Sentences with phrase «science fiction films»
While Taylor is well known for his work on the film series, his career as a cinematographer only ran through a handful of other science fiction films before ceasing in 1994.
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It's a study on pre-9 / 11 terrorism, composed of archival footage material — interspersing reportage shots, clips from science fiction films, found footage, home video and reconstituted scenes.
«Robert Orchardson's work draws upon elements like modernist architecture and design, utopian texts, or details from science fiction films.
Through his work Grant opens a dialogue on geopolitical issues with colorful landscapes, structures and technology drawn from ideas of various utopian and dystopian fictions, drawing influences from the constructivist / supremacist movement, Persian miniaturists, op, pop, advertising, comics, science fiction films, and contemporary low - brow.
Beloufa works collaboratively, and in this instance he teamed up with actors to generate scripts that imitate popular genres including infomercials and science fiction films.
Inspired by dystopian science fiction films, O'Sullivan builds environments composed of peculiar buildings and subterranean lairs.
Often inspired by dystopian and science fiction films, I combine recognizable architectural forms and impossible buildings to make diorama-esque works.
«History Rising» and «Live the Infinity», the advertising slogans prophesy, using a promotional language that appears to borrow directly from the world of blockbuster science fiction films.
The timeline made apparent that only very few science fiction films, produced in the optimism of the late 1960s and 70s, project their visions into a very distant future, and imagine a future reality that is desirable.
The immersive two channel video projection pays homage to cinema as the aesthetic medium of the 20th Century with its rich historical collage of excerpted science fiction films dating back to the early 1950s.
It features her work across a variety of disciplines, including science fiction films made with the actress Tilda Swinton and «Reach,» a print from her photograph series «Phantom Limbs,» which shows women merging with technology.
Staged in a surreal fallen utopia, with nods to science fiction films, the lone protagonist engages with devices of beauty as she performs solitary studies in the rituals of seduction and the labored construction of beauty and femininity.
The artist composed the film of archival footage material — interspersing found footage, clips from science fiction films, diplomatic training films, reportage shots, airline promotional films, home video and reconstituted scenes.
Robert Orchardson's work draws on a range of sources from modernist architecture and futuristic design, including utopian manifestos, stage sets and details from science fiction films.
PLAKOOKEE is a collaboration between artists Rachel Debuque and Justin Plakas which explores the aesthetic history of science fiction films through an installation titled Cosmic Modules.
Her multimedia practice draws from sources ranging from Baroque architecture, objects of design, fantasy and science fiction films, the urban landscape of Los Angeles, the invisible and contested spaces within her own home, and in her latest body of work, the works of French writer Marcel Proust.
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Clapfoot Inc's Fortified is inspired by 1950s science fiction films, but it's also a mixture of genres.
That's just the start of Headlander, Adult Swim Games and Double Fine Productions» side - scrolling action - adventure game heavily inspired by science fiction films of the 1970s.
Being also the father of Star Fox, Miyamoto took much of his inspiration from science fiction films and television shows that were popular among children his age.
Differentiation: purple = lower ability blue = middle ability yellow = higher ability Resources provide opportunities to: - explore Todorov's theory - explore Propp's theory - explore Bordwell's theory - explore the science fiction genre and sub genres - Analyse science fiction films and programmes - Create ideas for a new science fiction film - explore the «what if» theory - explore science fiction audiences and pleasures - compare science fiction films - analyse media language - explore uses and gratifications - explore representation Resources use the following science fiction as a stimulus: - The Matrix - The Hunger Games - Jurassic World - The Maze Runner - Star Trek Assessment materials also included
It feels as if it has been pieced from about a dozen other science fiction films.
We broke down the 50 must - watch science fiction films.
Often regarded as one of the greatest and most thoughtful science fiction films ever, Solaris won the Grand Jury prize and esteemed Palm d'or at the 1972 Cannes Film Festival.
Like too many science fiction films and novels, there's far too much exposition to get through before the real story grips us.
