Not exact matches
Located high on a hill in the New Mexico desert, surrounded
by cottonwood trees and outcroppings of rose quartz, the institute is a place where an ornithologist can trade data over lunch with a political scientist while excitedly
scrawling statistical equations on a window with a Sharpie for lack of paper and
pen.
A 2016 drawing
by Marine Hugonnier is a note
scrawled in
pen: «Creativity ≠ Capital,» signed in French, «With all my irreverence.»
Swords, daggers, demons,, animal, human and hybrid beings, an imagery that often draws from art history and, more generally, from a spiritual and mystic dimension, guide us through a twilight where figures emerge from the
scrawled surface — they seem to prevail, and then again they are absorbed
by the invasive gesture of the
pen.
Within its chamber, a note typed
by the artist in irregular font and
scrawled over with a
pen bemoans the racial and ethnic categorization of humans, «as if we are simply sets in a math problem.»