Sentences with phrase «screen average»
"Screen average" refers to the average amount of money a movie makes per screen at a theater. It helps to measure the success and popularity of a movie by looking at its ticket sales on average per each screen it is shown on. Full definition
In its first week, it brought in $ 800,000 from four theaters for a per - screen average of $ 200,000.
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Its reviews are spectacular and it now has the highest per screen average for any opener this year, taking in nearly half a million on just 5 screens.
It also has the best per - screen average in the market.
But as mentioned, early per screen averages should have made it soar over 50 mill.
Mike Birbiglia «s critical hit «Don't Think Twice» played to sold - out showings in New York, Los Angeles and Chicago, ending the weekend with the highest per - screen average for its second consecutive week.
The Cannes debut is the best screen average of the year at $ 71K, giving the Specialty box office a needed shot.
Third - highest new entry is Hindi film Goliyon Ki Raasleela Ram - Leela, a modern - day retelling of Romeo and Juliet, with # 349,000 from just 85 screens, enough to deliver the second - highest screen average in the top 10, after Gravity.
Its current total stands at $ 261,523, a week after setting the record for the year's per - screen average on its opening.
The Graham Enterprising Investor Revised screen averages 10 passing companies.
But in addition to these benefits, LCD screens average half to two - thirds the energy consumption of those CRT monitors.
Dreamworks animation tops American chart on first week of release, while controversial Will Ferrell comedy comes in second and While We're Young sets new Noah Baumbach screen average
After breaking per screen average records at the box office for its LA / NY release this weekend, the kind folks at Indian Paintbrush have cut a Red Band trailer for Wes Anderson's latest.
The Weinstein Co.'s «Carol,» the period love story starring Cate Blanchett and Rooney Mara in acclaimed lead performances, debuted strongly on only four screens in New York and Los Angeles for a per - screen average topping $ 62,000 — the highest of the week.
(The $ 83,400 per - screen average ranks as among the best of the year.)
The film has garnered rave reviews since its opening weekend last weekend which saw it open on teh second highest screen average after Hollywood flick Gone Girl.
The Weinstein Co.'s «Carol» was the per - screen average leader for the third weekend straight with $ 147,241 on four screens, averaging 36,810 per screen.
Festivals screen an average of 14 films by female directors compared to 29 directed by men, according to the Center for the Study of Women in Television and Film
The weekend's best per screen averages went to the documentary Human Flow and A24's The Florida Project which added 29 screens in its second weekend.
The Galaxy S9 + has a bit smaller bezels, and its curved display makes it a tad narrower, but the Pixel 2 XL's slightly smaller screen averages things out, so both phones have a very similar footprint.
Deadpool 2 took in $ 11.5 m at 408 Imax screens in North America, and reps the second - biggest domestic opening ever for an R - rated and Fox title, with a big per screen average of $ 28K +.
Paul Schrader's A24 thriller First Reformed is one of the director's best per screen averages in years, with $ 25K a theater ($ 100K at four locations) besting Dominion: Prequel to the Exorcist ($ 1k PTA off a $ 140K opening), and Autofocus ($ 11K PTA off a $ 123K opening).
Roadside Attractions earned their highest ever opening weekend per screen average with «Manchester By The Sea,» which took in $ 64,125 per screen — the fourth highest per theater average of any film released this year.
Meanwhile, in the quiet place of the speciality box office, the big winner of the weekend was You Were Never Really Here, which hammered the competition (sorry) with a $ 43,304 per - screen average on three screens, by far the week's highest.
That's a very strong $ 7,527 per - screen average for «Wanted Man,» which has drawn terrific reviews, particularly for its star Hoffman, who died of a drug overdose in February.
In limited release, Focus Features» Winston Churchill pic Darkest Hour had a strong start with a screen average of $ 61,944.
Battle of the Sexes, Victoria and Abdul, and even Loving Vincent - that painted animated feature — all found eager audiences waiting for them with promising per screen averages in limited release.
«IFC» drama «The Land» opened in four theaters to a per - screen average of $ 6,020.
That's a hefty per - screen average of $ 70,102, nearly three times higher than the next - closest movie.
The result was an absolutely bleak $ 361 per screen average, which is bound to be the worst of the year for a wide release.
Viewed by another metric, Armando Iannucci's The Death Of Stalin was a big success with the week's highest per - screen average, pulling in an average of $ 45,327 on each of the four screens where it opened this past weekend.
After It Follows set a 40k per screen average in its limited release opening, Noah Baumbach's latest While We're Young opened in four screens this past weekend to an estimated $ 60,500 per screen average, the highest since American Sniper took the nation by storm.
IMAX per screen average was a stellar $ 55K with eight of the top ten domestic runs being Imax locations, as well as the top 5.
Among arthouse players, Sony Pictures Classics» coming - of - age drama «Diary of a Teenage Girl» earned $ 54,525 on four screens, with a per - screen average of $ 13,631.
The comedy opened with $ 1.2 million on 19 screens, good for a per - screen average of $ 64,254.
First Reformed, in the first phase of a planned summer rollout, gave filmmaker Paul Schrader one of the strongest opening weekends of his five - decade career in terms of per - screen average.
The director not only unveiled his latest movie, «Moonrise Kingdom,» at the Cannes Film Festival, it opened this weekend in limited release to staggering, record - breaking numbers, boasting the highest per - screen averages in history.
The coming - of - age tale «Call Me By Your Name,» which topped the Gotham Awards on Monday, remained in very limited release — four theaters — and pulled in an excellent per - screen average of $ 67,000.
In limited release, Wes Anderson's stop - motion movie Isle of Dogs earned $ 2.8 million for a per screen average of $ 17,030, bringing its total to $ 5.9 million.
In limited release, Bong Joon - Ho «s «Snowpierecer» opened with an estimated $ 162,127 this weekend from 8 locations for a $ 20,266 per screen average.
Both of them are also below John Turturro «s «Fading Gigolo» and «The Grand Budapest Hotel» which has 2014's highest per screen average of the year and there's likely no way that figure will be beat — it's also the highest PSA of all time in limited release).
That's good, but falls even below John Carney «s «Begin Again,» also open in limited, which scored $ 148,325 from five venues — for a $ 29,665 per screen average.
In limited release, Fox Searchlight's animated «Isle of Dogs» opened in 27 theaters with an impressive $ 1.6 million, a per - screen average of $ 58,148.
Fox Searchlight expanded «The Drop» by 383 theaters in its second weekend and the crime drama starring the late James Gandolfini brought in just over $ 2 million from 1,192 locations for a so - so per - screen average of $ 1,720.
That's a soft $ 5,385 per - screen average for the film, which recounts Robyn Davidson's nine - month journey across the Australian desert.
Elsewhere among independent releases, Kevin Smith's quirky horror comedy «Tusk» debuted on 602 theaters and brought in $ 886,144 for a $ 1,339 per - screen average that put it at No. 15 nationwide.
The Weinstein Company drama — a distillation of two complimentary films that originally recounted a couple's split from the male and female's perspective — expanded from four to 136 theaters and took in $ 169,700, for a soft $ 1,248 per - screen average.