «Bird» (Clint Eastwood, 1988)-- Charlie Parker 11 «The
Last Waltz» (Martin Scorsese, 1978)-- The Band & Friends farewell concert 12 «Rude Boy» (Jack Hazan, David Mingay, 1980)-- The Clash 13 «Scott Walker: 30 Century Man» (Stephen Kijak, 2006)-- Scott Walker 14 «Bound for Glory» (Hal Ashby, 1976)-- Woody Guthrie 15 «The Decline of Western Civilization Parts I & II» (Penelope Spheeris, 1981, 1988)-- LA punk;»80s metal & hair bands 16 «The Devil and Daniel Johnston» (Jeff Feuerzeig, 2005)-- Daniel Johnston 17 «Sweet Dreams» (Karel Reisz, 1982)-- Patsy Cline 18 «Art Pepper: Notes from a Jazz Survivor» (Don McGlynn, 1982)-- Art Pepper 19 «Elgar» (Ken Russell, 1962)-- Edward Elgar 20 «Rust Never Sleeps» (Neil Young, 1979)-- Neil Young 21 «The Future is Unwritten» (Julien Temple, 2006)-- Joe Strummer 22 «DiG!»
Seminal films like Woodstock, Gim me Shelter, and The
Last Waltz interweave concert clips, behind - the -
scenes footage, and interview segments as they strive to locate the larger
story beyond the performances they document.
You can play
story missions together, but in most cases friends won't be able to join you until after the
last cutscene of a
story mission ends, which is usually when a new monster appears on the
scene.
The
last scene functioned as a slow introduction into the most heightened point of frenzy for the
story.
0:00 — «Street Fighter II Opening Theme» by Alph Lyra 0:25 — Intro, Non Street Fighter segment (Dishonored, The
Last Story, PlayStation All - Stars Battle Royale) 15:17 — Intermission - «Theme of Ryu» by Alph Lyra 16:13 — Street Fighter, Street Fighter II and its many editions, the live - action films 30:50 — Intermission - «Theme of M.Bison» by Alph Lyra 31:50 — Street Fighter III, Street Fighter IV and the competitive
scene 42:13 — Intermission - «Theme of Cammy» by Alph Lyra 43:13 — Interview with Cross Counter Asia video producer / Tough Cookie owner / prominent Singapore FGC contributor Yongde 1:24:42 — Intermission — «Theme of Guile» by Alph Lyra (which goes with everything) 1:25:50 — Miscellaneous Street Fighter stuff, Hong Kong SF comics 1:33:44 — Outro — «True Ending Theme» by Alph Lyra
Surrogates is a good science fiction idea that is either too shallow and underdeveloped to provide the depth necessary to make a
lasting impression, or it's a case of a rich and deep
story that had been stripped away of all of its high concepts due to lack of budget, studio meddling, and a director who prefers big action sequences over
scenes of talking heads.
Mark and Kameron's exchange in our
last round about the lack of explicit gay sex
scenes in Call Me by Your Name, and what that «omission» (or, as Mark more precisely identifies it, deliberate aesthetic choice) has meant to different segments of the film's queer audience, brought to mind BPM, a brainy but also wrenchingly heartfelt film whose
story in part revolves around those very questions: how much to show, to whom, and for what purpose.
That focus on
story has also been known to raise tension behind - the -
scenes, with
last - minute reworking of scripts and storyboards and even the replacement of directors.
Running time: 129 minutes Studio: Fox Home Entertainment 3 - Disc DVD Extras: Widescreen theatrical feature film, unrated director's cut, Wolverine theatrical trailer, Valkyrie, S. Darko, The Wrestler, Seth MacFarlane's Cavalcade of Cartoon Comedy, commentary by director George Tillman, Jr., screenwriters Reggie Rock Bythewood and Cheo Hodari Coker, and editor Dirk Westervelt, commentary by with Biggie's mom Voletta Wallace, and his manager Wayne Barrow, Behind the
Scenes: The Making of Notorious, I Got a
Story to Tell: The Lyrics of Biggie Smalls, Notorious Thugs: Casting the Film, Biggie Boot Camp, Anatomy of a B.I.G. Performance, Party & [Expletive](never before seen footage), The B.I.G. Three - Sixty, Directing the
Last Moments, It Happened Right Here, The Petersen Exit, The Shooting, The Impala, The Unfortunate Violent Act, The Window, 9 Deleted
Scenes, 4 extended / alternate concerts, trailers from: Secret Life of Bees, Gospel Hill and Slumdog Millionaire, digital copy.
