Sentences with phrase «screen film works»

He's now set for even greater attention with two solo shows opening within a week of each other (Arnolfini, Bristol, 16 Jan to 10 Apr; Lisson Gallery, NW1, 22 Jan to 12 Mar), the West Country outing being a UK premiere of Vertigo Sea, a grand, three - screen film work that takes the ocean as a symbol of diaspora, tragedy and hope.

Not exact matches

100 % foreign ownership allowed Cold storage Sports centers Film processing labs Rubber and sugar industry) when engaging in partnerships with local farmers and use 30 % domestically produced raw material) Warehousing Tourism, E-commerce (with a marketplace value above 10 billion rupiahs and when working with local warehousing companies) Toll road operators Telecom device certification Non-hazardous waste management Raw medicine materials Pharmaceutical ventures Restaurants, bars, cafés Film making Film distribution Cinemas (required to show Indonesian films at least 60 per cent of their screen time) Direct selling Futures trading

The organization has translated the film into hundreds of languages and has screened it in some of the most remote locations on earth in with their missions work.

Different ways of coping worked for different stutterers: Marilyn Monroe's breathy on - screen voice, Churchill's privately singing his speeches to practice them, and King George's therapy sessions with Lionel Logue (the story told in the 2010 film The King's Speech).

I am working on scheduling screenings of Handmade Nation, entering the film into festivals and working out the best options for distribution.

So if we can increase the percentage of women working behind the scenes on films, not only will women's voices be heard more, but we'll see a result on - screen in an increase in the percentage of female characters.

In this four - day intensive, students work with a BMS faculty member coach to rehearse select repertoire from a classic film and then perform live onstage at the Coolidge Corner Theatre before a screening of the movie.

Two university research teams have worked together to produce the world's fastest thin - film organic transistors, proving that this experimental technology has the potential to achieve the performance needed for high - resolution television screens and similar electronic devices.

Although some may think his climate work peaked with his 2005 film, An Inconvenient Truth, he has taken his mission far beyond the silver screen.

In work led by professor Yanliang Zhang at Boise State University, high - performance and low - cost flexible thermoelectric films and devices were fabricated by an innovative screen - printing process that allows for direct conversion of nanocrystals into flexible thermoelectric devices.

The paper on this work, «High - performance and flexible thermoelectric films by screen printing solution - processed nanoplate crystalsis,» is published on the Scientific Reports website.

The actress gives us some fresh work outfit inspiration in this black - and - white print button - down, black skinnies and metallic pointy - toe pumps at a screening of her new film If I Stay in Coconut Grove, FL..

But every artist must work in his medium, and the medium of film does not exist unless there is an audience between the projector and the screen.

That movie took a long time to get off the ground and before she ever appeared as Nova, Harrison served as a stand - in in the role of Dr. Zira (the part ultimately played by Kim Hunter) in the screen tests and extensive make - up tests through which the project evolved, even participating in a test for Edward G. Robinson in the role of Dr. Zaius (Robinson was forced to withdraw from the project because of a heart condition that prevented him from working under the heavy make - up and in the high altitude location where much of the film was to be made).

Not only was Pelle the Conqueror August's most popular international film to date, but it also marked the beginning of the director's growing interest in adapting popular works of fiction for the screen.

On a visual note they seem to have tried to make the film appear like the pages of a comicbook, split screens with a bit of text and in a slightly cartoony way, kinda works but the rest of the film needs to be good to make it fully work.

Though he never wrote anything directly for the screen after 1965, Richard Rodgers was well represented in films by his previous body of work, including filmizations of On Your Toes (1936) Babes in Arms (1939) Pal Joey (1957) and all but three of the Rodgers and Hammerstein stage collaborations.

Among his recent big - screen credits are Joel Schumacher's horror TOWN CREEK (2009) and the Woody Allen film WHATEVER WORKS (2009).

The excellent performance by Bjork (surprisingly excellent, might I add) and the genius direction of Lars von Trier work perfectly to make one of the best films that have graced the film screen.

For her work in the film, Mulligan won a number of critics awards for Best Actress, as well as garnering nominations from the Hollywood Foreign Press, the Screen Actors Guild, and the Academy.

The first few years of his career following the departure from the show were somewhat lackluster, but Smits eventually landed the role of Senator Bail Organa in the second and third Star Wars prequels, a move that would permanently cement him in film history in the minds of at least one very large fanbase.In addition to his work with the Star Wars franchise, Smits also made an inevitable return to the small - screen mid-decade with a prominent role on NBC's The West Wing during the show's 2004 - 2005 season.

Ringwald only lasted a season before she was let go, but her television work paved the way for subsequent screen roles.In 1982, Ringwald made an auspicious film debut in Paul Mazursky's acclaimed Tempest, earning a Golden Globe nomination for her portrayal of John Cassavetes» daughter.

He made his screen debut in 1983 in the film comedy Baby It's You, and won the Venice Film Festival's Best Actor award that year for his work in Robert Altman's Streamers.

Despite perilously under - lighting a few nighttime sequences, cinematographer Rachel Morrison shoots the country so full of life that it's genuinely hard to believe she didn't film a single frame of it in Africa (for a movie that's full of sloppy CG, the environmental green screen work is astonishing).

Putting my education to use, I went to work for a company called Bellcore, which pays well enough for me to keep up the mortgage, maintain a home theater, finance film festival trips, and buy the 25 - 30 gallons of gasoline I need each week to attend screenings.

