Sentences with phrase «screen in films like»

Memphis styles became firmly rooted in Bas» pre-teenage subconsciousness, attesting to the prevalence of the «Memphis look» on the big and small screen in films like Tim Burton's Beetlejuice or kids» TV show Pee - wee's Playhouse, and through it he explores the idea of the artificial versus the real, the notion of the false being more authentic than actuality (concepts which Bas links to another early influence, Huysmans» Against Nature).

Shepherd has previously appeared on the big screen in films like And So It Goes with Michael Douglas and Diane Keaton as well as Steven Soderbergh's Side Effects.

Agee would continue appearing on screen in films like Super, and found success for a number of years as a writer on Jimmy Kimmel Live!

The actress Cameron Diaz probably doesn't need any introduction — you already know her from the way she lit up the screen in films like Gangs of New York, and There's Something About Mary.

Not exact matches

In addition to interviewing leading legal scholars and activists, like Angela Davis, DuVernay said she reviewed about 1,000 hours of archival footage, including of images of lynchings, cellphone videos of police abuse, and The Birth of a Nation, the 1915 D.W. Griffith film that glorified the Ku Klux Klan (and was screened at the White House for President Woodrow Wilson).

Much like trolls» attempts to affect Black Panther «s status as a critical darling, the Twitter posts describing fake attacks at movie screenings also seemed to be part of a racist campaign meant to scare people away from theaters in order to hurt the film's overall box - office gross (again, a major fail).

After large movie theater chains, like AMC (AMC.N) and Regal Entertainment (RGC.N), refused to screen the comedy following threats of violence from hackers who opposed the film, Sony stitched together a limited release in theaters and a $ 5.99 video - on - demand (VOD) rental and $ 14.99 purchase option on YouTube Movies, Google Play (GOOGL.O), Microsoft Xbox Video (MSFT.O) and a dedicated site starting Dec. 24.

There are so many hopes and expectations pinned on the new film version of «A Wrinkle in Time,» I feel like it should be projected on giant bulletin boards instead of movie screens.

My agency doesn't stand to make a nickel off it, but they're giving me the use of their screening room, their phone list and client list, people like Will.I.Am and Peter Gabriel who saw the film and were then incredibly generous in giving their songs at a great rate when I couldn't afford their music normally.

Just like young Scorsese in the streets of Little Italy, his films don't lead viewers to judgment or glorification of the imperfect players on screen.

Here are some of the resources available — let us know on the order section at the base of the licence agreement which, if any, you would like: • A5 small flyers about Fair Food & AFSA • A4 flyers with more information about Fair Food and Food Sovereignty in Australia and why we need a Fair Food movement • Scripts or guided conversation outlines are available to use to introduce the film and to use at the end of the screening to stimulate discussion

Most importantly, however, the film has a new site where people can set up their own screenings, and purchase copies of the film along with other stuff like screening kits and UNITE FOR LUNCH American Apparel T - shirts designed by the artist who did the illustrations in the film.

Screen icon Meryl Streep, who like countless performers has appeared in films produced or distributed by The Weinstein Company, called revelations that studio co-founder Harvey Weinstein had sexually harassed women for decade «disgraceful.»

The group has zeroed in on K2 as a potential problem for the Roberto Clemente Plaza, a space between 148th and 149th Streets along Third Avenue that will contain flowers, benches and food and may also host events like salsa lessons and film screenings.

PARK SLOPE, NY — A summer series of outdoor film screenings returns to Brooklyn's backyard in July showing flicks like «Space Jam» and «The Wizard of Oz» at Prospect Park.

It's been an inspiring week getting to screen and talk movies / film with like - minded and diverse people from all over the world in this beautiful city.

Early in my challenge I had heard about the Summer Screen series at Somerset House, and keen to include one of the evenings in my 30 Dates by 30 Challenge, I posted on Facebook to ask if anyone had a friend who might like to go and watch an outdoor film with me.

