The composer has signed on to score Haynes» first big -
screen film since 2007's ambitious Bob Dylan biopic «I'm Not There,» the Cate Blanchett and Rooney Mara - starring «Carol.»
Not exact matches
The
film, which the charity claims is the «banned movie they don't want you to see» has become controversial
since Vue Piccadilly cinema scrapped a reservation for the
screening of the
film.
Over 700
films screened from 20 + countries
since 1995 The main goal of the festival is to provide a forum by which new, filmmakers and unsigned musical talents are showcased before an international audience of
film and music industry professionals and fans.
Since 1995, the festival has
screened over 700
films from over 20 countries and continues to grow.
Since making its hugely successful U.S. TV series debut in October 2015, and with the upcoming
film coming to the big
screen this October, YO - KAI WATCH is quickly becoming a household favorite, partnering with some of entertainments» biggest brands including Disney, Netflix, Hasbro, Nintendo and now Bazooka Candy Brands who is delivering new delicious confectionery treats.
Since I'm a sucker for Disney
films, I took two very sophisticated critics with me to the
screening: my 11 and 12 year old goddaughters.
Autonomous machines have gripped our imagination ever
since the first robot flickered on the silver
screen, Maria (left) in the 1927
film Metropolis.
Autonomous machines have gripped our imagination ever
since the first robot flickered on the silver
screen in the 1927
film, Metropolis.
Since then, White has brought her genius to an incomparable variety of dramas and comedies, in both television and
film, published books, and received eight Emmy Awards, three American Comedy Awards, three
Screen Actors Guild Awards, and a Grammy.
Since Wes Anderson is from Houston, he always does a special
screening of his new
film at the Museum of Fine Arts, Houston for his parents and a few lucky individuals.
On the small
screen, the
film will likely lose some of its raucous energy - although,
since the
film plays like a prolonged sitcom, it might very well be even more effective on the small
screen.
Since their notable appearance in a song and dance routine with actor Dick Van Dyck in the 1964
film Mary Poppins, these little black and white creatures have scored numerous
screen roles in
films like Madagascar, Cat's Don't Dance, Surf's Up, Happy Feet and this fall's sequel Happy Feet Two.
Take away The Wind Rises, which was briefly
screened in 2013 only to qualify for awards (which it did, collecting an Oscar nomination for best animated
film), and Disney's 2013 average drops to 53.4 (the studio's lowest average
since 2010), though that was still higher than four other major distributors last year.
Following the series» demise in 1991, Helgenberger returned to television guest - star status on ER, where she had a four - episode - long recurring role, and in the miniseries The Tommyknockers.A presence on the big
screen since 1989, when she made her feature -
film debut in Steven Spielberg's romantic fantasy Always, Helgenberger has played a wide variety of roles in
films ranging from Species (1995) to the moody The Last Time I Committed Suicide (1997) to Steven Soderbergh's widely acclaimed Erin Brockovich (2000).
The thing that hits you first about this
film is it looks sharp, the opening credits are damn nice and Murphy looks his coolest
since «Beverly Hills», its a slow builder for sure but with Wincott as the baddie with his raspy devilish voice it keeps you glued to the
screen.
In reality,
since we pay as much attention to the audience (it there is one - sometimes we see a private
screening) and the best thumbs up or whatever we can give a
film is to report that all the kidlets dragged in by their parents were bouncing up and down and having the time of their lives.
The
film is the director's first effort
since A Single Man, Ford's directorial debut, which led to Golden Globe,
Screen Actors Guild, and Academy Award nominations for Colin Firth, as well as a Golden...
Enthusiasm for
films from Michael Haneke, Yorgos Lanthimos, and Hong Sangsoo seems to have waned a bit
since their initial
screenings.
I saw RIP TIDE (Aussie strictly Disney flick, cute for tweets but that's about it), Argento's DEEP RED (for the first time and on the big
screen - was a gooey delight tripped up by the usual giallo issues), VICTORIA & ABDUL (odious and blandly crafted), and FIRST THEY KILLED MY FATHER (thankfully on the big
screen since Anthony Dod Mantle's cinematography deserves it - the
film is strong, even if Jolie is definitely not a subtle director).
Since his
film was only
screened for the Hollywood Foreign Press he wasn't able to earn SAG or Critics» Choice nominations but now that the
film has been seen and Plummer is all over it (with just nine days of shooting and as many days of post-production) this may be the easiest and best way for the Academy to recognize the efforts and ability of director Ridley Scott (if they don't give him a Best Director nomination, that is).
While pithy, the term isn't quite right: In the 45 years
since her first uncredited on -
screen appearance, at age 6 in her mother's
film White Lightning, Dern has amassed one of the most consistently interesting bodies of work in Hollywood.
Rochefort doesn't have this in the Dumas novels: Christopher Lee invented it for the Richard Lester
films and its been a part of the character on -
screen ever
since (see Michael Wincott in 1993 and Tim Roth in 2001).
Fox announces their distrust of critics with this title by splaying «Property of 20th Century Fox Publicity Department» in huge letters across the
screen for the duration of the
film on both sides of the disc (the first time a major studio has done so since DreamWorks sent out advanced copies of the Gladiator Signature Selection in 2000 — which is why you never saw a review of it at FILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the im
film on both sides of the disc (the first time a major studio has done so
since DreamWorks sent out advanced copies of the Gladiator Signature Selection in 2000 — which is why you never saw a review of it at
FILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the im
FILM FREAK CENTRAL), in turn prohibiting an ethical assessment of the image.
