Gere's underplaying makes Edward a good foil for Vivian, and there's sturdy comic support from Jason Alexander as Edward's lawyer, Amy Yasbeck as Alexander's wife, Larry Miller as an unctuous Rodeo Drive shop clerk, and in a tiny appearance as a cop, Hank Azaria (Ralph Bellamy also makes his final
screen appearance as a target of Edward's latest hostile takeover).
Orson Welles made his final
screen appearance as, appropriately enough, Orson Welles (or «Danny's Friend») in Henry Jaglom's «emotional vérité» comedy Someone to Love.
British actor / playwright Allan Jeayes made his first
screen appearance as the cuckolded Sir William Hamilton in the 1918 historical drama Nelson.
The Yankees - Red Sox fight also gave us Joe Kelly in his first on -
screen appearance as The Drunken Boyfriend:
Her big -
screen appearances as Lara Croft (in 2001 and 2003) weren't much as movies go — I'd actually forgotten there was a sequel — but Jolie's defiant air of confidence took care of business.
Despite his preposterous big -
screen appearances as Loki in the Marvel movies, it was this sizzlingly atmospheric Le Carré adaptation that suddenly made Tom Hiddleston look like a superstar (though reports of him toppling Daniel Craig were exaggerated).
Not exact matches
The Annual Awards have included
appearances by stars, celebrities, producers and executives from networks and platforms such
as the Food Network, the Style Network, Bravo, the Cooking Channel, Sony Pictures, DreamWorks, TLC, Discovery, Lifetime, E! Entertainment Television, PBS, APT, Create TV, NBC, ABC, the CW, HGTV, the Travel Channel, HD Net, Hulu, YouTube, Vimeo, Vice, LiveWell Network, Esquire Network, Bio / FYI Channel, iHeart Radio, HBO, MyxTV, Small
Screen Network, StyleHaul, PTA, Zagat, Mode Media, WatchMojo, and more.
The Annual Awards have included
appearances by stars, celebrities, producers and executives from networks and platforms such
as the Food Network, the Style Network, Bravotv.com, the Cooking Channel, Sony Pictures, DreamWorks Animation, TLC, Discovery, Lifetime, E! Entertainment, PBS, American Public Television, Create TV, NBC News, ABC, the CW, HGTV, the Travel Channel, HD Net, Hulu, YouTube, Vimeo, VICE, LiveWell network, Esquire Network, Bio / FYI Television Network, Iheart Radio, HBO, Myx TV, Small
Screen Network, StyleHaul, Planes, Trains & Automobiles, Zagat, Mode Media, WatchMojo, Gusto TV, Netflix and more.
It's no surprise that so many of our girls were invited to dine, drink and dance among the industry's best, with each known for their work with SI Swimsuit,
as well
as their
appearances on the big
screen, in high - fashion glossies and beyond.
The new film on his life and career is set to hit cinema
screens in 2017, featuring
appearances from other F1 legends such
as Emerson Fittipaldi, Sir Jackie Stewart and Mario Andretti.
As women's beliefs that
appearance is important grew stronger, they were 73 percent more likely to
screen positive for indoor tanning dependence.
As the stars walked down the carpet, they made their glittering
appearance on the
screen, flaunting the charms of their personalities.
Despite the spectral
appearance of Harry's mentor, Sirius Black during one tearjerking scene, on
screen, that moment still plays
as cheesy and solely meant to wring a few more drops out of your hankies
as it was in the book.
She first appeared on the big
screen in 2006 with a small role in the film ACCEPTED and later had a starring role
as Brooke Crawford in the primetime soap opera WICKED WICKED GAMES, which was her first
appearance on the small
screen.
As a side note, this represents Jill Clayburgh's final
screen appearance, so there's something unintentionally sad about her handful of scenes.
Director D.W. Griffith used Hale
as comedy relief in his films Way Down East (1920) and Orphans of the Storm (1922)-- possibly Hale's least effective
screen appearances, in that neither he nor Griffith were comedy experts.
From there, he launched a steady film career that slowed down considerably in the late»50s, after he began appearing on television but did not end until 1994, when Brinegar made his final
screen appearance,
as a stagecoach driver, in the 1994 film version of Maverick.
Most of Rory's earliest
screen appearances came courtesy of his resemblance to his famous brother; fans of The Good Son (1993) may recall his
appearance as a younger version of Richard, Macaulay's bad seed alter ego.
