Sentences with phrase «screen at horror»

Not exact matches

So you can only imagine my horror when this ghastly Adidas Stan Smith wedge popped up on my screen, during what I can normally describe as a pleasurable online shopping experience at Hudson's Bay.

in a sheer white floral lace dress by Yanina Couture, punctuated with pointy - toe Kurt Geiger London pumps and a bright fuchsia clutch, at a special screening for FX's American Horror Story Freakshow in L.A.

While it underperformed at the box office it has gained a cult status in the likes of Rocky Horror Picture Show with midnight screenings throughout the year and country and people dressing up as characters from the musical.

Frustratingly, this predatory aspect of their relationship is mostly ignored, in a sunny tale that is packed with laughs (albeit fewer than you'll find at an actual screening of «The Room,» where people throw things at the screen and shout the dialogue's quips on cue, a la «The Rocky Horror Picture Show»).

For over a decade, sold out audiences have enjoyed Rocky Horror - like participation consisting of hilarious traditions such as screen - shouting, football playing, throwing spoons at the screen, rooting on the shockingly long establishing pans of San Francisco, and generally laughing hysterically at the film's clunky pseudo-Tennessee Williams dialogue, confused performances, and bizarre plot twists, like the mother - in - law character whose breast cancer ought to play like it matters a great deal, but really comes off as a non-sequitur.

Horror movie characters aren't generally known for their brains, but these ones make enough bad choices that audiences won't be able to help yelling at the screen (at least ours couldn't).

It's unusually unnerving and disturbing, not for high - concept visions of a world gone bad or fantastical on - screen depictions of horror and violence, but for the imposing awareness that this could all actually happen to anybody, anywhere, at any time.

Even though this film isn't necessarily a horror film, it might be one of the most terrifying films screened at SXSW because the subject matter is all too real.

Doors open at 6:30, and the event will begin with a screening of Halloween at 7 pm with the Rocky Horror Picture show to follow at 9 pm.

The night also saw a new look at the John Krasinski - directed horror film that stars himself and his off - screen wife, Emily Blunt, as a couple protecting their kids from monsters that use sound to attack.

On Monday night, Modern Horrors ventured to Austin, TX for a unique, experiential screening of Trey Edward Shults It Comes at Night (review).

What You Need To Know: A sensation at Midnight Madness at TIFF way back in 2011, we'll finally get to see low - budget horror «You're Next» on screens late this summer.

Actress Kathy Bates attends The Paley Center For Media's 34th Annual PaleyFest Los Angeles «American Horror Story «Roanoke» screening and panel at Dolby Theatre on March 26, 2017 in Hollywood, California.

Retrospectives / Re-Performances The Count (Peter von Bagh, 1971) at IFFR Horror Film 1 (Malcolm Le Grice, 1971/2012) at Leeds Art Gallery Chika Hiroba (Underground Square, Keiya Ouchida, 1970) at Nippon Connection Melancholia (Lav Diaz, 2008) at AV Festival The Illiac Passion (Gregory Markopoulos, 1967) at BFI Southbank Handsworth Songs (John Akomfrah, 1986) at Close - Up Film Centre Anna (Alberto Grifi & Massimo Sarchielli, 1975) at Tate Modern The Movement of People Working (Phil Niblock, 1973-1991/2012) at AV Festival Screen Play (Takahiko Iimura, 1963/2012) at Place M Gallery Shlosha Yamim Veyeled (Three Days and a Child, Uri Zohar, 1967) at Tokyo FilmEx

Set to screen at the ongoing Toronto International Film Festival is Sadako vs Kayako (read our review), which pits the horror icons from both The...

The new anti-bullying Halloween horror film The Terror of Hallow's Eve will have its world premiere screening next month at London's FrightFest, and an official trailer has arrived online.