I haven't seen the the Van Sant
film since first
screening it last May in Cannes, where it won a prize.
Found on the
film's 1999 DVD but unsurprisingly absent here are a couple of minor text - based extras: production notes and long
since dated on -
screen biographies of the cast and filmmakers.
The novelty attraction here is Owen Wilson, making his first
screen appearance
since his suicide attempt — although this picture was
filmed and wrapped long before that unhappy event.
Since it ends with the (off -
screen) death of Pusser in a car accident, Final Chapter: Walking Tall from 1977 rewinds to some vague time period in the middle of the second
film for an even more sloppy and shapeless
film.
Finally, there is «Raw» (March 7, 8), a horror
film that has been on the radar on many genre fans ever
since a controversial
screening at the Toronto
Film Festival where the grisly imagery on display supposedly caused some viewers to faint.
Though I didn't really like Tom Hooper's big
screen adaptation of the popular stage musical or Judd Apatow's quasi-sequel to «Knocked Up,» there are still plenty of new releases worth checking out, including one of 2012's best
films and the most anticipated prequel
since «The Phantom Menace.»
The Russian auteur's
film had loomed over the festival
since its opening - day press
screening.
It's actually astonishing that we not only have great actors nailing tricky scenes, and really some stunning, winding camerawork to go with it, but such things as the weaving in of special effects and the utter lack of capturing any of the off -
screen crew members who surely must have been around helping with the shoot (that we never see anything we shouldn't in any of the many on -
screen mirrors is quite astonishing) only makes this one of the more brilliant efforts at shooting a seamless
film since the first in Alfred Hitchcock's Rope.
In addition to the success of the original
film, looming over the Merc with a Mouth's second big
screen adventure was Marvel Studios» Avengers: Infinity War, which has dominated the box office
since its late April, having grossed just more than $ 1.8 billion in global ticket sales to date.
At over two hours, it feels long, especially
since the plot of the
film is so standard, and will have many looking at their watches almost as much as they bother to look at the
screen..
The spot was surprising,
since the 87 - year - old
screen legend had just been spotted
filming his first scenes for the biopic earlier this week.
Hoberman didn't even know if the two
films would have much to say to each other
since last night was the first time he'd
screened them together.
Having made just four
films since being Oscar - nominated for his tremendous performance as a junkie school teacher in 2006 drama Half Nelson, Ryan Gosling is now hitting the big -
screen three times inside two months.
Senses is an innovative, online
film journal that has set the standard for professional, high quality analysis and debate on international
film and
screen culture
since we launched almost 20 years ago.
A fan of Soderbergh
since Sex, Lies, And Videotape, I loved the
film immediately for its hypnotically cool aesthetics — its showy edits and split
screens, its Las Vegas rendered in deep reds and blacks, its captivating, retro - lounge score from David Holmes.
Since then, Samberg has bounced back as a comedian on the small
screen as the star of the terrific Fox comedy Brooklyn Nine - Nine and now he's bounced back on the big
screen in his new
film Popstar: Never Stop Never Stopping.
Since his
screen debut in the 1970 classic Love Story, Jones has appeared in iconic
films like Natural Born Killers, Men in Black, No Country for Old Men and, recently, Lincoln.
When: August 15th Why: It's been a while
since I read the Lois Lowry novel on which the
film is based, but from what little I do remember, it's understandable why some fans have voiced their outrage about this big
screen adaptation.
And fittingly,
since the fest's theme was style, there were
film noir
screenings as well as events devoted to both noir and fashion.
This is the best baseball
film to hit the
screens since Field of Dreams.
Though Ng dropped out of
film school with one semester left for the chance to document Willard's journey to the
screen, I can't imagine she'll live to regret it: She's the best I've seen at compiling on - set footage with momentum
since David Prior and should find steady employment in the specialized field of DVD production.
Since the Pixar revolution of the last twenty years, the majority of American animated
films that reach the silver
screen are born from computers, relentlessly perfecting technique and smoothing out edges.
This has been on my must - see list ever
since it was announced, and that excitement has only grown with each new reveal, from the casting of Chris Pratt in the lead role, to landing Vin Diesel and Bradley Cooper to voice the movie's CGI characters, to the strong buzz emerging from early
screenings that have pegged it as one of the studio's best
films to date.
Zhang Yimou, who hasn't had a
film in Competition here
since 1995's Shanghai Triad, has brought a shameless melodrama (
screening out of Competition) called Coming Home, which has no relation to the 1978 Oscar - winner of the same title.
If you haven't seen this
film since it released in 1984, you may do well to take a peek prior to inviting the family to gather «round the big
screen.
Since then, the
film has often been mentioned as one of the best movies of the 1980's, and after this most recent
screening (courtesy of the Dallas
Film Society), I wholeheartedly concur.
What's more, every one of these
films since Rosetta has been in Competition (La Promesse
screened in the Directors» Fortnight); every one of them has won a prize from the jury (with both Rosetta and The Child taking the Palme d'Or); and every one of them has been good to terrific (désolée, les haters, Lorna rules).