Sentences with phrase «screen career by»

Never Apologize (Warner) is not a documentary, it's a theater piece: Malcolm McDowell's remembrance of director (and his longtime friend) Lindsay Anderson, who launched McDowell's screen career by casting him in as the rebellious hero of «If...» The full title of the one - man - show, a mix of readings from Anderson's papers, personal reminiscence and re-enactments of memorable moments, is «Never Apologize: A Personal Visit with Lindsay Anderson [And Their Celebrated Colleagues],» and along with his affectionate impression of Anderson is a collection of delicious impressions of «their celebrated colleagues,» among them Alan Bates, Richard Harris and John Ford.

Tina Fey furthers her attempt at having a big screen career by taking on the true story of journalist Kim Barker.

WHISKEY TANGO FOXTROT Director: Glenn Ficarra, John Requa Starring: Tina Fey, Martin Freeman, Margot Robbie, Alfred Molina, Billy Bob Thornton, Christopher Abbott Tina Fey furthers her attempt at having a big screen career by taking on the true story of journalist Kim Barker.

Not exact matches

Why can't people for God sake understand the angle the young man was coming from, this is a guy who has come out to suggest what he feel will be of great glory to the team, futbol is about winning trophy not the samba, champaign, tick taka or jambody style Of playwill be accredited to ur cv after retirement, every professional player will wants to be identify with a medal, mind you he have limited years to his career, therefore we should not allow sentment or affections we have for our various teams erode the basic objective of the game.we should also think about their future too, this guys are proffessionals which young lads are looking up to and questions will be ask tomorrow about theirs playing days.can people tell me why pele and some other famous players in the world both present and past are been celebrated today the answer is simply cos they are successful in their career and have trophy to show for it in their respective clubs or countries, why the complain in nigeria?its simply cos our team for quite a while now has not recorded any troph to her glory, fans should learn how to call a spade a spade in order to balance situation and also for better performance of the team.why then did arsene wenger hurridly went to buy more experienced players after the poor outing he had at the beggining of last season?this players know beta cos they are at the centre of it all, we don't have to trash what they say, we fans are only watching from screen, in as much as we beliv in arsen wenger, we should also know that without the boys no arsen wenger, fans should try to reason along with the players too.an hypotetical cases of similar to rvp has been tested by some players and have put them right over the coach and the team.so, whatelse does the fans needs to prove that futbol has gone beyond living in the past.for example, fabrigas and nasri were able to prove their critics wrong.thank God for them, we should always be objective in our submission, how else do we expect players to show their commitment to a team that was in 8 on the log table and later fought their way back to 3rd this boys are commendable and deserve to be encouraged, I think is high time the manager and the mgt board of arsenal futbol team get to know that game of futbol has gone beyond two teams domination, its now like a pendilum which can swing either way only with a powerful insrument called money.you can't eat ur cake and have.

He eventually left the series to pursue a theatrical film career, but by 1994 was back on the small screen in such cable - TV productions as The Cisco Kid and Solomon and Sheba.

Her career took a giant step upward when she was seen by a 20th Century Fox executive while performing in a theatrical production of Sabrina Fair and was offered a screen test.

It is true that Locke's flagging screen career was regenerated by her appearance in Eastwood's The Outlaw Josey Wales.

This moody screen adaptation of the Oprah - endorsed eponymous bestseller by Andre Dubus III's isn't a slam - dunk success, but it has plenty of sleeper potential and is a feather in the cap of director Perelman, a Russian émigré who debuts here as a feature filmmaker after a career in commercials.

After abandoning an earlier career ambition to become a professional tennis player, Richardson made her screen acting breakthrough in Peter Greenaway's DROWNING BY NUMBERS (1988) and came to American audience's attention in the 1991 comedy KING RALPH.

Silent screen cowboy Buddy Roosevelt reached perhaps the nadir of his career with this film, in which he plays a deputy marshal trailing a gang of claim jumping murderers lead by pudgy Olin Francis.

Billed by Paramount as Glenn Erickson, he began his screen career as a leading man in Westerns.

The earlier Walker began his screen career with pioneering film companies such as Kalem and Thanhouser and reached stardom as Viola Dana's leading man in Blue Jeans (1917), a charming bit of Americana directed by the much - neglected John D. Collins.

The opening quickly prepares the audience for the political unrest about to be exposed: An extended silence is disrupted by the explosive gunshot - like sounds of a typewriter slamming the date on the screen, a heightened sound effect suggestive of the many political careers that would be killed in the wake of the Washington Post's reporting.

If an appearance in a spoof movie can be used as as measure of impending career annihilation, the stars of Meet the Spartans had better start applying for waiting gigs in coffee shops — actors such as Kevin Sorbo and Diedrich Bader may not grace our screens again if this abysmal piece of «filmmaking» is anything to go by.

Up until this point, John Cusack had spent almost his entire cinematic career in teen comedies, from Class to The Sure Thing via cult classic Better Off Dead to the misfired Hot Pursuit, Cusack's unique and very human screen persona stole every show he was in - but by 1988, he'd become determined to move on into more serious and adult cinema.

