Sentences with phrase «scrap materials he works with»

When Ryman works on a smaller scale, his paintings tend to be saturated with paint, transforming the nature of the scrap materials he works with.

Not exact matches

I find that bike tubes, fabric scraps, sewing supplies, scissors, craft punches, glue, staples, and cardboard are easiest to work with, but feel free to use other materials.

(3) Treat salvage, scrap or other ship's material of the Government resulting from performance of the work as items of Government - furnished property, in accordance with the Government Property (Fixed Price Contracts) clause;

Spanning two floors of the 24 Grafton Street location in London, the exhibition will feature works that relate to the artist's ongoing series of «collage sculptures» begun in 2016, characterized by square steel tubing that has been crushed and bent into soft folds that belie their material construction, then painted in a uniform color and variably combined with found pieces of scrap metal and a smooth, highly polished steel disk.

Without formal training (in Lockett's case, deliberately so) and working largely with found materials, Lockett, Dial, Holley and peers like Joe Minter took their visual language from traditional black Southern vernacular art forms like the scrap quilt and the yard show but adapted it to speak of personal philosophies, social issues and the African - American experience.

Ian Pedigo (New York) has been grouped with the likes Richard Tuttle, Ghedi Sebony, B. Wurtz and the long lineage of artists that transform low - grade scrap into prime source material for making work.

Working with scrap metal meant working out of a response to material and forms and to compositions as they devWorking with scrap metal meant working out of a response to material and forms and to compositions as they devworking out of a response to material and forms and to compositions as they developed.

British artist Ptolemy Elrington works with a variety of materials including hubcaps, shopping trolleys, scrap metal and other found materials, which he remodels into a variety of life forms.

These raw, gestural works — such as Running with the Mule, Running for Freedom (1990), Everybody Rolling (1995), Dark Day on the Road (1993), and Cousin Irma's Garden (1996)-- build up layers of psychological drama in thick pours and mottled scraps of material that drift along various narrative threads (natural disaster, historical oppression, hope) between the abstract and the figurative.