Sentences with phrase «screen experience this film»

Not exact matches

One audience member was completely overcome after the screening and took to Twitter to note that it was «possibly the best film watching experience I've ever had.»

The series was produced by Jeff Skoll (of eBay fame) and his activist company Participant Media, And it serves to underscore once again the «you - are - there» power of VR — as opposed to the two - dimensional flat - screen experience of a film like An Inconvenient Truth — when it comes to getting out the message of urgency about climate change.

Aldous Huxley's Brave New World — published in 1932, just after the transition from silent film to «talkies» — depicts futuristic cinema experiences called «feelies,» in which metal knobs on moviegoers» armrests transmit realistic sensations of whatever the on - screen actors are feeling.

The post-birth euphoria that the new moms experience in the film is palpable through the screen and allows viewers to see some of what they might be missing should they feel pressured to undergo a cascade of medical interventions at the hands of their doctors.

The organization recently hosted a screening of the film Don't Tell Anyone (No Le Digas a Nadie), which tells the story of an undocumented woman who experiences sexual abuse.

You could also get a dinner and movie package for $ 30 per person to upgrade your experience with a two - course menu and film screening.

Cinema Asia Experience all the greatest Asian films on the big screen!

This film records that entire experience and brings just a taste of it to the screen.

When it premiered in Toronto last year, viewers experienced the dual perspectives as two separate films, subtitled «Him» and «Her,» each 90 minutes long and played back to back (with the order of the films switched for a second screening).

Even though the film therefore must be regarded as a marred masterpiece, the remaining two - thirds of Welles» original concept is still a thrilling cinematic experience, especially whenever Agnes Moorehead is on the screen.

The first feature from Rupert Goold, artistic director of London's Almeida Theatre, the film owes a dramatic and stylistic debt to Capote, another stage veteran's big - screen debut about the complicated relationship between a prisoner facing a murder rap and the writer looking to capitalize on his experiences.

I also had the misfortune of experiencing the new film version of «Les Misérables», which fails to hide the weaker aspects of the source material and, with the exception of a single sequence, never brings any imagination to the screen adaptation.

The film, which was inspired by Denis» own experiences in Africa and those of working amongst the stark Southwest landscapes of Paris, Texas, proved to be a very auspicious debut, screening at Cannes that year and earning both a Golden Palm nomination and a César nomination for Best New Director.Denis followed her debut the next year with Man No Run, a documentary about Les Têtes Brulées («the Flaming Heads»), a Cameroon band on their first French tour.

Ultimately, I found the film to be just OK, and as narcissistic and self - congratulatory as this is: the best part about the whole experience, was seeing myself on the big - screen as a panicked / witless civilian.

EXTRAS: There are three featurettes in total, covering the movie's journey from Broadway to the big screen, actor Donnie Kehr's experience working with Christopher Walken, and filming the grand finale.

Guests will also experience the sensation of stepping through the silver screen directly into unsettling and shocking film scenes, as they navigate their way through Haddonfield, adorned in classic Halloween décor on a similar Halloween night in 1963.

With Coco, Pixar Animation Studios» take on the traditional Mexican celebration Día de Muertos, audiences are given a film that will become the standard - bearer of a positive example of what the Latino experience can look like on the big screen for years to come.

No film in 2013 made me feel more than «Upstream Color,» and an early morning festival screening meant walking around in a haze for hours after, not quite sure what I'd just seen (though I think it's more narratively coherent than many give it credit for, especially after a rewatch), and almost wanting to shake it, but also not willing to trade the experience for anything.

Laughed out the door at the screening we were at, it's a risible, brutal experience to say the least and the film limped onto DVD a year later without much fanfare (even Rourke himself publicly dogged the film before it came out).

Noah has so much to offer in terms of the audio experience in nearly every act on screen: the downpour of rain, the enormity of the flood, and the sweeping beauty of the film's score.

It is a film whose impact must be experienced in 3 - D on a theatrical screen to be fully understood.

I did see the film in 3D, but you'll get the same experience in a 2D screening.

The film noir slate was particularly rich as was the experience of seeing these film on the big screen — the lighting, the compositions, the close - ups all popped in a way that just doesn't happen when you watch these titles on TV.

Paul Federbush, our International Director and Anne Lai, our Director of Creative Producing and Artist Support were both there to attend the premieres, host an Alumni Reception and experience this annual celebration of film through screenings and industry meetings.

Still, thirteen theaters is better than one or zero, and after having watched the film, I am deeply disappointed that my first experience wasn't on the sort of giant screen a movie like this deserves.

Their screening as the Closing Night film of Directors» Fortnight at Cannes this year brought a shot of adrenaline and a whole lot of passion to the Croisette; we can't wait for the rest of the world to experience the Jersey magic when the film hits theatres this August.

Over the course of his career, Demme has captured a variety of human emotions and experiences, whether in his thrillers, dramas or rock concert documentaries, and he returns to the big screen once again with the deeply human, honest and heartfelt film, «Ricki and the Flash,» written by fellow Oscar winner Diablo Cody («Juno»).

