Hearing
the score on cinema - speakers is probably worth the price of admission alone.
Not exact matches
A twist
on the classic
cinema date that will
score you some serious cool points!
Shot by Academy Award - winning cinematographer Robert Elswit, who has worked with Anderson ever since Hard Eight,
scored by singer - songwriter Michael Penn, edited by the great Dylan Tichenor, who started as an apprentice
on Robert Altman's movies and went
on to do great films such as Magnolia, There Will Be Blood, Brokeback Mountain and The Assassination of Jesse James by the Coward Robert Ford, Paul Thomas Anderson's epic drama went
on to garner three Academy Award nominations, did reasonably well at the box office by tripling its initial investment and, more importantly, showcased the surprising talent and determination of one of the few brilliant filmmakers of American contemporary
cinema.
Extras: New program
on the film's cinematography featuring a conversation between Lassally and critic Peter Cowie; excerpt from a 1982 episode of «The Dick Cavett Show» featuring Finney; new interview with actor Vanessa Redgrave
on director Tony Richardson, to whom she was married from 1962 to 1967; new interview with film scholar Duncan Petrie
on the movie's impact
on British
cinema; illustrated archival audio interview with composer John Addison
on his Oscar - winning
score for the film; new interview with the director's - cut editor, Robert Lambert; an essay by scholar Neil Sinyard.
The Sundance winning documentary that wowed
cinema audiences last November and December is also up for another IFTA as Crowded House musician Nick Seymour has been nominated in the Best Original
Score category for his work
on the film.
When a film like Prince appears out of nowhere, with its pseudo-incendiary electronic
score and sophisticated examination of revenge, it revives hope for a pop - art
cinema that's not only capable of balancing enraged critique with playful, irreverent aesthetics, but also treats its characters like actual human beings rather than pawns
on a chess board.
The Mermaid Rated R for violence Rotten Tomatoes
Score: 92 % Available
on DVD and Blu - ray In Mandarin with English Subtitles Writer / director Stephen Chow has given us some of the weirdest and most enjoyable foreign
cinema over the years with hits such as Kung Fu Hustle and Shaolin Soccer.
Often touted as an heir to Tarkovsky, Russian
cinema's other famously austere Andrey, Zvyagintsev previously competed at Cannes with «Leviathan» (2014), which won the jury's screenwriting award and went
on to
score an Oscar nomination for foreign - language film.
A strong visual emphasis
on the sensory experience and a gorgeous original
score makes Blind pure
cinema.