We got the opportunity to interview Howarth a few days ago at the epic gathering of Halloween icons at the 2015 Flashback Weekend Chicago Horror Convention, during which the composer expressed his very serious desire to provide the soundtrack for Michael Myers» next big screen comeback.

To support the home entertainment release of The Conjuring 2 (the all - time highest grossing horror film in Australia), Roadshow have produced a prank video at a warehouse screening in Sydney that conjured up some hilarious reactions.

Jordan Phipps is making big waves this year in the genre community, with a stellar performance in this year's festival favorite Close Calls and a lead role in the upcoming Halloween horror anthology 10/31, so we were thrilled to catch up with Jordan on the Orange Carpet for quick interview following our screening of Close Calls at the 2017 Halloween International Film Festival in Kill Devil Hills, NC, where she would go on to win the Best Actress award.

Finally, there is «Raw» (March 7, 8), a horror film that has been on the radar on many genre fans ever since a controversial screening at the Toronto Film Festival where the grisly imagery on display supposedly caused some viewers to faint.

Among the anticipated highlights at the ongoing San Diego Comic - Con (SDCC), for horror fans was tonight's world premiere screening of The Woods, from director and writer duo of Adam Wingard and Simon Barrett (You're Next), but the whole event just became bigger than anyone imagined, as it has been revealed tonight that the film is actually called Blair Witch and it is a sequel the 1999 found footage classic The Blair Witch Project!

The film is also to screen at other international film festivals which include Imagine: Amsterdam Fantastic Film Festival, Skopje Film Festival, Macedonia, Dundee Horror Film Festival, Scotland, Fright Night Film Fest in Kentucky USA, which is the largest genre festival in mid America.

Amenabar (Snuff) is a master at establishing mood, leaving most of the horror off screen.

It also helps if you've attended a few horror conventions, as the industry serves as the backdrop of the entire movie, making the Smothered world premiere screening this past Friday at the Mad Monster Party convention in Charlotte, North Carolina just that much more fitting.

Mindadze's awful film follows a series of characters so completely and utterly stupid that I wanted to yell at the screen like a horror movie.

You're Next — Thanks to its premiere screening at Fantastic Fest, You're Next became one of the most hyped movies in the horror community for almost a year and a half before it played again at SXSW 2013.

Zack Parker's indie horror film Proxy was just recently announced to screen at the Toronto International Film Festival and in order to build some hype they have released the film's official festival trailer and it looks damn good.

At the specialty box office, A24's buzzy horror movie «Green Room,» starring Patrick Stewart as a diabolical neo-Nazi club owner, grossed an estimated $ 215,000 as it expanded onto 30 screens a week ahead of its nationwide release.

It induces a genuine, shivery thrill at the prospect of a horrific event imagined three times over — the hero's appreciation of his predicament is eclipsed only by his horror at his lover's ordeal, and both of those theoretical atrocities are overshadowed in the mind of the viewer, who is surely imagining how it would feel to actually live through what's depicted on screen.

Elsewhere among independent releases, Kevin Smith's quirky horror comedy «Tusk» debuted on 602 theaters and brought in $ 886,144 for a $ 1,339 per - screen average that put it at No. 15 nationwide.

After surviving a night in the woods for an experiential screening (event recap, review) of Trey Edward Shults» sophomore feature It Comes at Night, we sat down with him to discuss the very personal nature of the film, his approach to making such an atypical horror film, the very interesting backstory behind the house featured in the film, and much more.

Saturday, July 26 «American Horror Story: Coven» Fox Booth Signing Panel: 7 p.m. — 8 p.m. Screening and Q&A: Fans will get an inside look at the most recent installment of «AHS» with cast members Angela Bassett, Kathy Bates, Michael Chiklis, Sarah Paulson, Evan Peters, Emma Roberts, and Executive Producer Tim Minear.