The invented romance subplot is not explored enough to justify its presence, and this is indicative of the basic problem with the screenplay by author Mark Frost (whose career has taken him all over the place, from Minneapolis's Guthrie theatre to David Lynch's cult favorite «Twin Peaks» and now the big screen Fantastic Four and its forthcoming sequel).

Over the course of his career, Demme has captured a variety of human emotions and experiences, whether in his thrillers, dramas or rock concert documentaries, and he returns to the big screen once again with the deeply human, honest and heartfelt film, «Ricki and the Flash,» written by fellow Oscar winner Diablo Cody («Juno»).

At almost 53, the man who built a career by brooding on the big screen (Wuthering Heights, The English Patient, The End of the Affair) and being intense in the theatre (Ibsen, Shakespeare, Chekhov, Beckett) beams away like a Christmas tree.

Charting his exceptional career and extraordinary life away from the stage and screen, the film fully explores the complexities of the man by telling the story uniquely in Marlon's own voice.

Both of these guys have had their stars rise higher in the two years since the first movie, with Hill receiving his second well - deserved Oscar nomination to prove the first was no fluke and Tatum having another surprise success with Magic Mike followed recently by the best reviews of his career in the dark drama Foxcatcher and now signing up to play Gambit on the big screen.

Like many, I hope Aaron Paul finds success, but his post - «Breaking Bad» big screen career gets off to a lackluster start in Need for Speed, an unintelligent and underwhelming racing movie that won't do much for anyone who isn't riveted by the sights and sounds of fast cars in motion.

Like Gene Hackman and Robert Duvall, 34 and 31 respectively when they made their big - screen debuts, Freeman brought to his movie career the demeanor of a man hardened or — in the case of his deranged Arkansas prison inmate in Brubaker (1980)-- ravaged by experience.

So you were talking about this kind of karmic circle where it comes back around — where now «Hoop Dreams,» a film Ebert helped make successful, he was someone that shined a light on these less - well - known films that had weaker marketing budgets or so forth, drew people's attention to Errol Morris, who you saw on screen, really helped launch the careers of some of these people by shining that light on them... and you were saying how from your experience as a critic and all that, you say in your own words, you yourself feel the same desire, that your job is to cast that light.

Elle France's Oscar entry, directed by notorious provocateur Paul Verhoeven (Basic Instinct, Showgirls, Turkish Delight, Black Book, etcetera) features screen icon Isabelle Huppert in arguably the crowning role of her inimitable career as a video game designer chillingly obsessed with uncovering the identity of her rapist.

Besides «Marshall» director Hudlin, stars Chadwick Boseman, Josh Gad and Sterling K. Brown and producer Paula Wagner, high - profile guests expected at various screenings and events during the festival include Patrick Stewart (subject of an Oct. 25 career retrospective tribute and a conversation with yours truly); Vanessa Redgrave (Oct. 16, presenting her documentary «Sea Sorrow» and represented elsewhere in the festival by a revival screening of «Blow - Up»); Alfre Woodard (subject of an Oct. 21 career retrospective tribute); Michael Shannon (Chicago's own, as the locals like to call him, representing «The Shape of Water» on Oct. 26); Tracy Letts (Chicago's own, as the locals also like to call him, participating Oct. 18 on behalf of Greta Gerwig's acclaimed directorial debut «Lady Bird»); Michael Stuhlbarg (arriving Oct. 25; he gives a beautiful supporting turn in the coming - of - age drama «Call Me by Your Name»); Jon Lovitz (part of the Chicago - sprung comedy «Chasing the Blues,» appearing Oct. 14); and, in an Oct. 23 addition announced after the program went to press, Bill Pullman (getting good notices for the western «The Ballad of Lefty Brown»).

The Screen Queensland collaboration and the role it plays in fostering talent and production activity is taken very seriously by Fisher, who states, «For the local industry, we develop future film professionals through screen culture and screen education, (including) dedicated screenings, career forums and workshops for high - school stuScreen Queensland collaboration and the role it plays in fostering talent and production activity is taken very seriously by Fisher, who states, «For the local industry, we develop future film professionals through screen culture and screen education, (including) dedicated screenings, career forums and workshops for high - school stuscreen culture and screen education, (including) dedicated screenings, career forums and workshops for high - school stuscreen education, (including) dedicated screenings, career forums and workshops for high - school students.

THE HONOURABLE WALLY NORMAN (2003) and STRANGE BEDFELLOWS (2004) In his final screen appearances, Alan Cassell got to play in two broad comedies, a bigscreen genre that had largely passed him by for most of his career.

The NYFF Retrospective showcases 24 of his finest performances and spans 50 years, from his first major role in The Story of G.I. Joe, which earned him an Academy Award nomination, to his late - career appearances in films by Martin Scorsese and Jim Jarmusch, with all but two screening on celluloid.

And by the way, the Mounties, unfortunately, do not get as much screen time as the titular super troopers, but they (including some notable character actors such as Tyler Labine and Will Sasso) make the most of their focus, namely with a sidesplitting movie stealing extended exchange on the career of Danny DeVito.