No official
story details have been released at this time, but there was originally set to be a post-credit
scene at the end of
last year's The Fate of the Furious, which featured Dwayne Johnson's Luke Hobbs and Jason Statham's Deckard Shaw, which was intended to set up this spin - off.
The
Last Knight has so much
story in it, so much useless information pummeled into every single
scene, there is no room for anything else.
Their
story picks up where we
last saw Thor — zipping between dimensions, trying to make sense of his weird visions (remember that really strange pool
scene in Avengers: Age of Ultron?)
I would be shocked to learn this movie had been
story - boarded, because it felt like the
last half hour of an action - light movie is just one long, repetitive chase - fight
scene between Reacher and the Hunter.
At certain moments, Fletcher breaks the fourth wall to essentially reiterate the
story thus far for the audience members who have been scrolling through Twitter for the
last three
scenes.
The main extra on Warner's New Year's Eve Blu - ray is a running commentary by Marshall, who not only falls into the trap of simply describing either the action or dialogue of a
scene instead of imparting much background information and
stories about the production (going unaddressed, disappointingly so, is the widely reported
last - minute Heigl - for - Berry recast, with the latter rejoining the project in a smaller capacity once her schedule cleared), he does so in a sing - song fashion that presumably is supposed to come off folksy - friendly but quickly becomes more than a little obnoxiously self - amused.
One of my favourite Oscars behind - the -
scenes stories is from 2013 when Anne Hathaway changed her dress
last minute because she found out Amanda Seyfried was wearing something similar.
Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended
scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the
scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True
Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The
Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The
Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.
sure there are still funny
scenes after it, but as a
story (which was a bigger concern in this picture over his
last couple films) it really really REALLY suffers because of it.
It
lasts over 5 minutes, and introduces the various characters, shows some
story scenes, showcases the various regions of the world, and a lot more.
This
scene also ended up being completely useless to the larger
story; it was the
last we'd see of Natalie Portman's Jane.
, a feature - length documentary on the entire series (from the memorable Second Sight Films release of the film); In Search of the Hotel Broslin, a 2001 featurette with Henenlotter and rapper R.A. «The Rugged Man» Thornburn; a six - minute outtakes reel in HD from a 2K scan of a 16 mm print; The Frisson of Fission: Basket Case, Conjoined Twins, and «Freaks» in Cinema, a new video essay by Travis Crawford discussing the history of films featuring «freaks of nature»; a set of image galleries (promotional stills, behind the
scenes, ephemera, advertisements, home video releases); a promo gallery featuring 3 theatrical trailers (all in HD from 4K sources), a TV spot (also in HD from a 4K source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short
story by filmmaker Robert Morgan; and
last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!»
Dennis Harrison tells the
story / Rally in Normandy — Bruce Dowell records on film an event which takes place in a French town every other year / Coleraine to Ballycastle Run — Pictorial coverage of this event that has enlivened the old car
scene in Northern Ireland for the
last eight years / Alvis Tour & A7 Circuit of Britain Forty - four — Alvises toured Britain this year for charity.
Douglas Blain has recently driven possibly the most original example in the world / Restoring Pride — Behind the
scenes at one of the UK's premier vehicle restoration specialists / Cars in My Life — Guy Griffiths concludes his fascinating motoring memoirs / The French Brooklands IV Bill Boddy continues the Montlhery
story / Viking Longship — The Editor samples a 1939 Rover 16 Tickford coupe a model which typified all that was Great in pre-war Britain / Silver Arrow — Lawrence Mitchell tells the
story of a real American icon — the
last and rarest Pierce Arrow of them all / Minor Miracles — Malcolm Robertson reports on two antipodean early series Morris Minors / Opposing Forces — Bryan Goodman looks at hte principles behind early series Morris Minors The First Cooper — Michael Worthington - Williams has researched an early manufacturer from the plains of East Anglia.
His
stories are never about just one thing, and you can never be sure what's going on behind the
scenes until you turn the
last page.
With the
story's
last page turn, the illustrations change from ink - and - watercolor
scenes of Jane as a child, toting Jubilee, to a color photo of Jane Goodall as a young woman in Africa, extending her hand to a chimpanzee.
