From here on out, this film isn't much different than other coming - of - age or high
school romance films you've seen before.
Not exact matches
Agora proves that it is entire possible to have an old -
school blockbuster (and I am talking Cecil B. DeMille and Alan Mann spectacle
films with casts of thousands wearing togas and swords) coupled with science, mathematics and commentary on modern times nudge shoulders with
romance, upheaval and politics of antiquity.
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School Musical 3: Senior Year John Mulaney: Kid Gorgeous Live at Radio City — NETFLIX ORIGINAL A Life of Its Own: The Truth About Medical Marijuana Mr. Woodcock My Perfect
Romance Pocoyo & Cars Pocoyo & The Space Circus Queens of Comedy: Season 1 The Reaping Reasonable Doubt Red Dragon Scream 2 Shrek Simon: Season 1 Sliding Doors Sometimes — NETFLIX
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Holmes (Nicholas Rowe) and rotund John Watson (Alan Cox) meet, the
film suggests, at an exclusive boarding
school, where Holmes
romances lovely Elizabeth (Sophie Ward) while shepherded by doting professor Rathe (Anthony Higgins).
Agnes Jaoui infuses the
film with a distinctive visual style, peppering the
film with impressionistic paintings which fade into the drab surroundings of the world of the
film — the entrance to the driving
school, a concrete slab of a building — neatly linking into the
film's idea that
romance fades into humdrum mediocrity.
The antsy teen sits alongside several Bible Study peers — including high -
schoolers Cameron (Chloë Grace Moretz) and Coley (Quinn Shephard), whose budding, secret
romance the
film keeps flashing back to — as a pastor bellows about the evils lurking within all children their age.
Polsoldt never drapes his high
school romance in nostalgia — a common mistake in
films such as these — but looks at the situation with the clear view his protagonist lacks.
While Lady Bird's life at
school, friendships, and
romances are all wildly compelling, the beating heart of the
film is her relationship with her mother (played by the astounding Laurie Metcalf), perhaps one of the most genuine on - screen mother - daughter relationships in years.
Based on the young adult novel by Becky Albertalli and directed by superstar TV showrunner Greg Berlanti, the
film promises to flip the script on the high -
school romance with that ever - elusive blend of wit and heart.
But love isn't all easy in the Sundance indie
film First Girl I Loved, where the placement of a high
school same - sex
romance in the swivelling unpredictability of adolescence makes this coming - of - age tale an emotional spin that attempts to increase its stakes at every turn.
A
film so definitive in the teen - flick canon that it's even inspired a recent feature - length documentary («Beyond Clueless»), this whip - smart, high -
school - set adaptation of Jane Austen's «Emma» remains the gold standard for snarky teen
romance.
But it's the soaring central love story that makes the
film sing: this is an old -
school romance, all lingering glances and bold declarations, petticoats, pouting and heaving machismo.
It's a smart, well - made little
film set in about an interracial
romance at a boarding
school.
Greg Berlanti's
film, adapted from the best - selling young - adult novel «Simon vs. the Homo Sapiens Agenda,» stars Nick Robinson as a gay 17 - year - old who has yet to come out when another closeted boy from his high
school begins an anonymous e-mail
romance.
But
film festivals, like other old -
school distribution methods, shouldn't be forgotten in our modern - day
romance with the internet.