Sentences with phrase «scholarly essays»

Scholarly essays are well-researched and well-written pieces of writing that are typically written by experts in a specific field. These essays present evidence, analysis, and arguments to support a particular thesis or idea. They are often published in academic journals or books and are written for an audience of scholars, researchers, and other experts in the field. Full definition
Many have scholarly essays by curators and historians covering the subject's life and work.
The exhibition is accompanied by a full - color catalogue with scholarly essays.
Featuring scholarly essays and stunning photography, the book extends the art historical scholarship on one of the leading women artists of our generation.
Each had loans from museums and collectors, along with hefty catalogs that included scholarly essays and lavish illustrations.
The exhibition will be accompanied by a catalogue including new scholarly essays, and is being slated to travel.
Featuring several scholarly essays and an interview with the artist, this volume provides an overview of the work of one of the leading artists of the 80s generation.
Ms. van Bruggen was the author of scholarly essays on the work of major contemporary artists, including John Baldessari, Bruce Nauman and Gerhard Richter.
These students contributed to every step required in conceiving and executing the exhibition, including selection of artworks, layout and design, writing of didactic texts, and the crafting of scholarly essays for the catalogue.
We publish short fiction, poetry, personal essay / memoir, visuals, book reviews and scholarly essays for a general audience.
The book, co-published by Thomson Reuters and the Library of Congress, presents the 80 images from the exhibit together with scholarly essays about the history and significance of Magna Carta.
A preface by Thelma Golden anchors the 256 - page book and is followed by scholarly essays from Haynes, Nikki A. Greene and Bridget R. Cooks and specially commissioned artwork responding to Thomas's oeuvre by contemporary artists Leslie Hewitt, Jennie C. Jones, Leslie Wayne and Saya Woolfalk.
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The projects also live on in scholarly essays authored by the program's renowned guest curators, which offer a critical overview of the artwork made and shown at Artpace.
The catalogue of the current retrospective, «Alibis: Sigmar Polke, 1963 - 2010,» mounted by the Museum of Modern Art in New York and the Tate Modern in London, includes numerous scholarly essays by art historians and curators along with illuminating appreciations by artists.
The author of many scholarly essays on Donald Judd, Shiff's other publications include Cézanne and the End of Impressionism (1984), Critical Terms for Art History (co-edited, 1996, 2003), Barnett Newman: A Catalogue Raisonné (co - authored, 2004), Doubt (2008), Between Sense and de Kooning (2011), and Ellsworth Kelly: New York Drawings 1954 — 1962 (2014).
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The exhibition focuses on eight works on paper executed in 1973 that have never been shown before and as art historian and critic Phyllis Tuchman writes in a new scholarly essay prepared exclusively for the show, «are revelatory about a direction McLaughlin's art might have been taking.»
Scholarly essays draw from various critical frameworks, including the theme of exile, the concept of hysteria, and the notion of «unproductivity» in creative work.
Alongside scholarly essays, the book also includes 11 newly commissioned poems, by Rita Dove, Nikky Finney, Terrance Hayes, Tyehimba Jess, Yusef Komunyakaa, Patricia Spears Jones, Natasha Trethewey, Lyrae Van Clief - Stefanon, Crystal Williams and Kevin Young, that respond directly to the series.
Presenting more than one hundred of Still's greatest works, this is the Museum's first comprehensive catalog and features the first - ever scholarly essays on the artist developed with a broad understanding of Still's entire oeuvre.
Grove also contributed the main scholarly essay and an interview with the artist for a handsome catalog that includes over two hundred images and select analyses of Borreman's work by over fifty artists and intellectuals.
Titled Kazuo Shiraga, this volume includes innovative scholarly essays on Shiraga's artistic practice and the ways in which it was inspired by both Western action painting and ancient Japanese Buddhist ritual; previously unpublished archival material pertaining to Shiraga's career; and selected writings by Shiraga in English translation.
