Sentences with phrase «scholarly catalogue including»
The show is accompanied by an in - depth, scholarly catalogue including essays by Scott Shields, chief curator and associate director of the Crocker, and art critic Donald Kuspit.
http://www.artandantiquesmag.com/ Not exact matches
Pace has mounted more than 700 exhibitions, including scholarly exhibitions that have subsequently travelled to museums, and published nearly 400 exhibition catalogues.
The gallery has also been involved in several long - term scholarly projects, including the ongoing research and publication of four catalogues raisonnés.
Over the past five decades, the gallery has mounted more than 700 exhibitions, including scholarly shows that have subsequently travelled to museums, and has published nearly 400 exhibition catalogues.
It supports the artist's legacy through a variety of initiatives, including exhibitions, loans of artworks, research and publications, conservation, grants, educational programs for the public and the scholarly community, and the publishing of a catalogue raisonné.
Her scholarly and curatorial work focuses on artists of the African Diaspora and the Global South, including the Blackness in Abstraction exhibition and catalogue for Pace Gallery and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair.
Provenance information for the Simon collections has traditionally been disseminated by existing monographs and scholarly collection catalogues, and beginning in 1995 the Museum's website was expanded to include images, and later provenance, for its large collection of European paintings and sculpture created before 1945.
Programming includes a family day and a public symposium on contemporary Native American art and artists, including scholars and artists in the exhibition and the accompanying catalogue will include scholarly essays.
In celebration of the opening, a fully illustrated catalogue, A Family Affair: Modern and Contemporary American Art from the Anderson Collection at Stanford University, has been published in association with DelMonico Books / Prestel, and includes scholarly essays on the collectors, the collection, and individual artists and artworks represented in the collection.
His scholarly interests range broadly across the field of modern and contemporary art and theory, with publications that include Ce?zanne and the End of Impressionism (1984), Critical Terms for Art History (co-edited, 1996; second edition, 2003), Barnett Newman: A Catalogue Raisonne?
Pace has also published nearly 350 exhibition catalogues and mounted more than 700 exhibitions, including scholarly exhibitions that have subsequently travelled to museums.
The exhibition will be accompanied by a catalogue including new scholarly essays, and is being slated to travel.
Exhibition Catalogue The exhibition is accompanied by a 200 - page, fully illustrated publication bringing together a range of scholarly contributors including curator Siri Engberg; Michael Lobel, associate professor of art history at the State University of New York at Purchase; Rochelle Steiner, dean of the Roski School of Art at the University of Southern California; and artist Josiah McElheny.
Published by Prestel, the catalogue will be a major scholarly addition to the study of Burchfield and includes illustrations of both paintings and historical material from the Burchfield Penney Art Center in Buffalo.
These students contributed to every step required in conceiving and executing the exhibition, including selection of artworks, layout and design, writing of didactic texts, and the crafting of scholarly essays for the catalogue.
Since joining the museum in 2009, she has curated numerous exhibitions, including the retrospective Bertrand Goldberg: Architecture of Invention (2011 — 12), which was accompanied by a scholarly catalogue.
Organized chronologically, the catalogue will include scholarly descriptions of each ring.
Her scholarly work has been commissioned and published in edited anthologies, academic journals and exhibition catalogues, including Exhibiting Craft and Design: Transgressing the White Cube Paradigm 1930 - present (Routledge 2017), Danica Maier: Grafting Propriety from Stitch to Drawn Line (Black Dog Books 2017), More Caught in the Act: Performance by Canadian Women (YYZ Books 2016), The Handbook of Textile Culture (Bloomsbury Academic 2015), the Journal of Modern Craft online, and Textile: Cloth and Culture.
The author of many scholarly essays on Donald Judd, Shiff's other publications include Cézanne and the End of Impressionism (1984), Critical Terms for Art History (co-edited, 1996, 2003), Barnett Newman: A Catalogue Raisonné (co - authored, 2004), Doubt (2008), Between Sense and de Kooning (2011), and Ellsworth Kelly: New York Drawings 1954 — 1962 (2014).
A fully illustrated catalogue, including scholarly entries for the Old Master paintings, will be published on occasion of this exhibition.
This will be the first museum exhibition dedicated to Simpson's drawings and collages — including a new series of works created during her tenure as the Aspen Art Museum's 2013 Jane and Marc Nathanson Distinguished Artist in Residence — and will be accompanied by a fully illustrated, scholarly catalogue.
A scholarly catalogue published in association with Yale University Press accompanies the exhibition and includes essays by Veronica Roberts, Lucy R. Lippard, and others.
A scholarly catalogue accompanies the exhibition Lois Dodd: Catching the Light includes essays by Alison Ferris, Barbara O'Brien, and John Yau, and 51 color plates and 26 illustrations.
Future plans for the project involve digitization of the department's print collection, including its celebrated group of Rembrandt prints, as well as artists» sketchbooks, and expanded scholarly catalogue records.
The illustrated exhibition catalogue includes a scholarly essay by Brodie and Greenhalgh on the creative processes of Chuck Close, Richard Diebenkorn, and John Cage, plus individual commentaries on the other artists represented in the exhibition.
Morris has also been Adjunct Curator of Contemporary Art at the Philbrook Museum of Art, Tulsa, Oklahoma, and has authored or contributed to several scholarly publications and catalogues, including two books about Cindy Sherman.
His scholarly interests range broadly across the field of modern and contemporary art and theory, with publications that include Critical Terms for Art History (co-edited, 1996; second edition, 2003), Barnett Newman: A Catalogue Raisonné (co-authored, 2004), Doubt (2008), Between Sense and de Kooning (2011), and Ellsworth Kelly: New York Drawings 1954 — 1962 (2014).