Sentences with phrase «screen as a canvas»

Works on paper in black and white look great online, on the same full screen as a canvas, but do not hold up as well in the gallery.

Photography students at Nottingham College are celebrating International Women's Day on Thursday, March 8 with an exhibition which uses the city's biggest outdoor digital screen as a canvas for their... Read more

Not exact matches

And there is always the danger of treating Mary as a «blank screen, a perfect canvas for our projections,» according to the historian Shari Thurer.

No need to pan or zoom — to see something close up, just walk up, thanks to the «infinite canvas,» a 360 - degree smart screen that changes images as you walk around the deck.

(46) For this reason, Blue «is nothing less than a revolutionary cinematic achievement [which] redefined the notion of what is possible in cinema», (47) as the intense, flickering blue screen becomes a blank canvas onto which the viewers, prompted by the evocative soundtrack, can impose their own images.

While Magnolia runs three hours, Anderson still has only so much screen time to divide between its large canvas of players, and it's a testimony to his writing and directing skill and the ability of the actors that everyone comes across as a fully - realized human being.

Structural reinforcement required by safety regulations for open - top vehicles means that the Spider inevitably weighs slightly more than the Alfa Romeo 4C coupé, but thanks to the use of carbon fibre for the rollover bars, spoilers and windscreen frame, as well as the adoption of a lightweight canvas soft top and the replacement of the glass rear screen with a continuation of the SMC * bodywork, the 4C's structural rigidity, mechanical purity and low weight philosophy are not compromised.

And, as the youngsters paint the screen canvas, they will learn how to wield a mouse.

Add in the Surface Pen (for an additional cost of course), and you've got a powerful note - taking machine for those who may not type during a meeting or class as fast as they can write (not forgetting you can also use it to sketch a quick diagram, add notes to the margins of your PDF files, and paint with it on - screen as if were a brush on canvas... heck, you can even handwrite musical scores or do your crossword puzzles easily using the pen as long as you are willing to pay for the requisite titles like the New York Times Crossword app in the Windows store).

Below, the master suite continues the «luxury under canvas» theme, with a four - poster queen bed bedecked with canvas and leather trim, a steamer trunk acting as a media cabinet for the flat - screen 40 - inch TV, a canvas seating area that conceals a spare bed, and canvas - backed directors chairs set before sliding doors delightfully opening onto the pool deck.

Below, the Master Suite continues the «luxury under canvas» theme, with a four - poster king bed bedecked with canvas and leather trim, a steamer trunk acting as a media cabinet for the flat - screen 40 - inch TV, a canvas seating area that conceals a spare bed, and canvas - backed directors chairs set before sliding doors delightfully opening onto the pool deck.

Disney Art Academy is the latest in a series of games from Nintendo that use the touch screen of either the Nintendo 3DS or the Wii U Gamepad as a canvas upon which to learn to draw.

Your Nintendo DS Touch Screen will transform into your very own canvas, as you follow the step - by - step lessons.

With the Wii U Gamepad serving as a superb and versatile second screen a la 3DS, the world of Kirby: Canvas Curse was an obvious choice for Kirby's first outing on Nintendo's newest system (excluding his appearance in Super Smash Bros..

Games like Soul Bubbles, Kirby Canvas Curse, The World Ends with You and many others were an exploration of dual screens and touch mechanics that most likely won't be repeated because they figured out what sells where as before they were trying to find out what people wanted.

Perfectly suited to the dual - screen handheld device, the game will essentially mirror what was possible on the Wii U version — the 3DS touchscreen acts as your level - designing canvas, while the top screen is your play area, letting Mario jump through whatever dastardly creations you've put in front of him.

Using a trusty Surface Pro 3 or Lumia 1520 along with the Fresh Paint or Artrage apps, he manipulates the pixels on the screen as he would oils on a canvas to create bold, colourful and honest portraits.

In the center of the booth is the 1963 piece Untitled (Four Fur Cutting Boards), a large construction, in the form of a moving, folding screen, that became the backdrop to Schneemann's early and iconic experiments using her body as both canvas and material.

