Not exact matches
Dominique Lévy will celebrate representation of Seung - taek Lee with a 2017 solo exhibition
at its New York location, accompanied by a
scholarly catalogue.
The exhibition will be accompanied by a fully illustrated publication with a
scholarly essay by the curator, commissioned texts, and a biography of the artist, marking the first comprehensive
catalogue on Ree Morton produced by a U.S. institution since her show
at the New Museum in 1980.
Each exhibition
at the Fondation is accompanied by its own illustrated
catalogue, in which the themes of the exhibition are explored in
scholarly texts.
Ganz is the author of eleven
scholarly catalogues on drawings, and co-author of the exhibition
catalogue for The Drawings of Annibale Carracci, an exhibition she co-organized as a guest curator
at the National Gallery of Art, Washington, D.C., in 1999.
Katharine began her career
at Christie's in 2010 and has always been dedicated to the Evening Auction: first, with a focus on research and
scholarly writing for the auction
catalogues and then as a specialist.
In celebration of the opening, a fully illustrated
catalogue, A Family Affair: Modern and Contemporary American Art from the Anderson Collection
at Stanford University, has been published in association with DelMonico Books / Prestel, and includes
scholarly essays on the collectors, the collection, and individual artists and artworks represented in the collection.
Exhibition
Catalogue The exhibition is accompanied by a 200 - page, fully illustrated publication bringing together a range of
scholarly contributors including curator Siri Engberg; Michael Lobel, associate professor of art history
at the State University of New York
at Purchase; Rochelle Steiner, dean of the Roski School of Art
at the University of Southern California; and artist Josiah McElheny.
The focus of the gallery since its inception has been to exhibit, represent and champion artists from around the world, in particular artists from Africa, East Asia, and North America, by mounting major exhibitions of their work in the gallery, presenting artworks
at important fairs, securing museum exhibitions and publishing major
catalogues and
scholarly essays.
In conjunction with the opening of its current building
at 201 E. Ontario Street, Chicago, in 1997, The Arts Club published a
scholarly catalogue, The Arts Club of Chicago: The Collection 1916 - 1996, edited by former Arts Club President Sophia Shaw.
The exhibition will be accompanied by a
scholarly catalogue with contributions by Mr. Silver and Bruce Museum Executive Director Peter Sutton, as well as an interview with Linda Nochlin, pioneering feminist art historian and Lila Acheson Wallace Professor
at NYU's Institute of Fine Arts, who discusses Sherman's fascinating oeuvre
at length.
It was one of three Shiraga shows this spring (the others
at Fergus McCaffrey and Mnuchin) and was accompanied by a
scholarly two - volume
catalogue.
The
catalogue raisonné (an art historian's bible, detailing each work's provenance, exhibition history, and
scholarly apparatus) is being published by the French publishing house Cahiers d'Art and has been edited by Yve - Alain Bois, an authority on abstract painting
at Princeton's Institute for Advanced Study.
Morris has also been Adjunct Curator of Contemporary Art
at the Philbrook Museum of Art, Tulsa, Oklahoma, and has authored or contributed to several
scholarly publications and
catalogues, including two books about Cindy Sherman.
In addition, the Phillips's Center for the Study of Modern Art, its research facilities, will be renamed the University of Maryland Center for Art and Knowledge
at The Phillips Collection, and will expand its work, hosting seminars and study programs, supporting two new postdoctoral fellowships, and digitizing the museum's collection of 9,500
scholarly books, exhibition
catalogues, and correspondence, among other initiatives.
The exhibition is accompanied by a
scholarly catalogue, published by The Phillips Collection and Zentrum Paul Klee in association with Prestel, featuring color plates and essays by the curatorial team and outside scholars Katy Siegel, Eugene V. and Clare E. Thaw Endowed Chair in Modern American Art, Stony Brook University, and Elke Seibert, Postdoctoral Research Fellow
at the German Center for the History of Art (DFK) in Paris.