After having his first major Broadway success with A Shot in the Dark, Matthau began working on the screen, usually in small supporting roles that cast him as thugs, villains, and louts in such films as The Kentuckian (1955) and King Creole (1958).

The overwhelming English sadness of Ian McEwan's novella On Chesil Beach has been transferred to the movie screen, adapted by the author and directed with scrupulous sensitivity and care by Dominic Cooke, known for his stage work and making his feature film debut here.

This is the crux of Andrew Haigh's rivetingly beautiful new film, which screened at the Venice Film Festival this morning, and finds the British director working on a brighter, broader canvas than ever before: a present - day American West of drab diners, grumbling trucks, and starlit open desert.

While at work on Fifteen Minute Hamlet, Louiso moved to L.A. to further pursue his screen career, and, after appearing in such films as Scent of a Woman (1992), Apollo 13 (1995), and Jerry Maguire (1996), he had his most high profile role to date in Stephen Frears» widely celebrated adaptation of Nick Hornby's High Fidelity (2000).

There's some very candid, fascinating footage here capturing the process of making the film (in, for a surprise revelation, not a real Parisian flat but a studio - built apartment replica surrounded by green screens, not at all dissimilar to David Cronenberg's use of similar magic for A Dangerous Method, not that you can tell in either film in its finished form, where the technology is seamless and unobtrusive), with Haneke working with the actors in a rigorous, nitty - gritty way that lets us see what infinitesimal precision he's looking for in performance, in movement, in blocking, and in composition.

Other screen work includes the films AFFINITY, for which she won Best Actress at Nymphe d'Or, MR. SELFRIDGE, THE SECRET DIARIES OF MISS ANNE LISTER, Anya in the cult series UTOPIA, SECRET STATE with Gabriel Byrne, BRIDESHEAD REVISITED and IN BRUGES.

Figgis» roots as a musician would later be made readily apparent in his screen work, as he has scored several of his films.

Their on - screen chemistry is not the most fantastic ever but in the context of the film it works well, the sort of

The film, which was inspired by Denis» own experiences in Africa and those of working amongst the stark Southwest landscapes of Paris, Texas, proved to be a very auspicious debut, screening at Cannes that year and earning both a Golden Palm nomination and a César nomination for Best New Director.Denis followed her debut the next year with Man No Run, a documentary about Les Têtes Brulées («the Flaming Heads»), a Cameroon band on their first French tour.

Some of the green screen work wasn't all that and a bag of chips either, it didn't take me out of the film, but I noticed.

Despite all that computer wizardry at work, the green - screen seams show and the herky - jerky pace mitigates against the kind of creeping tension that should inform this film.

Stanley Kubrick's first feature 1953's «Fear And Desire» was far from the filmmakers» favorite work: when the Film Forum screened it in 1994, Kubrick put out a statement calling it «a bumbling amateur film exercise.»

Both have obviously completely bought into the subject matter, which refects on the screen in the seeming fun they're having as well as the fact that the film works at all.

She also benefits from the most dazzling costumes of all in the film — the work of the great Sandy Powell — a richly hued, form - fitting array of outfits inspired by the great»40s screen sirens.

While pithy, the term isn't quite right: In the 45 years since her first uncredited on - screen appearance, at age 6 in her mother's film White Lightning, Dern has amassed one of the most consistently interesting bodies of work in Hollywood.

However, as the reviews pour in, the film looks more and more like a success: Screen International editor Mike Goodridge is a fan, while Todd McCarthy has labeled it the director's best work yet.

I am, I admit, unfamiliar with the popular 1997 novel by Mordecai Richler from which Canadian TV director Richard J. Lewis's film is adapted; it is, by all accounts, a dense, inventive and stingingly satirical work that has been substantially pared back and ironed out for the screen.

Cinephiles, especially those enthusiastic about the avant - garde, are probably familiar with Robert Gardner «s series Screening Room, which hosted numerous directors working in documentary and experimental film in the 1970s and early»80s.

They discuss how much or how little the on - screen film credits can reflect the work a screenwriter actually does on a project, the complicated system of arbitration, and what it's like to both rewrite someone else's work and be rewritten yourself.

EXTRAS: There are three featurettes in total, covering the movie's journey from Broadway to the big screen, actor Donnie Kehr's experience working with Christopher Walken, and filming the grand finale.

After the impact of these two features (the latter screening at Cannes and championed by such critics as Pauline Kael), Schepisi moved on to directing films overseas, including such varied works as Barbarosa (1982), Plenty (1985), Roxanne (1987), The Russia House (1990), Six Degrees of Separation (1993), Last Orders (2001) and the HBO - financed Empire Falls (2005), which won a Golden Globe for Best Mini-Series or Motion Picture made for Television.

Steve Carell and Paul Rudd have worked together previously on The 40 Year Old Virgin, and Anchorman, but in their previous films they didn't have as much on - screen time together, so it was interesting to see how their dynamic changed.

Yet Cloverfield fans will be happy to hear that another film set in that world is in the works, and unlike The Cloverfield Paradox, will screen in cinemas.

Even with the solid work behind the camera, the times when the film truly comes to life occur when Langella and Sheen are together on the screen, especially in their battle of wits in their recreation of real - life argumentation.

In addition to the work - in - progress screenings, Fantastic Market will also screen a special selection of previews, clips, and teasers of Latin American genre films in development and post-production.