Sentences with phrase «scenes they filmed together»

John Boyega says that Star Wars: The Last Jedi is a fitting coda for co-star Carrie Fisher's character of Leia Organa Solo, and that he really enjoyed the «many» scenes they filmed together.

Not exact matches

There's a scene in the film where Krasinski's character and Emily Blunt's character (who are husband and wife in the film as well as real life), share a romantic moment together as they both wear one earbud, and listen to a song — JUST LIKE JIM AND PAM DID.

Filmed over two years, Michelin Stars — Tales From The Kitchen, gives us a behind the scenes look at the lives and stresses of starred chefs with a tale woven together by food critics and diners.

To provide the viewer means to piece together and understand the storyline, key scenes repeat at certain intervals throughout the film.

The sloppiness of the film betrays its true intentions: to paste together a variety of scenes and hope they work.

The interacting with Killmonger and the secondary character and the final few scenes that he and T'Challa get to spend together are honestly some of the best moments from any of these films in a very long time.

All scenes in the film have either dialogue or music (or silence), but never both together.

(It's never explained how exactly Elena helps the men...) Jean Renoir returns partially to the scene of «Rules of the Game» when part of the film takes place in a country estate with the gentry and servants cavorting together.

Owen pulls off some heart - wrenching scenes, although it's Liberato's revelatory performance as the emotionally confused teen that holds the film together.

It is this commonality that brings them together in scenes that brought on surprising tears in a film I thought would be entirely too silly from the trailer.

The film's mood is brooding, but its stars do share a pair of lively scenes of bonding: On a stakeout, they sing together, and when their investigation points to a nightclub, the pleasures of doing themselves up buoys both them and the film.

Once the iconic massacre scene happens, the movie picks up a bit of steam, but overall, it is a very poorly put together film.

It's easy to piece together when you hit the film's climax, but while experiencing the rest of the film, it's too tough to connect the dots to appreciate certain scenes in the moment.

«We only did a few scenes together for this film (Godzilla), but we spent time together in Vancouver and I got to know his family,» she said, with the actor having two children to director Sam Taylor - Wood who is 23 - years his senior.

The first pictures of Emma Stone and Shailene Woodley filming a scene together for The Amazing Spider - Man 2 have surfaced online.

The film does a good job of giving both men equal screen time, but the best moments are the scenes they share together.

All of these short films — along with a half - hour documentary called If It Bleeds We Can Kill It — have been strung together in this hour - long video, offering an especially absorbing dose of behind - the - scenes material.

There were difficult scenes, but it was such a well put together production that the filming of it was actually quite peaceful.

The opening scenes of the film has a younger version of Wayans» Darryl continuously trying to string together lots of cheesy contraptions to get his antenna TV to work, ultimately only responding when he sticks his foot in the toilet.

In a sequence that vaguely echoes the storm scenes in the earlier films, their tryst is largely reduced to a reading of John Donne's «On His Mistress» (instead of a private piano recital) and a montage of the couple visiting various picturesque sites together.

The pacing is good, but the film also comes with many obvious markers of rough editing and recuts, which makes the middle section feel muddled and disjointed; it's hard to see certain scenes as sequential and purposed, rather than stitched together from parts of what was seemingly a deeper (and longer) character study.

It was a pretty forgettable horror film, and they had no scenes together, but it made for some nice small talk with Paul McGuigan before we settled down to our conversation about FILM... Read More&rafilm, and they had no scenes together, but it made for some nice small talk with Paul McGuigan before we settled down to our conversation about FILM... Read More&raFILM... Read More»

One of the most breathtaking scenes in the film occurs after a karaoke night in a bar with the characters leaving together.

The first reel of the film is taken up by a big wedding scene, bringing together two token gay characters who hated each other throughout the series and are now inexplicably exchanging vows before the holy vessel of Liza Minnelli — who also performs at the party with a hideous cover of «All the Single Ladies».

Even the combat scenes, which are well - enough put together, seem to have been lifted wholesale from about three dozen previous films.

Composition, sound design and story all cut together beautifully, and yet, there's no question that ’12 Years a Slave» remains an art film, especially as the provocative director forces audiences to confront concepts and scenes that could conceivably transform their worldview.»

The scenes they had together are some of the most memorable of the film.

A five - minute featurette called «Greetings From Bull Mountain» is the standard five - minute B - roll / soft - sell interview errata that features a few additional male buttock shots; «King of the Mountain» is a two - minute music video that splices action sequences from the film together with bloopers and sets it to music (something resurrected in feature - length form by this year's ESPN's X-movie); and nine chapter - encoded deleted scenes (blissfully sans commentary and running between fifteen seconds and a minute, each) are essentially long «comedy» shticks that prove for as bad as Out Cold was, it could have been even worse.

