Not exact matches
All
in all, Thomas Newman's terrible Skyfall
score is a very sad day for
film music and those that enjoy listening to it and an equally sad day for the Bond
franchise.
Director James Mangold teased out the first peek at the crew recording the original
score for Logan, the third and likely best Wolverine
film in the
franchise.
The first
film in the enduring
franchise gave John Powell the perfect opportunity to write what remains both his definitive action sound, and the definitive action
score of that decade, blending large orchestral sounds with layers upon layers of electronics...
Directed by: Dean DeBlois Written by: Dean DeBlois Main Cast: Voices of Jay Baruchel, Cate Blanchett, Gerard Butler, America Ferrera, Craig Ferguson, Jonah Hill, Djimon Hounsou, Christopher Mintz - Plasse, T.J. Miller, Kristen Wiig, and others Past Oscar relations: The first
film in the
franchise was nominated for Best Animated Feature and Best Original
Score Here -LSB-...]
The Miramax library holds some of the world's most sophisticated, thought - provoking and critically - acclaimed independent
films including sex, lies, and videotape, The English Patient, Shakespeare
In Love, Reservoir Dogs, Chicago, Good Will Hunting, Pulp Fiction, My Left Foot, Cinema Paradiso, Life is Beautiful, Amélie, Kill Bill, Volume I and II, No Country for Old Men, as well as
scores of commercially successful
films such as Bridget Jones's Diary, the Scream, Hellraiser and Scary Movie
franchises and Spy Kids.
Much like the
film that started the
franchise, this Shaft's plot doesn't
score points
in the originality department, but the energy level and smooth attitude distinguishes it from standard crime thrillers.
Taylor's original choice of composer was Carter Burwell who didn't seem the most natural of choices, so it wasn't entirely a surprise when he departed the project (seemingly not the director's choice, but the studio's); a very capable replacement was hired
in the form of Brian Tyler, who also
scored the previous
film in the
franchise, Iron Man 3, and just maybe he will become the «house composer» for this series, which has so far failed to establish any kind of distinctive musical identity.
Among the outlets at this media event, Dread Central reports that Carpenter's plan is to take the
franchise back to its roots, and further reveals that it's likely Carpenter will also
score the new
film, and that the targeted release date is
in fact October 2017.