Another way to put this is to ask the following question: Is it so much to expect that the writers of modern science fiction films pick up a physics or astronomy textbook?
Written and directed by Joseph Kosinski (of Tron Legacy fame), Oblivion is one of the more fascinating and frustrating science fiction films in recent memory.
As a follow - up to one of the most acclaimed science fiction films of all time, 2049 succeeds as a sequel and a film in its own right.
But if you're willing to forgive it just a little, it delivers a whole lot in return: as much as its predecessor and more than enough to rank it among the better science fiction films in recent years.
Based on a popular graphic novel by Marasume Shirow and directed by Rupert Sanders («Snow White and the Huntsman»), Ghost in the Shell is a visually stunning experience with a fine core performance by Scarlett Johansson («Captain America: Civil War»), but it borrows so much of other, mostly better science fiction films and TV series, that charges of grand larceny should be levied against writers William Wheeler («Queen of Katwe»), Ehren Kruger («Transformers: Age of Extinction») and Jamie Moss («Street Kings»).
Few science fiction films are aimed exclusively at the teenage market; fewer still escape such an endeavour with any measure of success.
I'm totally geeking out over «Blade Runner 2049,» one of those «you either love it or hate it» science fiction films.
It's one of the best films of the year, one of the best science fiction films in nearly a decade and quite simply, a perfect sequel.
A lot of noise has been made this year over how fans of Science Fiction should go see some of the larger studio - produced Sci - Fi flicks like Jupiter Ascending and Chappie if they want to see more «original» science fiction films in theaters in the future.
Escape From Los Angeles (1996), Vampires (1998) and Ghosts From Mars (2001) are horror and science fiction films, but at their core they encompass the narrative construction and mythological structure of the westerns directed by John Ford, Sergio Leone and his much admired Howard Hawks.
Science fiction films where technology and special effects are used to explore human behaviour and make sociopolitical comments about the present and the future are becoming increasingly scarce.
Rampage is totally creating a new aura of American science fiction films based on the power of monsters.
Screenwriters Roberto Orci, Alex Kurtzman and Damon Lindelof do an admirable job juggling all the characters while working in enough humor to show that science fiction films can be fun, but not at the expense of detracting from the action.
The problem with the film isn't in its placement in the realm of science fiction films as much as its placement in the real world, where the plot necessitates a triple - jump for every leap in logic to get us from point A to Z. For instance, the film pushes forward the notion that scientists don't give any thought or research whatsoever to the ramifications of their inventions before unleashing them on the world at large.
Today marks the birthday of legendary Italian director Mario Bava, who is undoubtedly best known for his major achievements in the «giallo» horror genre (although he created works ranging from spaghetti westerns to science fiction films as well).
If it is not the out - and - out success that Disney hoped for, The Black Hole is nonetheless certainly one of the studio's finest straight science fiction films, possessing a credibility and coherency (for the most part) that something like The Cat From Outer Space lacks.
It's one of the most comforting science fiction films in years.
2:00 am (22nd)-- TCM — 2001: A Space Odyssey Stanley Kubrick's visually stunning journey through thousands of years of technological evolution and man - vs - machine conflict is still one of the ultimate science fiction films.
Once you start doing that, you could have dramas and comedies and musicals and science fiction films and whatnot.
Too many science fiction films go too broad and ultimately lack a human element.
We've sat through an entire generation of fantasy and science fiction films about a protagonist gifted with extraordinary powers who first Resists, then Accepts The Call, which almost always involves saving the world, defeating a powerful villain, and re-establishing the status quo.
There are quite a few low budget science fiction films poured into the foundation that supports Coherence.
Another excellent entry into the recent glut of subtle and intelligent science fiction films, Sound of My Voice is a powerful and effective study of a couple under pressure and their willingness to risk everything to achieve their aims.
As a director of science fiction films Ridley Scott falls somewhere between Stanley Kubrick and James Cameron...
What science fiction films do best is warp our deepest concerns and immediate dangers, so that we can watch them bloom into larger than life stories on the big screen.