Sometimes you can cut one scene and the scene plays out great, when you see that scene on its own, but when you see the scene strung together with the whole movie suddenly the scene feels ultra long or feels incomplete or you feel like you don't want that emotional payoff at that point of the film.

It's hard to even call it a film, as it consists mainly (90 %) of scenes lifted from the first two Boogeyman pictures, strung together as the psychic experiences of narrator Annie (Kelly Galindo) in sessions overseen by shrink Dr. Love (Omar Kaczmarczyk).

This film's highlights include scenes featuring Hobbs and Deckard (Jason Statham), the villain from the last film, who are forced to work together by the elusive Mr. Nobody (Kurt Russell).

In reflecting on Anderson's body of work, with all of the memorable scenes in his films — dazzling multi-character, multi-location sequences tied together by music, or stunning two - person face - offs (the staring contest between Philip Seymour Hoffman and Joaquin Phoenix in The Master comes to mind)-- his romantic scenes inhabit some kind of sweet spot, tender as a bruise on an apple.

Using a ubiquitous and unforgettable musical theme to tie together a series of wordless scenes and montages, the film betrays its independence and low - budget, but the shoot - outs are nonetheless as spectacular as any metastasized Hollywood product.

A scene exploring his abnormal bathroom habits exhibits del Toro's ability to rustle together playful and discomforting tones, probably the best description of the film's overall feel.

High - concept in the basest definition of the term, the film would fall apart with a sigh if it weren't held together, however tenuously, by jump - cuts, zooms, slo - mo — the whole kitchen sink of obfuscating choices courtesy an artist trying way too hard to be au courant by imitating a style of film that hasn't been fresh since around the time that Tarantino hit the scene.

Some of the film works a scene at a time, Geraldine Pailhas is very good, but at the end of the day it doesn't come together.

In spite of scene - stealing competition from her cleavage, Arterton holds much of the film together with an impressively committed performance.

Schenpp also edited the film, and he shows a masterful hand at putting together differing accounts of what was going on behind the scenes to play up the comedy of the situation.

Hill and Tatum are very funny together (e.g., the opening scene, in which Schmidt disguises himself as a Hispanic gang member and Jenko tries and fails to play along) and funny enough on their own (e.g., Schmidt's take on slam poetry and Jenko's delayed, childlike reaction to discovering the identity of his partner's romantic interest), which is vital because the film's questioning of itself extends to the relationship between these characters.

Together, the two begin to film some unbelievable crime scenes which allows Louis to purchase better equipment and transportation for the duo.

Garfield and Stone have been dating since they made the first film, and their scenes together, the best stuff in the film, reflect an intimacy and familiarity that only comes from real life.

All of this shows on the screen as The Wolfman comes across as a pieced - together film of disjointed scenes with glaring tonal shifts that makes for unsatisfactory viewing — all sewn together like Frankenstein's monster.

Their scenes together hit the mark and even touch the heart, but it is still the back and forth with mom that lifts this film to a whole other level as further friction is caused when Lady Bird secretly applies to a New York University against the wishes of her mother who wants her to stay close to home.

Much of the film's comedy is drawn from their scenes together and Willie's reactions to Lou's vicious methods for disposing of criminals (the practical gore in this film is AWESOME).

Scenes tend to linger for longer than they should at times, while others are strung together in rapid succession; journeying through Spike Lee's late - 90s sports drama is a little like flipping through the pages of a photo album — you tend to gloss over several photos and pages and stay on others, and that's precisely how the film is paced.

Fans were thrilled to hear that the Merc with a Mouth might join Logan in the film (in a post-credits scene), bringing together two fan - favorite X-Men universe characters in a single, epic, R - rated moment.

Maguire is an actor whose best roles have alternated between mild - mannered creepiness («Wonder Boys») and fits of rage («Brothers»), and in this film he gets to play both, and shifts between the two effortlessly — exploding during a few key scenes but quickly putting himself back together.

But Claes Bang holds both halves of the film together with the arrogant, flawed but not wholly unlikeable Christian, although talents like Dominic West and Elizabeth Moss are under - used and have only a handful of scenes apiece.

It doesn't quite all hold together in terms of making sense, as there are dream sequences mixed into the reality, and reality mixed into dream scenes of the film itself.

Franco has brought together an all - star cast to give the world an exclusive behind the scenes look at what happened during the filming of The Room.The Disaster Artist premieres at SXSW on Sunday, March 12, 2017, at 10 pm at the Paramount Theater in Austin, TX.