Sentences with phrase «screen after a scene»

Not exact matches

It's similar to the ways movie directors set up blue screens behind actors so they can overlay scenery after they film a scene.

The stylish 50,000 - square — foot space revolutionized the entertainment scene by combining the most sought - after DJ's — Skrillex, Alesso, Sebastian Ingrosso, Axwell, Baauer and Nicky Romero, among others — with a specifically designed 3,000 capacity venue featuring a luxurious 4,400 - square - foot pool, 1,400 - square - foot elevated stage with un-obstructed sightlines, 23 private VIP cabanas, two private ultra VIP bungalows with private dipping pools, a deck area with 50 daybeds, top - of - the - line LED screens, 25 u-shaped banquettes with plush fabric, as well as signature cocktails and cuisine.

Haneke's methods are clear from the opening: after a long, quiet stretch of simple credits, followed by an extended black screen as silent as the grave, the film smash - cuts into its first scene with a terrifying jolt.

Deleted scenes, production notes and stills, an anamorphic wide - screen transfer, trailers, and before - and - after special effects footage round out this muscle - bound package of no - nonsense nostalgia.

«Room» actress Brie Larson dissects the emotional scene where she is reunited with her on - screen son after he escapes and gets help.

In scene after scene, the images are too dark and the points of focus distort and shift depending on the angle of the viewer's eyes to the screen.

After stealing every scene during his introduction in Captain America: Civil War, Marvel's definitive Peter Parker shouldered the responsibility of rebooting the hero on screen for a third time in his own solo venture and the result was a resounding success.

After footage of the remastered Log Lady intros were screened, Grant and Adams discussed the two - year - plus search to find missing deleted scenes from the television series.

Ratner grew no less shy this weekend, according to Twitter and several Vulture sources: After a screening of his film Tower Heist at L.A.'s Arclight Cinemas, the director came out for a Q&A, and when asked by the moderator whether he prepares and rehearses with his actors before shooting a scene, Ratner waved his hand dismissively and said, «Rehearsing is for fags.»

Unfortunately, Kevin and co-star Dwayne Johnson fail to generate any chemistry, despite sharing the screen in scene after scene of silly slapstick.

After years of possible plots, rumoured casting and shifting behind the scenes, the idea that Zoolander 2 will actually, properly hit screens has just hit its peak.

Penned by Jeremy Brock («The Last King of Scotland «-RRB- and Tony Grisoni (The «Red Riding» Trilogy, the much - hyped «Southcliffe» which also screens at TIFF), it's got tough subject matter — not least from a quasi - incestuous romance at the center — but it certainly looks the part judging from the trailer that features the halcyon, sun - kissed «before» as well as scenes of a violent, militaristic «after.»

While many scenes will likely be too intense for very young viewers, this movie, packed with whispering tomes and colorful secondary figures, is aimed at older children who won't suffer from nightmares after viewing the frightening adventures portrayed on screen.

Schaffner came from TV, and while he has few of the obnoxious visual affectations of the TV - trained director, he tends to restrict the most significant actions and relationships in his films to spatial arenas that could be served very adequately by the tube rather than the Panavision screen: the real convention hustle in The Best Man takes place in hotel rooms, hallways, and basements; the tensest moments in his strange and (to me) very sympathetic medieval mini-epic The War Lord are confined to a small soundstage clearing or that besieged tower; the battle scenes in Patton are hardly clumsy, but the real show is George C. Scott; and Nicholas and Alexandra comes alive only after the royal family has been penned up under the watchful eyes of Ian Holm and then Alan Webb, far from the splendor of St. Petersburg or the shambles of the Great War.

Featuring Robert Downey Jr.'s Tony Stark and his avenging pals relaxing after a swanky party, the scene that plays out is the one that was screened before the big montage of Ultron scenes at the San Diego Comic - Con this year: the heroes take turns trying to lift Mjolnir, better known as Thor (Chris Hemsworth)'s hammer.

After a recent screening in the suburbs of Chicago, Cromwell took part in an audience Q&A (which I had the privilege of moderating) that saw him expounding on subjects ranging from the film and his performance to the Bush family to memories of his first on - screen nude scene.