As EW points out, Wood is not only the former Frodo Baggins in The Lord of the Rings trilogy, but also has plenty of horror movie experience from both sides of the camera — as an actor in Robert Rodriguez's The Faculty and the excellent 2012 remake of Maniac, and as a cofounder of indie - horror company SpectreVision, where he has helped a diverse array of projects to the screen, including A Girl Walks Home Alone at Night and most recently The Greasy Strangler, which will be released in theaters and on demand this Friday, Oct. 7.

A joint effort between a company known as The Collective and (of course) our friends at Bloody Disgusting, «BD Selects» hit screens of various sizes with solid acquisitions like Yellowbrickroad, Rammbock, Cold Fish, Atrocious, and (especially) The Woman, but it's nice to see the BD Selects team casting a wider net and reeling in some weirdly likable horror / comedies like Deadgirl / Cheap Thrills screenwriter Trent Haaga's Chop.

Among the movies showing in town that can be broadly categorized as thrillers, two represent murder and mayhem with particular enthusiasm: the neatly constructed Funny Games, a home - invasion fable playing at Facets Multimedia Center for one week, and the erratic effects vehicle The Beyond, a supernatural horror rerelease screening midnight Friday and Saturday at the Music Box.

THE BLU - RAY DISC A movie noteworthy, if at all, for being the screen debut of Chloe Moretz, The Amityville Horror comes to Blu - ray from MGM (via Fox) in a status quo 2.35:1, 1080p transfer.

He does a very good job at providing just enough on - screen darkness that viewers can sense the dread and horror of the situations, but not too much that it proves too difficult to stomach.

Despite an upcoming appearance at this years Film4 Frightfest, the future still looks bleak for Stephen Sommers» big - screen adaptation of the first of horror author Dean Koontz» ODD THOMAS series of novels.

At the Glasgow Film Festival, I talked to McArdle about making the leap from music video directing to narrative feature filmmaking, creating the aesthetic of dreams vs. reality, the influence of horror cinema on her film, and depicting female friendship on screen.

While I generally ignore all action, adventure, horror, thriller, and genre films these days, and I don't think I've gone to the theatre solely to drool at a hot guy on screen since high school, Jake Gyllenhaal is one of my weaknesses.

This horror - comedy — one that many have emulated over the years but that virtually none have been able to equal — is one of the best cinematic mash - ups ever made, and when it was announced that Mondo would be screening the film at Fantastic Fest with Rick Baker in attendance (and a special print created by Olly Moss), I knew I had to be there.

And it's not like showing this sort of gore is an achievement in horror either; wincing at a woman screaming while someone flosses her gums until they tear apart is a natural reaction, not evidence that the people putting it on screen have any talent.

After attending a screening for Jim Hosking's debut feature (review here), Modern Horrors had the opportunity to sit down with director Jim Hosking and lead actors Sky Elobar and Michael St. Michaels at the SXSW Film Festival.

He'll be heading to the Cannes Film Festival next month with «Mandy,» the Panos Cosmatos - directed horror film that earned acclaim at Sundance and will screen in the Directors» Fortnight sidebar.

Creep After screening at FrightFest 2014, Patrick Brice's micro-budget horror went straight to Netflix in the UK.

Despite an upcoming appearance at this years Film4 Frightfest, the future still looks bleak for Stephen Sommers» big - screen adaptation of the first of horror...

«The Disaster Artist» somewhat chronicles the beginning of the friendship between Wiseau and Sestero, which led to the disasterpiece known as «The Room,» a film that's now shown at midnight screenings around the country and mocked much like the «Rocky Horror Picture Show.»

Overall, SUSPIRIA ranks as my favorite 4K restoration from Kino Lorber, bringing back to the screen (this week at the Landmark Inwood in Dallas) in pristine form one of the most harrowing horror films ever produced.

The Texas Theater presents a rare screening of a 35 mm print of the classic art house horror flick Possession (1981), 9:30 pm, August 19, at the theater.

Richard Drumm entered the dark to check out new Irish horror film «From the Dark», which screened at the Jameson Dublin International Film Festival.