Playing off Margot Robbie
as his wife Jane and Samuel L. Jackson
as his right hand man in combat, he was able to have talent across the board, supporting his big
screen appearance.
Surrounding our two leads are a wonderful assortment of great character actors: George Kennedy, Murray Hamilton, Mike Kellin, a young James Brolin, Hurd Hatfield, William Marshall, an early
appearance by the great William Hickey (Prizzi's Honor),
as well
as the big
screen debut of Sally Kellerman.
If an
appearance in a spoof movie can be used
as as measure of impending career annihilation, the stars of Meet the Spartans had better start applying for waiting gigs in coffee shops — actors such
as Kevin Sorbo and Diedrich Bader may not grace our
screens again if this abysmal piece of «filmmaking» is anything to go by.
Four years ago, Venezuelan actor Édgar Ramírez, who'd previously made a brief but memorable
appearance as an assassin in The Bourne Ultimatum, held the
screen for five solid hours in the title role of Carlos, one of the most galvanizing biopics in recent memory.
by Bill Chambers
As with most «origin» Tarzan films, Tarzan himself is an off -
screen promise for the first third of Tarzan the Ape Man, though his famous yodel (which the studio maintains was artificially created) portends his
appearance about ten minutes before he actually materializes.
The supporting cast includes an outstanding Daniel Kaluuya («Get Out»), a rare on -
screen appearance by motion - capture master Andy Serkis with his Tolkien co-star Martin Freeman
as a CIA agent, Forest Whitaker
as a priest, Winston Duke
as the leader of on of Wakanda's five tribes, and «This is Us» star Sterling K. Brown
as a guy you're better off not knowing too much about until you see the movie, which I hope you do, more than once.
Those film historians who've summed up Kemp's post-Z Cars TV
appearances as «sporadic» evidently haven't seen his small -
screen work in such miniseries
as Winds of War and its sequel War and Remembrance (he played German general Armin Von Roon in both); he also played Cornwall in Sir Laurence Olivier's 1983 television adaptation of King Lear, and was featured in the internationally produced historical multiparters George Washington (1985) and Peter the Great (1986).
This is a movie that places mood and character above all else, and though it comes with the undesirable label of being James Gandolfini's final
screen appearance, «The Drop» is a well - paced and expertly acted film that serves
as a fitting end to one actor's career and the exciting emergence of another.
Made her first international
screen appearance in 2002 with a small part
as Queen Amidala's handmaiden, Dorme, in George Lucas» Star Wars: Episode II - Attack of the Clones.
Kicking off his English - language
screen career a decade ago, he's matched his considerable skills against some of the industry's most revered talents and taken direction from a vanguard of visually dynamic filmmakers with his memorable
appearances in such movies
as «The Dark Knight,» «Contagion,» «2012» and «Captain America: The Winter Soldier.»
The flick chronicles Luke Skywalker's embracing the role of mentor to Rey, and is especially meaningful to fans,
as it marks the final on -
screen appearance of Carrie Fisher
as Princess Leia.
Ken Foree, Scott H. Reiniger, and Tom Savini make cameo
appearances (meaningful ones at that), and a zombie birth stands
as one of the most horrific, squirm - inducing
screen spawnings since David Cronenberg's own retooling of The Fly.
The main thread involving the bombings is wonderfully suspenseful and builds to an incredible climax with a crucial reveal: the
appearance of Moriarty in the flesh, and
as villains go, Andrew Scott is just so disarmingly creepy in his few minutes of
screen time that this brief glimpse of an unhinged, brilliant, Sherlock - obsessed Moriarty makes a big impression.
Bloody Disgusting readers in Minneapolis keep Wednesday, March 28 open
as you'll be one of the first EVER to see a special advance
screening of Lionsgate's The Cabin in the Woods (review), hosted by Bloody and featuring a very special cast
appearance and Q&A with director Drew Goddard and star Kristen Connolly!
But we get all of these and an obviously tired Goldie Hawn (who last made a
screen appearance 15 years ago in «The Banger Sisters»)
as well.
Shot for $ 1.5 million over 30 days, Laughlin's film, while heavy on extended takes and a few awkward edits, overall looks very nice, and Elite's transfer marks the first time the film's been available with its original, evocative Technicolor - styled cinematography by Louis Horvath (who also photographed «Chandler,» and Laughlin's other directorial efforts); and in its original aspect ratio, which, in previous full
screen versions, chopped Condon's second
appearance as a «dead kid».