An article in the Los Angeles Times tells us that that scene was written and shot after the first test screenings of the film, since the audiences wanted to know what happened to her.

This first feature film from director and co-writer Jeremy Garelick has an interesting premise... a much better premise than HITCH... and benefits from an on screen connection between Hart and Josh Gad, despite scene after scene taking the cheap laugh rather than the smart one.

With violent scenes making up the vast majority of screen - time, there is little opportunity for profanities or sex — although Lara packs a different type of heat when she shows off her naked back and side after a relaxing shower.

GALLERY LINKS: Appearances > 2016 > AUGUST 14TH — Don't Breathe Los Angeles Special Screening Appearances > 2016 > AUGUST 14TH — Don't Breathe Los Angeles Special Screening — After Party Movies > 2016 Don't Breathe > Production Stills Movies > 2016 Don't Breathe > Behind the Scenes Movies > 2016 Don't Breathe > Promotional Posters

It's harder for children to separate what they see on screen and what they're feeling at the time, which makes scene after scene of characters turning to dust a pretty intense experience.

Although she acted for many years, on both stage and screen, Catherine E. Coulson — who died in 2015, just days after filming her final scenes for the revived Twin Peaks — was best known for her association with director David Lynch.

After all, given the usage of skills is specifically a matter of cool downs, it made no sense not to use screen clearing skills anytime I could which, in turn, relegated the vast majority of battles into six seconds of cut scenes promptly followed by the victory chime.

«He did direct the movie in character,» producer Seth Rogen told the audience after the SXSW screening, «There were scenes where [he was] playing Tommy directing a movie as Tommy directing a movie as Tommy.

What we said: «The Coens give us scene after scene of transcendent screen craft, whether it's Channing Tatum executing an era - perfect sailor - themed dance number in the apocryphal MGM - like musical, Swingin» Dinghy, Ehrenreich's Hobie Doyle practicing his lasso skills in the street, or Clooney intoning a floorboard - rattling speech for the climactic reel of Hail, Caesar!»

Woody Harrelson as Haymitch does a bit of angsting; Elizabeth Banks as Effie in her trademark overblown peplums gets an emotional closeup near the end after a few nondescript scenes; Stanley Tucci as smarmy broadcaster Caesar flickers briefly on the big screen while issuing a video news bulletin; we even get a glimpse or two of the late great Philip Seymour Hoffman as Plutarch Heavensbee who, in a nice farewell touch, has almost the last word in his final missive to Katniss which is read aloud.

Speaking of his older films, make sure you stay after the screen goes black for a very unique scene that will test your memory of Shyamalan's older films.

The brutal, sickeningly realistic scenes of violence were met with audible gasps and appreciative applause in turn, and in the Q&A after the screening, director Jeremy Saulnier — by his own admission a little tipsy — waxed nostalgic about his teenage punk days and praised Patrick Stewart for his professionalism after Saulnier «shit the bed» on the first day of shooting.

The action film, directed by Jeremy Rush, will star Frank Grillo, who has long been in the waiting wings for a lead role on the big screen after his strong central turn in MMA drama Kingdom (exclusively on - demand through Virgin in the UK) and scene - stealing performances in the Captain America franchise.

Writers Rhett Reese and Paul Wernick have revealed they'd shot a scene in which the character - who is played by Ryan Reynolds - was seen killing a baby version of Adolf Hitler, but they performed a U-turn after screening the scene to an audience.

Most minigames feature some kind of unique or interesting animation and scene after the minigame ends, and the results screen appears in the minigame itself.

After stealing scenes as Etta in Wonder Woman, no easy feat to begin with, Lucy Davis has reminded the world how talented and funny she is — and has been — on - screen for many years.

We could mention the heap of establishing shots of San Francisco that make no sense to the story, the out of place football throwing scene, the rooftop set with such painfully atrocious green screen work that words escape us, or the character of Peter — whose role is replaced midway after the actor left production due to other commitments, but like many things, the monstrosity that is The Room needs to be seen to be believed.