This film was a very formative experience for me, so I'm thrilled to watch it in the brand spanking newly restored version on the best screen in London.

«The Girlfriend Experience»: Starz is currently developing a small - screen adaptation of the 2009 Steven Soderbergh film.

In the remarkable animated sequence that dominates the second half of the film, Who Framed Roger Rabbit, the Fleisher Brothers, Fantastic Planet, Looney Tunes, Ralph Bakshi, and Yellow Submarine collide into a psychedelic experience unlike anything seen on screen before.

The film's depiction of working class life, while perhaps an effort to portray people and experiences that rarely make it to movie screens, is mostly quite shallow.

The film was so full of restraint and tension, followed by such tenderness that I came out of the screen feeling I had experienced rather than watched the film, so much more than the post work relaxation I'd been looking for.

At the film's recent press day, Moretz, Blackley, Leonard, Cutler, Forman and Cross discussed bringing the emotional experience of the book to the screen, the challenge of finding the right cast, Blackley and Leonard's preparation for their musical roles, creating the onscreen chemistry in the relationship between Adam and Mia, Stacy Keach's heartfelt portrayal of Gramps, Forman's reaction to seeing her novel adapted to film, and Cutler's desire to recreate the roller coaster experience of the book but tell a story that's ultimately life affirming and has a positive message.

Film Comment offers an additional poll ranking films currently lacking U.S. distribution, but neither tally takes into account what are often the year's most truly theatrical experiences: festival screenings.

It's not just about having enough background and movie knowledge to put a film in the proper context, but it's also about whether or not you have enough life experience to relate to the things you're seeing on screen.

Seeing black representation portrayed on - screen at the film's world premiere on Monday was a powerful experience, she said.

As artistic director Peter von Bagh writes, the aim is «to make film screenings shimmer like live performances — through our efforts to guarantee the original format, the best technical care...» (1) And indeed thanks to that care, which includes live accompaniment by great musicians or the use of a large orchestra for new commissioned scores, or again the availability of new and recently restored prints within the walking space of four close venues, the experience of watching a film becomes something unique, a concert - like event.

We started the Badlands Collective with limited experience in exhibition, and we've gone on to screen rich, vibrant prints of gorgeous films like Jonathan Glazer's Birth, Stanley Kubrick's Barry Lyndon and Terence Davies» The Long Day Closes.

So you were talking about this kind of karmic circle where it comes back around — where now «Hoop Dreams,» a film Ebert helped make successful, he was someone that shined a light on these less - well - known films that had weaker marketing budgets or so forth, drew people's attention to Errol Morris, who you saw on screen, really helped launch the careers of some of these people by shining that light on them... and you were saying how from your experience as a critic and all that, you say in your own words, you yourself feel the same desire, that your job is to cast that light.

Because he has a wide range of experience on both stage and screen, he is able to give the story a new lease on life as a film while simultaneously remaining true to its theatrical roots.

Experiencing these two classic movies on the big screen almost 40 years after release reinforces what great films they are... and how few truly great films get made.

Needless to say, seeing Chicago up on the big screen like that, especially after seeing all the stuff in the news from when they were filming it, was an awesome experience and the film remains a favorite to this day.

My best cinema experience in 2017 consists of films seen in large screens in my home country Paraguay and in Argentina, where I visit many times a year.

Film scholar Gilberto Perez, in his brilliant work The Material Ghost: Films and their Medium, expresses as well as anyone I've read the physical experience of watching a film on screen: The...

Of course, it's a sad irony that «Candelabra» with its meticulous period detailing and flamboyant sets and costumes, is one of Soderbergh's most big - screen - worthy films, but it will be a small - screen experience for many U.S. viewers, still, the film's greatest strengths are its storytelling and characterization which simply sing, off screens of any size.

Along with D.P. Hoyte Van Hoytema, his adamant choice of shooting the film using IMAX cameras gives it that immersive feel that demands to be experienced on the big screen.

Sundance Institute hosts community programs both year - round and at the annual Sundance Film Festival to offer local Utah audiences the chance to experience independent film, theatre, and music through free screenings and discussions.

In Imax, the widescreen aspect ratio expands to fill the entire screen during the Hunger Games portion of the film, though it's an unnecessary boost, as helmer Lawrence and his team have calibrated the entire experience for maximum engagement.

Prior to arriving at this year's festival, I intuited this was a project that may possibly best be experienced midst non-journalist folks (rather than at a Press Screening), so prioritized arranging an advanced seat for a public audience viewing of the film at Park City's Library Theater... during the showing and following Q&A, one could hear a pin hit the floor as the motionless audience appeared fully intrigued.

No footage was screened but Lee said it is the first time ever that a film is being shot on Sony cameras in 3D at 120 frames per second and he believes the future of filmmaking is exciting and will provide audiences with a new type of cinematic experience.