Those not enamored of Besson's particular brand of Euro -
schlock grindhouse existentialism, however, may find their brains more stimulated elsewhere.
Perhaps with an eye on the Sundance brass ring, the film actively renounces its low - budget privilege to be either a serious meditation on the whole soliciting minors for sex over the Internet phenomenon or quasi-feminist
grindhouse schlock; you can sense that it wants to be talked about more than it wants to actually say anything.