Sentences with phrase «screen in his few moments»

Not exact matches

The OLED screen is so bright and clear, it makes every app shine (except for a few that don't quite work with the notch yet — more on that in a moment).

For years he held private screenings of the movie (it's also been shown at a few film festivals), and there was even a moment when he and Stern thought of remaking it with Hopper directing once more and a younger actor in the lead.

That was about the limit of our conversation, except a few days later at some special screening being shown in the round in a darkened room, Kozintsev came up to me, pressing my hand for a moment.

It is a conscious reference to a revolutionary moment in British culture, a short - lived TV program called That Was the Week That Was, also called TW3, which was screened late on Saturday evenings for a few short months in 1962 and 1963 and has never been forgotten by those (including this writer) who watched it.

People who respect their craft do whatever it takes to stay in the moment during meetings, even if it means going screen - free or taking a few grounding breaths to allow a transition from one meeting to the next.

He gets creative with some of the split screens and manages a few cool moments, but really needed to step in to control some of the awful that comes out of this script.

Despite the spectral appearance of Harry's mentor, Sirius Black during one tearjerking scene, on screen, that moment still plays as cheesy and solely meant to wring a few more drops out of your hankies as it was in the book.

Though obvious from start to finish - it's little more than a Public Service Announcement - there are a few moments in this that are thought - provoking: how these starlets balance their «jobs» and personal relationships (Silguero's boyfriend is clearly bothered by her sleeping with so many other people), how they regard each other (none of them likes Belle Knox, the famous Duke student who turned to porn) and especially how they view the difference between «on - screen performing» and «real - life romance» (I found the scene of the one girl awkwardly trying to get a male waiter's number to be completely adorable).

On screen, there are fewer pleasures, though the opening moments are undeniably impressive in an old - fashioned, epic - monolithic way, as the camera drifts up from underwater to reveal Valjean and a chain gang of prisoners hauling an enormous ship into port under the crash of waves and the glower of the police inspector Javert (Russell Crowe).

Schaffner came from TV, and while he has few of the obnoxious visual affectations of the TV - trained director, he tends to restrict the most significant actions and relationships in his films to spatial arenas that could be served very adequately by the tube rather than the Panavision screen: the real convention hustle in The Best Man takes place in hotel rooms, hallways, and basements; the tensest moments in his strange and (to me) very sympathetic medieval mini-epic The War Lord are confined to a small soundstage clearing or that besieged tower; the battle scenes in Patton are hardly clumsy, but the real show is George C. Scott; and Nicholas and Alexandra comes alive only after the royal family has been penned up under the watchful eyes of Ian Holm and then Alan Webb, far from the splendor of St. Petersburg or the shambles of the Great War.

I wish Anderson had done more with Manville, who improves every film she's in, but increasing her screen time might have meant fewer moments with Luxembourg - born actress Krieps, who vaults to the A-list with a performance that recalls a young Meryl Streep.

Sadwith, whose TV credits include the miniseries «Sinatra,» conjures a few memorable moments in his big - screen debut.

The movie continues the impossible - to - stop tradition of «Saturday Night Live» cast members moving on to the big screen in starring roles, but I doubt Forte and co-star Will Arnett (who's had a few amusing moments as a supporting player in a few movies) are going to go far in that respect.

The black and white does lend things a melancholic air, though it's not so dazzling that we can't imagine it'll look just fine on the small screen in color too, and the sour - sweet mix, so important to this kind of comedy, errs impressively, if not always convincingly on the sour side, with very few moments of kindness not undercut by something meaner, until we get to the small uplift of the final moments.

Filmed in real time and never straying from the confines of the claustrophic phone box (with the exception of a few split - screen moments), Schumacher manages to crank up the tension with ease.

It took me a few moments of experimenting with tapping on things on the screen before I finally figured out how to get at the queue of running tasks — i.e., by tapping on the double - square icon down in the right - hand corner.

Over a 48Â hour period with a few screen - on moments for checking progress (and a 10 minute in - use period as my daughter grabbed it to use a paint program) Â I measured 46 % fall in battery usage of which 5 % was due to screen - on time.

I don't mind admitting that there were quite a few moments where I was leaning forward in my seat, simply enraptured by the action on - screen, completely immersed in the dogfights, into the lighsaber fight and into the adventure of Finn and Rey.

I really must applaud Nintendo here for a moment because traditional platformers have pretty much been relegated to the portable systems in the past few years and I've been dying for some quality big screen action in that department.

For instance, with her ability to parry and gain a few moments of invincibility, create shockwaves with her axe and enhance her attack speed as she continuously attacks, the Amazon can easily tear through hordes of enemies in seconds; meanwhile, the Sorceress, with her ability to teleport, unleash a blizzard that can repeatedly hit everything on the screen at once and summon a thundercloud that autonomously targets your foes, can rain down death from afar but you will need to carefully manage her MP.

His screen time was brief, but even in those few moments, Nagito managed to steal the show with his own brand of hope - fueled manipulation.

In the few short moments the trailer is on the screen my inner kid imagines piloting an X-Wing taking down the Empire and tie fighters with my fellow squadron.

Veterans of last year's Ground Zeroes amuse - bouche will also recognise the pleasingly clutter - free screen and the now essential Reflex Mode, which triggers a few seconds of slow motion the instant you're spotted by a guard, offering a moment's grace in which you can attempt to incapacitate your captor.

Once it ramps up (a process that is far shorter than it is in say Geometry Wars: Retro Evolved, a game to which this one will inevitably draw comparison) it stays up, with few spots in which the player gets a moment to catch their proverbial breath before another giant enemy hits the screen and spews 400 bullets at them.

The soundtrack is captivating, among my favorite musical scores in a long time (though one or two tracks sound oddly like they'd belong on a Wings album), and I can not help but be thoroughly enchanted by the clay - flavored visual style during those few moments I get to look at the screen.

After a few moments, a four - digit verification code appears in its LCD screen.

Once I select Windows 8 it's mere seconds before I'm presented with my login screen and just a few more moments after logging in before my desktop appears.

As the screen mirroring feature is in beta at the moment, this function is not without a few bugs and does not work on all devices.