Following a 45 - second introduction by Maltin calling this «the pinnacle of Mickey's screen career,» the famous segment is presented in its entirety.

It also featured a character endowed with passion, ambition and street smarts, brought to life by an actress whose screen career almost ended before it began.

In some bizarre casting, RZA shows up as blind martial arts master Blind Master (the G.I. Joe series was never very subtle with its character names), bringing the rapper's charisma-less movie career to a new low by drudgingly rattling off exposition like a screen between video game levels.

Eckhart began his screen career specialising in that kind, first as a smoothie shark who seduces and dumps a deaf colleague for kicks in Neil LaBute's In the Company of Men, then as a sexual narcissist in Your Friends and Neighbors — also by LaBute, a fellow Mormon (Eckhart is now lapsed) he met in college.

• The Undefeated an amazing longread about the careers of several non-household name black actors from 1990s television series • Coming Soon Ansel Elgort in talks to play fairy tale writer Hans Christian Andersen in an original screen musical composed by Stephen Schwartz (Wicked).

Driven by staunch authenticity and a career understanding of the western genre on screen, she has contributed to making this show a sweeping, epic dedication to a time populated by heroes, villains and those just trying to survive.

Tonight, SIFF will welcome her to the stage for an interview featuring film clips from her career, followed by a screening of one of Shannon's latest films, Other People, directed by Chris Kelly.

One of the most consistently undervalued British screen talents and a figure whose career has been sadly hampered by the constraints of the Hollywood machine (her original attachment to the film of Alice Sebold's The Lovely Bones fell apart and her insane - sounding Moby Dick - in space remains in development hell), Scottish director Lynne Ramsay returns with...

One of the most consistently undervalued British screen talents and a figure whose career has been sadly hampered by the constraints of the Hollywood machine (her original attachment to the film of Alice Sebold's The Lovely Bones fell apart and her insane - sounding Moby Dick - in space remains in development hell), Scottish director Lynne Ramsay returns with her fourth feature, You Were Never Really Here.

The Handmaid's Tale and Alias Grace by Margaret Atwood Obviously, Margaret Atwood is having another «moment» — among many in her celebrated career — this time on screen.

If «Episode 1 — Faith» is anything to go by, Bigby's on - screen career will be every bit as unpredictable, heartbreaking and gripping as his turn on the page.

--------------------------------------------------------------------------------------------------------------------------------- WHAT: Pratt Institute's Departments of Fashion and Film / Video will present the first U.S. screening of «Call it a Balance in the Unbalance,» a documentary by Regine Lettner about the tumultuous career and visionary work of avant garde fashion designer Miguel Adrover.

Pratt Institute's Departments of Fashion and Film / Video will present the first U.S. screening of «Call it a Balance in the Unbalance,» a documentary film by Regine Lettner about the tumultuous career and visionary work of...

New York paid its longstanding due to Barbara Hammer this past fall, primarily with Evidentiary Bodies, an expansive survey still on view at the Leslie Lohman Museum of Gay and Lesbian Art, and an ongoing series of screenings hosted by various venues dedicated to films the pioneer lesbian filmmaker created throughout her four decade career.

Iconic works from his six - decade career include large - scale pop art screen prints picturing the likes of JF Kennedy; Monogram, a paint splattered taxidermy goat in a car tyre surrounded by street signs; and Bed, soiled sheets spattered with brushmarks.

This special two - day event will feature screenings, a career - spanning multimedia talk, and a book launch for the recent release of Prestel Publishing monograph Charles Atlas, featuring writings by Stuart Comer, Douglas Crimp, Douglas Dunn, Johanna Fateman, and Lia Gangitano.

Iconic works from his six decade career include large - scale pop art screen prints picturing the likes of JF Kennedy; Monogram, a paint splattered taxidermy goat in a car tyre surrounded by street signs; and Bed, soiled sheets spattered with brushmarks.

Organised in collaboration with MoMA in New York, each chapter of Rauschenberg's long career will be represented by important works, among which will be a stellar selection of his legendary Combines — hybrids between painting and sculpture — as well as his graphic screen prints whose depiction of the assassinated US president John F Kennedy signal the artist's early commitment to political activism.

At the Wexner, excerpts of Tuymans's early films were shown on a video monitor and sequestered in a side gallery (a situation that made the films, as described by critic Jordan Kantor, «an excursus... in the artist's career»), while here this collection of cinematic fragments is screened only twice a day in the visitor education center (during my first visit, I totally missed this component, having been told by several museum guards that there was no video).

By signing up early, students have access throughout their academic career to special events & services including: Career Boot Camp, Dining Etiquette, Speed Networking, Career Field Trips, Externships (Job Shadow), On - Campus Interviews, Internships & Job Postings screened by our Career Center, and access to Employers seeking EIU candidates including EIU AlumBy signing up early, students have access throughout their academic career to special events & services including: Career Boot Camp, Dining Etiquette, Speed Networking, Career Field Trips, Externships (Job Shadow), On - Campus Interviews, Internships & Job Postings screened by our Career Center, and access to Employers seeking EIU candidates including EIU Alumby our Career Center, and access to Employers seeking EIU candidates including EIU Alums.

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