The film wasn't great, but I had a really lovely night, and would recommend some of the other outdoor movies the British Film Institute are screening this summer, especially if, like me, you grew up watching the film Grease with the iconic Drive - Thru movie date scene... something it's otherwise very hard to recreate, living in the UK in this day and age.

That would be impossible given that there are over 40 of them, and that the film is structured almost exactly like a»90s sketch - comedy show in which characters rarely share more than several minutes of screen time.

On a visual note they seem to have tried to make the film appear like the pages of a comicbook, split screens with a bit of text and in a slightly cartoony way, kinda works but the rest of the film needs to be good to make it fully work.

Sad to say, the rumored intensity of the play» «night Mother» is not on display in this filmed version that does not translate particularly well to the screen as it feels like just another made for television movie of the period.

It's adapted by Tracy Letts from his 1993 play (Friedkin also turned Letts's play Bug into a film in 2006), and its theatrical origins do become obvious in the way certain characters are left disconcertingly off screen; the movie is concluded with a long, slow and single - location sequence, which makes it looks oddly like a filmed stage play.

Since their notable appearance in a song and dance routine with actor Dick Van Dyck in the 1964 film Mary Poppins, these little black and white creatures have scored numerous screen roles in films like Madagascar, Cat's Don't Dance, Surf's Up, Happy Feet and this fall's sequel Happy Feet Two.

For over a decade, sold out audiences have enjoyed Rocky Horror - like participation consisting of hilarious traditions such as screen - shouting, football playing, throwing spoons at the screen, rooting on the shockingly long establishing pans of San Francisco, and generally laughing hysterically at the film's clunky pseudo-Tennessee Williams dialogue, confused performances, and bizarre plot twists, like the mother - in - law character whose breast cancer ought to play like it matters a great deal, but really comes off as a non-sequitur.

In the decades to come, Paymer would remain an ever - present force on screen, appearing in films like In Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good WifIn the decades to come, Paymer would remain an ever - present force on screen, appearing in films like In Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good Wifin films like In Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good WifIn Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good Wife.

In the meantime, Cooper would nab starring roles in more and more films, like the thriller Limitless and the big screen adaptation of The A-TeaIn the meantime, Cooper would nab starring roles in more and more films, like the thriller Limitless and the big screen adaptation of The A-Teain more and more films, like the thriller Limitless and the big screen adaptation of The A-Team.

Over the next several years, Koteas would prove to be a consistent force on screen, appearing in films like Shooter, Shutter Island, and Let Me In, as well as the series Combat Hospitain films like Shooter, Shutter Island, and Let Me In, as well as the series Combat HospitaIn, as well as the series Combat Hospital.

Put together, REBEL IN THE RYE feels more like an HBO film that a real, big - screen feature - not that there's anything particularly wrong with that.

In the years to come, Sweeney would remain active on screen, appearing in films like Taken In the years to come, Sweeney would remain active on screen, appearing in films like Taken in films like Taken 2.

Upon his return from military service, Damone resumed his film career, enjoying featured or co-starring roles in major musical productions like Hit the Deck (1955) and the screen adaptation of Kismet (1955).

Black Panther's cast and creators trod carefully around the movie's connection to current politics in the press conference attended by Screen Rant, with Chadwick Boseman saying that anything that seems like a reference is just coincidence, and Marvel Studios President Kevin Feige saying that «things have happened in the world which make the film seem more relevant.»

Continuing our coverage of images from films that will be featured at January's Sundance Film Festival, we bring you images from two of the higher profile dramas that will be screened in - competition at the festival: The Ledge and Like Crazy.

After setting the screen alight in films like Kingsman and Legend, he had to change everything about his appearance to play Eddie: adopting an underbite and wearing glasses that were so thick that he had...