His large - scale works begin as drawings either on paper or on the computer screen before they are printed or transferred to canvas and then embellished with oil paint.

The somber dark palette of his Chapel paintings recalls Malevich's The Black Suprematic Rectangle, 1915 (better known as «The Black Square») where the canvas serves as a screen upon which the viewer projects his own thoughts and images.

Once these computer versions are complete, he regenerates them as silk - screens to be printed onto canvases, or, in the case of Art History Is Not Linear (VMFA), 16 acrylic - on - birch - plywood panels that are each 4 feet square.

The whole thing is built as a traditional picture where all the elements are on one canvas (i.e., screen).»

Lim's «canvas activity» as he calls it, addresses both two - dimensional and sculptural space, utilizing a semi-transparent screen stretched on a shaped support that results in interspatial mark making.

Tonico Lemos Auad, Gabriel Pionkowski and Johnny Abrahams perhaps exhibit the most direct «weaverly» tendencies but each includes the destruction of the weave simultaneous to the order it provides: Lemos Auad makes his works by actually unthreading parts of the textile to make ghostly shapes of removed threads in his screen pieces, while Pionkowski as mentioned above begins by de-threading the canvas completely.

In order to achieve his signature style, Bhavsar carefully and deliberately sifts layers of pure pigment powder onto canvas using different tools such as sieves and screens.

He traced the drawing onto a canvas, making more adjustments, and then painted the dots using a perforated metal screen as a stencil, imitating industrial printing techniques.

A theatrical dimension was brought by Than Hussein Clark's set of elegantly balanced enamel and hand - blown glass lampposts, which seemed to cast Eloise Hawser's minimal stretched fabric screen — embedded with cryptic security patterns — and Brad Grievson's abstract patchwork canvas as enigmatic characters on a stage.

It complicates its own most obvious readings of racial and sexual identity by cutting across love, sex, lust, and longing to illustrate and embody the excruciating surfeit of words — spoken and written, etched on porcelain in notational shorthand (in Valerie Piraino's wonderfully ruminative series «Simone,» from 2010), and silk - screened ever so faintly on canvas (in Pendleton's Concrete, from 2004, which ticks off evocative phrases such as «the smell of your neck in August» and «somewhere between forgiving too easily and not giving in at all»)-- that prop up and then ruin relationships, pure verbiage as a cruel mirage.

He uses the canvas as a screen, evoking smart phones and computers, to show the world his ironic observations.

Paris's Matthieu Haberard brings five new pieces — with a dark wood, epoxy, acrylic painting titled «Screen, where the touch, is a real sensation» (2015), a can - and - water sculpture called «Combine painting» (2015), a wood - and - electric cable piece called «Your time is running out» (2015), as well as two sculptural installations made of steel, plexiglas, acrylic on canvas, titled «Marcel; Where the bulbs are?»

Correa remarks: «Though much of my recent work has utilized print making techniques, I don't have any training or expertise in printmaking; what I like about it is it's physicality (I print by hand) and I like to think that my naivete allows for some diy ingenuity, or wrongness in printmaking can make rightness in painting... I've got a group of paintings made by painting on wine bottles and then wrapping and wringing canvas over them, and another group is made by painting through a blank silk screen, the screen clogs as I go, making it's own marks until its no longer useful.

Although less than 25 percent of the lots are by women artists, some significant works by women are for sale: «Roots,» a poignant color screen print by Catlett that the gallery says has not been seen at auction in 20 years (shown above); «March on Washington,» 1964 (oil on canvas), a beautifully rendered painting by Alma Thomas (1891 - 1978); Faith Ringgold's 1974 «Night: Window of the Wedding 8,» touted as the first of her fabric paintings to be offered at auction (shown below); and «Still Life with Grapefruit,» 1928, described on the frame backing as Lois Mailou Jones's first painting, completed a year after she graduated from the School of the Museum of Fine Arts in Boston.