And it's the second movie, after The Avengers, to show big all - out fight scenes that feel like comic - book brawls translated to the screen.

Back in 2012, a minor earthquake hit the country when thousands of nerds shouted «OH SHITTTTTTT!!!!» after the first Avengers screenings ended with a mid-credits scene introducing Thanos, who we'll finally get to see in action in Infinity War.

On the flip side, the Coens give us scene after scene of transcendent screen craft, whether it's Channing Tatum executing an era - perfect sailor - themed dance number in the apocryphal MGM - like musical, Swingin» Dinghy, Ehrenreich's Hobie Doyle practicing his lasso skills in the street, or Clooney intoning a floorboard - rattling speech for the climactic reel of Hail, Caesar!

during SP mission Nightshift • Fixed issue with last mission not listed in REPLAY MISSIONS list • Fixed issue on the SP mission Night Shift where three of the marines that repel down from the Osprey at the start of the level have PLR models instead of the right marine models • Has been made harder to fail missions due to zero tolerance friendly fire • Fixed MG nest objective on Operation Guillotine • Fix for music climax on mission «Fear No Evil» • Fixed issues that occurred if user were backtracking after fight at elevator on SP mission «Comrades» • Adding a back button to SP campaign select difficulty screen • Removed slomo from jump into train on SP mission «The Great Destroyer» • Fixed glitches in subway Quick Time Events in mission «The Great Destroyer» • Increased quality of the loading screen images • Fixed glitch that made it possible to reach Solomon train QTE with the wrong weapon equipped in mission «Semper Fidelis» • Fixed final sound fade out on SP mission «Thunder Run» • Removed sound fade on convoy ride in mission «Operation Guillotine» • Fixed squad mates coming through wall after intro on SP mission «Operation Guillotine» • SP mission, «The Great Destroyer»: moved Campaign Cleared achievement until after the Dima outro • Fixed soldiers inside of terrain at start of level in «OPERATION GUILLOTINE» • SP mission, «The Great Destroyer»: Fixed streaming issue which could lead to out of memory when streaming in Subway ride • Improved music and music fade on tank encounter in mission «Operation Guillotine» • Sound on Operation Guillotine: Fixed trading floor crash camera shake and rumble • Fade later when driving in to tunnel on «OPERATION GUILLOTINE» • Hide cross hair during Solomon intro & climb out scene on «Operation Swordbreaker» • Fixes on «OPERATION SWORDBREAKER»: Skip VO urging the player to move forward if the player has already moved.

Previously, bonus conditions were presented after the end of a scene, normally in a fully - colored screen.

However, shortly after finishing and posting this mock - up, I realized that it would make more sense for this scene to happen at or near sunrise, because the light - skinned character still has to go home and get ready for the class she attends in the first area screen I did.

After scenes of him being threatened by shadowy enemies hit the screen, a clone of that mystery man came into the picture.

Selected recent performances, exhibitions, and film screenings include: Weddings and Babies, Pilar Corrias Gallery, London (2017); The Next Step, Two Queens, Leicester (2016); Alice Theobald and Atomik Architecture, BALTIC Ryder Commission, BALTIC Centre for Contemporary Art, Gateshead (2016); You've got my back and I'm on your side, FRAC Champagne - Ardenne, Reims (2016); The boys the girls and the political, Lisson Gallery, London (2015); The Fifth Artist, Wysing Arts Centre, Cambridge (2015); Scene Four: Home, Flat Time House, London (2015); Dear Luxembourg (yours, bucktoothed grl), Nosbaum Reding Projects, Luxembourg (2015); Marmalade Me, South London Gallery, London (2014); I've said yes now, that's it., Outpost, Norwich (2014) and Chisenhale Gallery, London (2014); AFTER / HOURS / DROP / BOX, Modern Art Oxford, Oxford (2013) and Spike Island, Bristol (2014); Young London, V22, London (2013); They Keep Putting Words In My Mouth!

After all, a screen is largely redundant once the scene has been shot.