With women increasingly remaining in the job market, the
notion of marrying the boy they
dated in high
school or college is being left in the dust, she said.
Despite using purist
notions of abstract form and color that
date back to 1950s art critic Clement Greenberg's domineering brand of New York
School formalism, Lawson fashions nothing short of a vicious attack on photography's «objective eye» via these modestly sized canvases.