Recent figures on who took the high - school AP exam in computer
science paint a picture of a professional field that appears to be moving backward, not forward.
Whilst religion tells us of the nature and fall of man,
science paints a picture of the natural ascent to Man.
Not exact matches
But recent cancer
science paints a bleaker
picture: in October the World Health Organization said processed meats can cause cancer in humans, and suggested that red meat probably does too.
The government's Standing Committee on Industry,
Science and Technology has released its report on e-commerce in Canada, titled «Pursuing the Promise,» and it
paints the same
picture we've known for some time now — that despite Canadians being among the most prodigious users of the Internet, they really aren't doing much online business-wise.
Not according to new
science, which
paint a more nuanced
picture of whether organizations (and individuals) should always steer clear of the grandiose and self - admiring.
'» Asked to
paint a
picture of the company in 20 years, the executives mentioned such things as «on the cover of Business Week as a model success story... the Fortune most admired top - ten list... the best
science and business graduates want to work here... people on airplanes rave about one of our products to seatmates... 20 consecutive years of profitable growth... an entrepreneurial culture that has spawned half a dozen new divisions from within... management gurus use us as an example of excellent management and progressive thinking,» and so on.
To be sure, plenty of «action - oriented recommendations structured for immediate implementation» are included in the report, after the expectedly dismal
picture of the status of women and underrepresented minorities in
science and engineering is
painted.
These expectations «
paint a
picture for students of whether their
science program is really for someone like them.
Statistics collected by the National
Science Foundation (NSF) and other authoritative bodies
paint a much more nuanced
picture of the emerging U.S. scientific workforce.
If we want minority students to succeed in graduate
science programs at majority institutions, one of the things we need to do is
paint a realistic
picture for them.
For years, movies and television series like CSI
paint an unrealistic
picture of the «
science of voices.»
More recently, nutritional
science has begun to
paint a clearer, more nuanced
picture about dietary fats.
TIMSS
paints a rosier
picture, with significant gains in fourth and eighth grade mathematics and eighth grade
science.
This is ABC's kind of
science: one that strives not for an increased degree of certainty, but greater ambiguity — while at the same time
painting a decidedly grim
picture.
We see Saltaire, the Museum of
Science and Industry in Manchester and Beamish - as we
paint a
picture of England's steam - powered past.
A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue)
Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State
Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry —
Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York
Brown was short - listed for his exhibitions which pose questions about authorship and status in art through
paintings portraying works from old master
pictures to
science fiction illustrations.
For Latham, the qualities of spray
paint opened new approaches to form by breaking through the impasse contemporary
painting had reached and allowing the convergence of art and
science: «It destroys the
picture plane in a legitimate way where contemporaries were at such pains to establish that plane,» he later explained.
But the tussle in Washington, according to an awful lot of contacts who are immersed there, is less about the overall
picture painted by climate
science and more about choosing the
science that suits one's politics or pocketbook.
And, as I've said before, his engagement clarifies that while
science paints the general
picture of the causes and consequences of climate change, it is values and circumstances that will largely shape what societies do, or don't do.
Still another study, led by John Christy, director of the Earth System
Science Center at the University of Alabama in Huntsville,
paints a different
picture.
The new research, published in
Science, is the first to
paint a clear
picture of how warming has affected the timing of flooding across Europe since 1960.
The report, in
Science magazine, brings together dozens of studies that collectively
paint a dismal
picture of deteriorating ocean health.
As someone who has always loved
science and who is concerned about the environment on many levels this is a disturbing post because of the
picture it
paints.
His «denier funding» reports in particular are tedious to look through, and despite all the work he puts into them, they only
paint a foggy guilt - by - association
picture of skeptic funding and never provide evidence than any amount, large or small, was accompanied by an industry directive to misinform the public and / or fabricate false
science reports.
Things can be perpetually based, not on what has been observed, or produced by
science, but on the possibility that «the
picture would be worse than the IPCC
painted»... Climate porn, just as Hulme warned.
Most historians of
science have
painted a different
picture, focusing their writings on a handful of scientists in other fields who speculated about climate.