Not exact matches
This interstellar
film from acclaimed director Denis Villaneuve did
manage to
score quite a few nominations, including one
for Best Picture.
Blended is generally a terrible
film, mostly due to the lacklustre performance of comedy stars Adam Sandler and Drew Barrymore, however, Terry Crews is in this
film and once again
manages to lift it from a
score of 0 to a
score of 10
for me.
«Defiance» got a big lift here following Best Picture placement in the main charts, and I'm also wondering if James Newton Howard can
manage some attention
for his
score for «The Happening,» despite how wretched the
film is (memories of 2004).
Shot (with one exception) in black and white by Florian Ballhaus (son of Michael), the
film is set to a
score that is more industrial sound than music; yet, it is the combination of the clinically clean black - and - white cinematography, the disturbing
score, and the narrative's single - minded focus on the protagonist's actions (there is no moment when the
film seeks to psychologise him) by which the
film manages to simultaneously solicit, on the one hand, our fascination with and, increasingly, horror about the events depicted — even long after Herold has proven how scarily easy it is
for him to order mass murder (and, whenever necessary, to set an example by killing himself)-- and, on the other hand, to ensure that we keep some intellectual distance from the diegetic events.
With an operatic sweep, the composer has fashioned music which
manages to conjure the same type of powerfully anguished beauty as the great Georges Delerue did in his
scores for more serious
films.
It may not really strike as deep a chord as Michell seems to be going
for, but the contemplative nature of the
film does offer some occasional food
for thought, and as long as the
film stays within modest boundaries, it
manages to
score some points.
It's certainly better than the vast majority of
film composers would
manage for this type of
film, but to be honest Goldsmith has written far better
scores for the genre both before and since.
Eduardo Serra has
managed to
score two nominations
for small, utterly gorgeous
films: «The Wings of the Dove» and «Girl with a Pearl Earring.»
It follows every twist and turn of the action on - screen and so can be a little schizophrenic, but the composer
manages to keep it impressively musical and it never seems quite so disjointed as most
scores for this type of
film are.