The following year, in which the Hollywood star Marilyn Monroe dies, Andy Warhol screened the image of the starlet over painted canvases, including golden ones, immortalizing Monroe and establishing her image as one of the most recognized artworks in the world.

This is the first time, Elderfield said, that the sumptuous canvas «can be seen flat, as intended,» rather than folded like a three - panel screen.

[xii] For example, in recent work shown in Berlin at Croy Nielsen by Sebastian Black the painting's literal dimensions function like a screen of sorts, as we find a single painted composition rotated across four canvases.

Each canvas is prepared with an undercoat of screen paint, the kind used by home movie enthusiasts, so that the support itself is literally a screen onto which the painting is materially «projected»; this material collapse of image, time, sound and narrative onto a fixed canvas - as - screen becomes a kind of «terminal projection» of the film, a «petrified cinema».

Typographic emblems, such as «Gagosian Gallery» and «Maritime Hotel,» are silk - screened onto canvas, mimicking the original format of the signature - branded notepads.

The extreme aspect ratios of the canvases are also based on mid-century wide screen formats such as Cinerama and Todd - AO.

In his latest work, Shonibare removes the fabric altogether, employing instead the batik designs in new modes such as mural painting, bronze sculpture, screen prints on canvas and classical sculpture.

As with other bodies of works by Warhol, this series of polaroids was later employed into silk screen works on canvas.

In 2014 Deluxx Fluxx was also exhibited at Edinburgh, Scotland's Summerhall as part of the Edinburgh Festival - alongside the Vestige Board paintings; large canvases created initially in the studio from the artists and assistants cleaning their screens and brushes on the surfaces and then later completed by Faile with the addition of recognisable «Faile» iconography on the surface.

In addition to the «denial» factor implicit in the contradictory tonal and directional elements, the misty or smoky area across the canvas was intended to act as a screen between the spectator and the image, «obscuring, denying it».

White Paintings, Black Paintings, and Red Paintings In 1951, Rauschenberg produced his monochromatic «White Paintings» - referred to by some art critics as hypersensitive screens which registered the smallest adjustments in lighting and atmosphere on their surface, and by sceptics as blank canvases.

«I want to shape the TV screen canvas as precisely as Leonardo, as freely as Picasso, as colorfully as Renoir, as profoundly as Mondrian, as violently as Pollock, and as lyrically as Jasper Johns,» he declared in his 1969 manifesto.

Her canvas pieces, which look as if they were screen printed, use a marbling technique with acrylic paint; she creates her palette then dips the canvases, resulting in swirling patterns that look printed, yet have a lightness and texturality that handmade works have.

The artist states:» As a digital painter, I work with a pen tablet to mimic brushwork... using illustration software to draft portraits in the same manner a painter applies paint to canvas, starting with a blank computer screen.

Three interpretations of a screen door fade from a solid black resin - and - fiberglass panel (Blue Screen Door, 1971) to a blue neon line squiggling up the wall (Blue Door Edge, 1971) to a wan canvas sheet (Blue Screen Door Map, 1972) as though the door itself is wastingscreen door fade from a solid black resin - and - fiberglass panel (Blue Screen Door, 1971) to a blue neon line squiggling up the wall (Blue Door Edge, 1971) to a wan canvas sheet (Blue Screen Door Map, 1972) as though the door itself is wastingScreen Door, 1971) to a blue neon line squiggling up the wall (Blue Door Edge, 1971) to a wan canvas sheet (Blue Screen Door Map, 1972) as though the door itself is wastingScreen Door Map, 1972) as though the door itself is wasting away.

The screen becomes a small portal to an infinite content plane, or «infinite canvas,» as so well illustrated by Scott McCloud.

As per the specifications mentioned on the Micromax website the Canvas Spark 3 sports a 5.5 inch HD IPS screen with gorilla glass 3 protection and supporting 1280 x 720 pixels resolution.

For now there is no brand that is competing with Xiaomi, Micromax Canvas Infinity did reach to a good level with 18:9 screen but as of now Xiaomi leads.