At the same time, Uchida is responsible for some of the most remarkable swordplay films of the 1950s and»60s; his five - film Musashi Miyamoto epic (not screened at MOMA), starring Kinnosuke Nakamura in the title role and Ken Takakura as his arch-nemesis Kojiro, surpasses the better - known Inagaki Samurai Trilogy starring Toshiro Mifune in terms of both drama and swordplay, yet remains little - known in the West (despite its availability on DVD in the U.S.) After the BAM retrospective (and others) in 2008, most of Uchida's films remained unscreened and undistributed in America, so with MOMA's bigger series recently ending, it's time again to encourage distributors like the Criterion Collection, Kino Lorber, and Arrow Video to bring out more of the director's masterpieces, both for critical reconsideration and for those whom the veteran filmmaker will be a major new discovery.

A visually - rich film like Ghost in the Shell that's filled with futuristic sets and cyborg characters could have easily relied on green screens and digital effects to bring its entire world to life.

We saw this film in a screening where the woman next to us remarked as the film finished that it felt like a good massage.

If you feel like the horror genre has been ho - hum lately, rest assured as The Conjuring is one of the best horror films that has come across the screen in the last decade.

That a peripheral plot involving Ava's husband Michael (Roger Davies) feels like it was mostly added in re-shoots is probably not a coincidence (it's well known that the film had disastrous test screenings a while back).

However, as the reviews pour in, the film looks more and more like a success: Screen International editor Mike Goodridge is a fan, while Todd McCarthy has labeled it the director's best work yet.

The trouble is that, like every on - screen male, Stillman allows himself to fall under her spell, and the result is a film whose dramatic dice is so loaded in its anti-heroine's favour that it fatally undermines her victory.

The film, which is considered the «' Citizen Kane of bad movies»,» became a cult hit, spawning midnight screenings across the nation and now worldwide where fans quote iconic lines like «Oh hi, Mark» and «You're tearing me apart, Lisa» as they watch the film onscreen — in between throwing plastic spoons.

The result is a taut, unrelenting and frequently hilarious horror - satire that's scored a rare 100 % positive rating from critics on Rotten Tomatoes, as well as raves from hip - hop luminaries like Chance the Rapper, who recently hosted a private screening of the film in Hollywood.

Thus you get stuff like the Wreckers, who even the other characters in the film describe as «assholes» who get more screen time than most of the other Autobots in the film despite not appearing until well into the second half.

I saw this film at a press screening prior to a week's Oscar - qualifying run in December and really liked it.

While there are standout examples — like Darren Aronofsky's disorienting, eye - opening Requiem for a Dream, or the achingly beautiful narratives of animated animal - people addicts in BoJack Horseman — sagas like this one usually work better on the page than on the screen; the brief gloss of film can make drug use seem rather too appealing, while the idea of spending eight TV seasons with an addict seems rather unappealing.

Charlie Day also shows up (apparently he was in the first film) but spends most of his screen time yelling, like he's channeling Bobcat Goldthwait

It's not much of an achievement that co-directors Anthony and Joe Russo (held over from Captain America the Winter Soldier) make a better film than Zack Snyder... but it's worth noting that Marvel (corporation as auteur) have nurtured their characters (even in weaker films like Iron Man 2) to the point when they carry more screen weight than lasting icons Batman and Superman.

Whilst the focus of many reviews of Lost in Translation has been on the renaissance of Bill Murray's career, Coppola's choice in casting him in the starring role and to juxtapose him with Scarlett Johansson is inspired in its exploitation of his deadpan, ironic screen persona established in films like Groundhog Day (Harold Ramis, 1993).

It's usually not a good sign but the film hadn't been finished in time to take advantage of any festival screenings so pushing it to 2014 seemed like a solid plan.

Their discussion is sometimes shown in different parts of the screen, but the feature also incorporates artwork, photos, clips from other Disney films, and archival filmmaker video and audio (from the likes of Ward Kimball, Joe Grant, and Woolie Reitherman) to complement the present - day (well, 2009ish) reflections.