A scene in which Milo's vaguely hilarious food allergy comes into play is curiously never resolved, two of Milo's hacker pals from the old days are so similar in
appearance and voice to one another that I was abstractedly surprised to see them on the
screen together at the end of the film, the reveal of a secret molestation is abused in an insulting and clumsy way, and a stock blue - collar cop character is introduced
as the worst kind of deus ex machina: the late - in - the - game triumph of a heretofore marginalized comic foil (see: Barnard Hughes in The Lost Boys).
But, mindful of their elders, the director J.J. Abrams («Lost,» «Alias») and his screenwriters Roberto Orci and Alex Kurtzman, have also reserved pride of place for Leonard Nimoy, whose
appearance in this film
as the once and future Mr. Spock carries far more
screen time than the usual sentimental cameo.
Some fun
appearances of Sarah Hyland («Modern Family» TV series)
as Natalie, the awkward friend, and Gabriel Byrne («The Usual Suspects»)
as Natalie's father, the ailing Victor Dashkov, help round out a leading cast of relative newcomers to the silver
screen.
There are other good performances: Barry Pepper
as Jack's right - hand man Michael Scanlon; Jon Lovitz
as a crooked Florida mattress salesman who joins forces with Jack; and the late Maury Chaykin, the great Canadian actor, who plays a mob kingpin and whose last
screen appearance this is.
That role sometimes paired Offerman on
screen with his real - life wife Megan Mullally, an equally gifted comedian who has continually shined in guest sitcom
appearances since her breakout role
as the boozy socialite Karen Walker on «Will & Grace.»
As indicated by the tearful remonstrance of the ex-wife character represented by Cate Blanchett, emotional attachments are doomed to become less concrete or clearly defined, the highs fewer and far between (take the
screen time give to Poots vs. the late
appearance of Lucas), calling for more extreme measures (Natalie Portman's adulterous character), but always prone to fail since the pursuit of happiness is merely a debauched, self - serving fantasy.
As it is,
screen legend Eva Marie Saint — one of Hitchcock's «icy» blonds — makes a stunning
appearance near the film's end, only to be stranded in its dead, sappy finale and tundra of miscalculations; these include a math - challenged chronology which would make her character about 107 years old.
I approve of the loose, matter - of - fact approach to adult sex, with Seth Rogen's soft hips making another
appearance on the big
screen,
as well
as the irreverent treatment of parenthood.
It may have been 1991's The Silence of the Lambs that led to Hannibal Lecter's iconic status
as well
as his anointment
as cinema's all - time greatest villain (at least according to the American Film Institute's 100 Heroes & Villains list back in 2003), but the cannibalistic doctor's first on -
screen appearance can actually be found in this compelling thriller which writer - director Michael Mann adapted from Thomas Harris» novel Red Dragon.
In his last
appearance, Lon Chaney, Jr. stars
as one of the
screen's most memorable movie monsters: the mummy Kharis from ancient Egypt, who is tormented by his forbidden love for princess Ananka.
But this slow - looking man is a very funny person,
as his old HBO series Flight of the Conchords and scattered big -
screen appearances — in Jared Hess» cracked - nuts cult picture Gentlemen Broncos, for instance — have proved.
Selena Gomez plays an opposing sorority sister to Moretz's character, but her
appearance could be classified
as a glorified cameo with her ten minutes of
screen time.
Though only on
screen a few seconds, Erik Preston's brief
appearance in Halloween 4 ranks him
as one of a
It seems like forever since we've seen Lupita Nyong» o since her Oscar - winning debut performance in 12 Years a Slave in 2013 and that's probably because her only
screen appearances since then have been voice work in The Jungle Book and Star Wars: The Force Awakens and a brief and forgettable turn
as a flight attendant in the Liam Neeson thriller...
There was nothing new to note from «Now You See Me,»
as the trailer
screened appeared to be this very one right here, but an
appearance from Morgan Freeman and Isla Fisher made for a nice surprise.
We finished with Hood describing Helen Mirren's ability to intimidate someone two heads taller than she is, musing on the necessity of having serious conversations about the use of technology in warfare, and a heartfelt tribute to Alan Rickman, whose final
screen appearance is
as a general with a final speech that schools us all.