With
scenography by New York - based collective DIS and a helping hand put forth by 89 + powerhouses Simon Castets, Hans - Ulrich Obrist, Julie Boukobza and Katherine Dionysius, the exhibition is an oddly serene maze (think sensory deprivation alt.
Not exact matches
The image stems from a
scenography of the Der Ring des Nibelungen opera
by Wagner and stuck.
By reconciling imagination and reason, separated since the famous Discourse on Method of Descartes, Varela and Simon refresh the analogical thinking so precious to Leonardo da Vinci who says to us: «As the bolt rises which we screw in the nut, also will go up the helix which we screw in the air» The practice of the debate proposes a
scenography of alive metaphors in a space of artificial intelligence.
For me the
scenography of the gig developed out of the frustration of his relation to the crowd on his last European tour, as evidenced
by his bars on «Lift Me Up» (2015): «Was standin» on this mezzanine in Paris, France.
Meanwhile, PIERRE ALEXANDER DE LOOZ activates the secret Vogue history of CY TWOMBLY photographed
by HORST P. HORST; publisher LORD GEORGE WEIDENFELD divulges the historical foundation of the global networking imperative in an interview with HANS ULRICH OBRIST; architect ARNO BRANDLHUBER asks how we can build architecture in the form of a discussion; artist MATTHEW BARNEY previews the Detroit chapter of his opera Ancient Evenings; designer RICK OWENS talks with CARSON CHAN about the discrete, the lurid, and the total aesthetic; director PAUL SCHRADER and king of disco GIORGIO MORODER crystallize 30 years of AMERICAN GIGOLO; artist ANDRO WEKUA stares us down with a 21st - century
scenography;
25 April Panel Discussion on General Rehearsal structure and themes Led
by V - A-C Artistic Director Francesco Manacorda, KADIST Foundation Director Emilie Villez, V - A-C curators Andrey Parshikov and Kirill Adibekov, artists from the Theater of Mutual Operations and Belgian artist Koenraad Dedobbeleer, who designed the display and
scenography for General Rehearsal.
Speaking of her work, Mar said: «My training in cinema and audiovisual, and my specialisation in art direction, are facts that have emphasised my fascination with
scenography and the treatment of space, I firmly believe that a character can be defined
by a space, even if is not present at all.»
The exhibition title Schnabel
by Schnabel means that ARoS wants to give Schnabel a free hand to structure the exhibition as he would the
scenography in one of his films.
7/27 -
Scenography for FAR
by Wayne MacGregor Random Dance, 2010.
This gathering of characters, of which the viewer becomes one, is reflected back
by mirrors, copper and other metal - leafed works installed in the
scenography.
New to this production is
scenography created
by artist Daniel Arsham, whose installation, Hourglass, is currently on exhibit at the High Museum through May 21.
SCENOGRAPHY INSPIRED
BY PERFORMING Arts, 2nd International Scenographer's Festival IN3 Institute Interior Design and
Scenography, Basel, Switzerland 21 November 2008
1984 — 1999 The Decade May 24, 2014 — March 2, 2015 Curator: Stéphanie Moisdon, art critic and independent curator Exhibition
scenography based on an artistic project
by Dominique Gonzalez - Foerster
Scenography and graphic design The scenography of the exhibition is designed by Lhoas and Lhoas, a Brussels - based architecture firm found
Scenography and graphic design The
scenography of the exhibition is designed by Lhoas and Lhoas, a Brussels - based architecture firm found
scenography of the exhibition is designed
by Lhoas and Lhoas, a Brussels - based architecture firm founded in 1994.
The exhibition
scenography is designed
by Lhoas and Lhoas, a Brussels - based architecture firm and the graphic design is created
by Base Design.
At Art Basel Hong Kong they will feature a collection of travel - inspired objects designed
by a group of contemporary artists, including Hong - Kong - based Andre Fu, who also designed the exhibition's
scenography.
My training in cinema and audiovisual, and my specialization in art direction, are facts that have emphasized my fascination with
scenography and the treatment of space, I firmly believe that a character can be defined
by a space, even if is not present at all.
She recently designed the
scenography for Constellations
by Nick Payne at the National Theatre, Oslo.