Guest curators also contribute scholarly essays about the work of each of their chosen residents, which are distributed to university and public libraries, museum archives, and Artpace's online Archive and Resource Library.
Scholarly essays explore how Nauman and his works enter contemporary conversations on the relationship of art and work, art and globalization, and corporeality in the digital age.
Four scholarly essays explicate her work and unique role in modern American art as a black woman artist.
Fascinating scholarly essays, arresting color plates, and numerous figural illustrations will delight and inform members, visitors, and scholars alike.
Ernie was accurately teasing out an admittedly compressed and parenthetical point in a film review as opposed to a definitive scholarly essay.
The publication offers three newly commissioned scholarly essays by John C. Welchman, Professor of Modern and Contemporary Art History and Theory at the University of California, San Diego and co-director of the Mike Kelley Foundation for the Arts; Branden W. Joseph, Assistant Professor of Art History at Columbia University; and George Baker, Associate Professor of Modern and Contemporary Art, University of California at Los Angeles.
Scholarly essays place American hyperrealism and photorealism in a comprehensive art historical context.
An online brochure, with scholarly essays written by MCASB or guest curators, accompanies each exhibition.
In this volume, amply illustrated with many never - before - seen images from early in his career as well as new photography of his most recent works, scholarly essays provide a broad context for viewing: Cornelia Butler looks at Graham's relationship to landscape and Canadian identity, Lynne Cooke examines the construction of the artist's persona in works such as City Self / Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for Graham.
With close to 200 objects dating from 1970 to the present and accompanied by a catalogue comprising several scholarly essays, an interview with the artist, a chronology, and a selection of his own writings, the exhibition traces Durham's ongoing use of materials such as bone, stone, and wood, while also demonstrating his commitment to shedding light on the complexities of historical narratives, notions of authenticity, and the borders and boundaries that contain us.
Read a biography of Fred Grunwald, as well as new scholarly essays about the Grunwald family collection.
A preface by Thelma Golden anchors the 256 - page volume and is followed by scholarly essays from Haynes, Nikki A. Greene and Bridget R. Cooks; responses to Thomas's work by four contemporary artists; and a resource section including personal photos, an artist statement, and early articles and interviews.
Published in landscape format, with handsome full - page reproductions of the vintage photographs at nearly full scale (including gatefold panoramas), the related exhibition catalogue features scholarly essays by Joel Snyder and Josh Ellenbogen and a section on nineteenth - century photographic techniques.
Selected and edited by Philip Larratt - Smith (Bourgeois» literary archivist), and contextualized with eight extensive scholarly essays, this collection of approximately 80 previously unpublished writings spans some six decades of the artist's production.
She is the author of numerous scholarly essays and two books on renaissance and baroque art, as well as of journal articles and catalogues essays on modern and contemporary art.
The Routine Pleasures publication serves as an illustrated catalogue as well as a reader that further elaborates the exhibition's thematic tracks, with a new essay by the curator, additional new scholarly essays by Julia Bryan - Wilson and Edward Sterrett, and several reprinted texts by participants in the exhibition James Benning, Pauline Oliveros, and Sarah Lehrer - Graiwer.
Featuring 270 objects in an array of media including painting, works on paper, books and ephemera, sculptures, video art and installations, this richly illustrated catalogue also includes scholarly essays by museum curators and academics specializing in art history, intellectual history, Asian studies and Postcolonial religious and cultural studies and representing a range of interdisciplinary perspectives.
In celebration of the opening, a fully illustrated catalogue, A Family Affair: Modern and Contemporary American Art from the Anderson Collection at Stanford University, has been published in association with DelMonico Books / Prestel, and includes scholarly essays on the collectors, the collection, and individual artists and artworks represented in the collection.
He is also author or coauthor of many of these scholarly essays which demonstrate, as Peter L. Berger, codirector of the project, writes in the introduction to The Human Condition, that religious pluralism need not result in either fanaticism or relativism but can lead to honest dialogue on the basis of what he calls «natural reason.»
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