Sentences with phrase «scored montage»
The main menu takes Film Movement's standard approach of placing listing bars over a standard, scored montage.
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The simple menu places a blue and yellow bar of listings over a scored montage of clips.
The menu creatively adds animated, childish chalk drawings to a scored montage of clips from the film.
The Blu - ray's menu places listings over a screen - filling, softly - scored montage.
The menu plays a scored montage of Lin balling above the title and listings placed on a hardwood floor.
The menu plays a scored montage of silent clips alongside the poster / cover's art deco principal design.
That menu loops a winning scored montage above a creative listings bar adapted from a poster design.
This sets the stage for plenty of «Bad» antics, partly played out in a rap - scored montage of drinking, shoplifting, and vandalism (precursor to a junior sexual initiation of getting flashed by a full - figured prostitute).
The DVD's simple main menu plays a scored montage of clips, filling and occasionally dividing the screen.
The menu loops a dramatically scored montage that nearly fills the screen.
The menu places listings on aged paper under a standard scored montage.
Although we get a scored montage of clips rather than Warner's usual static poster art, the menus themselves are ordinary, with the studio's usual golf putt and fizzing air sounds punctuating your every move.
The menu offers an unremarkable scored montage.
The main menu shows more effort than most new Warner Blu - rays, but simply loops an unremarkable scored montage of film clips before settling on static poster art.
Menus are static and silent, except for the main menu, which delivers an artsy, scored montage of ballet performance clips.
The movie discs» animated menu screens offer a scored montage of clips that eventually goes silent.
The ordinary menu places listings and a black and white border over a looped, scored montage.
The menu moves chess piece graphics over a piano - scored montage of film clips.
The DVD's main menu plays a scored montage with a squares turning effect.
Not exact matches
Not only do you get the mandatory workout montage (complete with motivational 80s rock score), you also get a glimpse into the technical aspects of training.
At best, one might process it as sort of a Koyaaniqatsi - like head flick, where a montage of disconnected, slow - motion clips is accompanied with a minimalist score.
The two Blu - rays feature a more exciting but equally standard montage of dramatic and action - packed clips with the same score excerpt.
While the plausibility factor is low, Besson does deliver on putting together some clever montages from time to time, marrying some impressive special effects with the gripping score by Eric Serra (Bandidas, Bulletproof Monk) to form a few moments that manage to come close to making Lucy the kind of mind - blowing experience he probably had intended it to be from conception.
As for the film itself, though Waititi includes aspects that play like genre parody — a montage scored to Leonard Cohen's interpretation of the «Song of the French Partisan» unexpectedly recalling McCabe & Mrs. Miller; a Mad Max - like chase climax; Lukasz Buda, Samuel Scott and Conrad Wedde's 1980s - style synthesizer - laden score — Hunt for the Wilderpeople is ultimately disarming in its innocent sincerity.
The main menu runs through a montage of emotionally charged clips from the film with a section of the score that crescendos in the background, fading in and out with the buildup of the images
The score is also wonderful and matches the kooky montages placed throughout the film nicely.
But I'll give the movie version, which cast Helen Mirren in Nighy's place credit, too, for its beautiful final montage: of a newspaper winding its way through the presses and being shipped out, all scored to Creedence Clearwater Revival's «Long as I Can See the Light.»
The main menu features a nicely edited montage of clips set to dramatic score.
; and a montage of key artwork set to passages of the score («Production Drawings» (6 mins.)-RRB-.
The menu plays a standard montage of scored clips, while placing a couple of music notes among the Set Up options.
ntricate montage and subtle colours, accommodated by a peculiar score, in the opening credit sequence, emphasise the tone for the entire movie: phoniness.
Intricate montage and subtle colours, accommodated by a peculiar score, in the opening credit sequence, emphasise the tone for the entire movie: phoniness.
As it turns out, the relative skill with which Tully has been assembled — with kudos to cinematographer Eric Steelberg for his dusky color palette; editor Stefan Grube for some metronomically precise cutting in a series of domestic montages; and, yes, Reitman the Younger for using pop music more adroitly than usual (notably a suite of Cyndi Lauper songs to score a nighttime drive to Brooklyn) and actually locating and maintaining a non-obnoxious tone for the duration — is beside the point.
Most are static with score accompaniment, but the main menus would be an exception, delivering moving montages in the same vein.
That's more or less the premise of Ghost Graduation, a Spanish comedy that loads up on the «80s pastiche, from «getting in shape» montages to romantic interludes scored by Bonnie Tyler.
The menu montage spices up clips with candlelight flickers, illustrated transitions, and score.
The menu montage divides the screen into various shapes, freezing video to a stylish greyscale while an excerpt of the spaghetti western - inspired score plays.
Amy Schumer charmingly tripped her way through 2014's biggest films in her opening montage for this year's MTV Movie Awards, scoring some hosting advice along the way from Boyhood's bright - eyed Ellar Coltrane, The Hunger Games» Elizabeth Banks and Whiplash's always - inspiring J.K. Simmons.
The main menu loops a montage of clips and ethereal a cappella score.
The scored main menu patriotically plays a filtered montage of dramatic clips between a blue and a red bar.
It all culminates with a montage of faces against a blue sky, scored by a snippet from Benjamin Britten's «Billy Budd.»
The main menu screen is a simple montage of film clips set to the film's generic action score.
Like the compilations on the Punch - Drunk Love («Blossoms and Blood») and There Will Be Blood DVDs, «Back Beyond» (HD) combines outtakes and deleted scenes into a montage scored by Greenwood.
The main menu montages filtered clips to very loud, upbeat score.
The scored main menu plays an ill - fitting montage in the sky behind a reversed variation on the cover art.
Dawn of the Dead opens gangbusters, its prologue — which segues into a title montage scored just right to Johnny Cash tune — the most nihilistic - feeling bit of cinema I've seen since the first broadcast of The Day After, and right in line with our apocalyptic cinema environment.
«Whale Ballet» montage (2:45) simply sets clips of Willy and fellow whales swimming to some score.
The disc scores creativity points for its menus, two of which offer a rotation of character photos in addition to score - set clips montage.
It's one of the best sequences in the series to date, kicked - off with an incredible tracking shot before all hell breaks loose; alas, that energy dissipates during a bizarre title sequence that combines a Roger Moore - era naked lady montage with a touch of almost Lovecraftian soft - core tentacle scored to Sam Smith's tepid theme song, «Writing's on the Wall».
WHY: A north - of - the - border crime caper that plays like a poor man's «Ocean's Eleven» (right down to the jazzy musical score and fast - cut montages), «The Art of the Steal» is not only incredibly forgettable, but it offers nothing new to the genre.