I tend to write a woven
story so when a lot of plot elements are happening and coming to one finish, I find it's good to insert a few little «wins» for the reader along the way, not leave all the good fun
scenes and action right to the
last chapter.
And that's only the beginning of games ™ 153 Halo: The Saviour Of Xbox — Uncovering the past, present and future of Master Chief We speak exclusively to 343 Industries and Bungie on all things Halo The Death Of Consoles Why the games industry could be abandoning its greatest creation Gran Turismo Special Series creator Kazunori Yamauchi reveals the secrets of the franchise My First Game Gaming's greatest developers reveal their often humble beginnings in the industry — Also inside... The Future Of Racing — games ™ examines a new breed of track Surviving The Wasteland — The inside
story of how a RPG classic was reborn Behind The
Scenes of RuneScape Gaming Firsts — the games and tech that lead the industry Rogue's Gallery — Inside
last - gen's Assassin's Creed Previews: Metal Gear Solid: the Phantom Pain, The Division, Total War: Atilla, Mortal Kombat X, Pokémon Omega Ruby / Alpha Sapphire, World Of Warships, Until Dawn, Life Is Strange, Albedo Reviews: Alien: Isolation, Destiny, The Sims 4, Middle - Earth: Shadow Of Mordor, FIFA 15, The Walking Dead Season 2, Final Fantasy Theatrhythm: Curtain Call, Super Smash Bros., Wasteland 2, InFamous: Second Son — First Light DLC, Danganronpa 2: Goodbye Despair, Starwhal: Just The Tip, Fantasy Life, Hatoful Boyfriend
- E3 2014 video was running in real time and in - engine - the
scene shown was made especially for the trailer - the
scene with Link shooting arrows at the Guardian on his horse, jumping off, and firing off one
last arrow in mid-air at the enemy in slow motion, was a gameplay element that hadn't yet been implemented - Aonuma «really wanted to put that in the game» and made this happen as development went on - the team expanded on the game's
story as well, which was brought about from the E3 2014 trailer
Digital Collector's Edition with «Crate
Story» downloadable PDF (Gives a behind - the - scenes look at the struggle of starting a new game studio and tells the story of Crate from the last days of Iron Lore to the development of Grim Dawn and the many challenges we've overcome along the
Story» downloadable PDF (Gives a behind - the -
scenes look at the struggle of starting a new game studio and tells the
story of Crate from the last days of Iron Lore to the development of Grim Dawn and the many challenges we've overcome along the
story of Crate from the
last days of Iron Lore to the development of Grim Dawn and the many challenges we've overcome along the way.
Hoarder's Edition includes a printed book edition of the «Crate
Story» (Gives a behind - the - scenes look at the struggle of starting a new game studio and tells the story of Crate from the last days of Iron Lore to the development of Grim Dawn and the many challenges we've overcome along the
Story» (Gives a behind - the -
scenes look at the struggle of starting a new game studio and tells the
story of Crate from the last days of Iron Lore to the development of Grim Dawn and the many challenges we've overcome along the
story of Crate from the
last days of Iron Lore to the development of Grim Dawn and the many challenges we've overcome along the way.
The esports market is no longer the next hot place for brands to advertise - it's the current hot place, as evidenced by dozens of
stories from the
last year of corporate money flooding the
scene.
The lack of
story takes nothing away from the game, but it maybe could have had at least a one liner we could laugh at to set the
scene; something along the lines of «We made some aliens from another galaxy mad, now they're coming to devour our souls and you are our
last hope».
The
story is very minimalistic as you play through a few
story scenes which
lasts a few minutes in - between the action parts of the game.
The campaign
lasts around 6 - 7 hours and runs through 10
story missions, with plenty of stunning set pieces and battle
scenes thrown in to make any war buff satisfied.
According to this
story on Portflio.com today, «When the New York Times broke the
story last week that Eli Lilly & Co. was in confidential settlement talks with the government, angry calls flew behind the
scenes as the drug giant's executives accused federal officials of leaking the information.
I had met Mike only once while in Montreal for a legal technology conference
last year, but he had been writing for Canadian Lawyer for years bringing our readers the
stories of the people and events in the never - dull Quebec legal
scene.
I should mention (for those who didn't see my Insta -
stories about it), there is a very emotionally brutal
scene in the
last 15 minutes or so of episode 8 in season 2.