Sentences with phrase «screen in movies like»

Yet these ancient creatures live, breathe and rampage across the screen in movies like Jurassic Park and TV series like BBC's Primeval.

Her umbrellas have appeared on the silver screen in movies like The Weather Man and The Fantastic Four.

Not exact matches

By that definition, just about every memorable entry on Parker's steadily growing curriculum vitae, from Napster and Facebook to current projects like music - streaming company Spotify and in - home movie service The Screening Room, counts as a hack.

After showing footage of «Alita: Battle Angel» at CinemaCon on Thursday, Rodriguez and producer Jon Landau («Avatar» movies) sat down with Business Insider to talk about the evolution of the project and why this manga won't end up like the big - screen version of «Ghost in the Shell.»

Responsible for some of the greatest visual effects pulled off on screen in the last 40 years, he's done everything from James Bond movies like «Moonraker» and «GoldenEye,» to Christopher Nolan's Batman trilogy and «Inception» (which he won an Oscar for).

Much like trolls» attempts to affect Black Panther «s status as a critical darling, the Twitter posts describing fake attacks at movie screenings also seemed to be part of a racist campaign meant to scare people away from theaters in order to hurt the film's overall box - office gross (again, a major fail).

After large movie theater chains, like AMC (AMC.N) and Regal Entertainment (RGC.N), refused to screen the comedy following threats of violence from hackers who opposed the film, Sony stitched together a limited release in theaters and a $ 5.99 video - on - demand (VOD) rental and $ 14.99 purchase option on YouTube Movies, Google Play (GOOGL.O), Microsoft Xbox Video (MSFT.O) and a dedicated site starting Dec. 24.

There are so many hopes and expectations pinned on the new film version of «A Wrinkle in Time,» I feel like it should be projected on giant bulletin boards instead of movie screens.

According to the rumors, the television will also connect to other screens in users» homes through special, smaller iPad - like devices to watch TV and movies, do teleconferencing and even be used for a home security system.

In that sense, it was more like watching a movie with fan boys than watching a sermon on a computer screen in your living rooIn that sense, it was more like watching a movie with fan boys than watching a sermon on a computer screen in your living rooin your living room.

Everyone who steps onto the screen feels like a fully fleshed out character, not just a cheap rendition of something you've seen in a western or action movie in the past.

He goes on and on, and it all seems like some mad, glamorous old Technicolor drama played out on a drive - in movie screen.

The girls would be able to run through the stadium tunnel and burst through a banner like the players, hang out with 49ers cheerleaders, the mascot and the team band, watch movies and eat pizza on the 50 yard line and see their names on the Levi's Stadium big screen in May.

The Longhorn demo includes screen images that pulse with glowing patterns, like the shimmering, translucent sea creatures in James Cameron's movie The Abyss.

It's been an inspiring week getting to screen and talk movies / film with like - minded and diverse people from all over the world in this beautiful city.

Her segue to the big screen, with roles in movies like Paper Towns, Suicide Squad, and the upcoming Life in a Year.

The film wasn't great, but I had a really lovely night, and would recommend some of the other outdoor movies the British Film Institute are screening this summer, especially if, like me, you grew up watching the film Grease with the iconic Drive - Thru movie date scene... something it's otherwise very hard to recreate, living in the UK in this day and age.

Now married with a 6 - year - old son, the family indulges in geeky events like «Planet of the Apes» screenings and at - home «Lord of the Rings (Extended Edition)» movie marathons.

Sad to say, the rumored intensity of the play» «night Mother» is not on display in this filmed version that does not translate particularly well to the screen as it feels like just another made for television movie of the period.

It's adapted by Tracy Letts from his 1993 play (Friedkin also turned Letts's play Bug into a film in 2006), and its theatrical origins do become obvious in the way certain characters are left disconcertingly off screen; the movie is concluded with a long, slow and single - location sequence, which makes it looks oddly like a filmed stage play.

Seen on a 72 cm CRT screen at home, though, it's like having the negative held up to your eyes - a lot of care and attention has gone into this transfer, and the fact that it looks so cinematic and so natural (despite Fincher's characteristically unnatural visual style) is reason enough to come back to this movie in its newly - mastered version.

In the years to come, Moss would remain a force on screen, appearing in movies like Love Hurts, and on TV series like Chuck and VegaIn the years to come, Moss would remain a force on screen, appearing in movies like Love Hurts, and on TV series like Chuck and Vegain movies like Love Hurts, and on TV series like Chuck and Vegas.

Biggs would keep a low profile for the next few years, appearing in movies like Eight Below and Wedding Daze before turning to the small screen with the sitcom Mad Love in 2011, alongside Judy Greer and Sarah Chalke.

The fact that the stories contradict one another allows the movie to do a few other things that put it in the same category as a movie like The Big Short: It breaks the fourth wall, gives multiple perspectives on the same events, and occasionally employs a split screen in order to emphasize how mushy the concept of «facts» are in any sensational news story.

In the years to come, Garth would remain a constant force on the small screen, appearing on shows like Community and in TV movies like The Eleventh VictiIn the years to come, Garth would remain a constant force on the small screen, appearing on shows like Community and in TV movies like The Eleventh Victiin TV movies like The Eleventh Victim.

And while guns may be a hot - button topic off - screen, they remain blandly par for the action - movie course, including in PG -13-rated movies like this.

Actually, it's like watching something other than a movie, like a bunch of bad acting, cheesy dialogue and laughably crap special effects, and like this kind of slapstick childish unfunny type of humour, all exploded onto your screen!!!! It's a bit like something you'd see on Disney Channel, like in the same league as Lizzie McGuire.

In 1982, Claire Bloom published her autobiography, Limelight and After: The Education of an Actress.Bloom would remain active on screen in the decades to come, appearing most notably in movies like Crimes and Misdemeanors, The Age of Innocence, Mighty Aphrodite, and the King's SpeecIn 1982, Claire Bloom published her autobiography, Limelight and After: The Education of an Actress.Bloom would remain active on screen in the decades to come, appearing most notably in movies like Crimes and Misdemeanors, The Age of Innocence, Mighty Aphrodite, and the King's Speecin the decades to come, appearing most notably in movies like Crimes and Misdemeanors, The Age of Innocence, Mighty Aphrodite, and the King's Speecin movies like Crimes and Misdemeanors, The Age of Innocence, Mighty Aphrodite, and the King's Speech.

I've seen material like this done better and worse, but even on its own, the movie is a nondescript, laugh-less, tedious exercise in putting material on screen that just isn't funny on its own and expecting one to laugh at it.

Black Panther's cast and creators trod carefully around the movie's connection to current politics in the press conference attended by Screen Rant, with Chadwick Boseman saying that anything that seems like a reference is just coincidence, and Marvel Studios President Kevin Feige saying that «things have happened in the world which make the film seem more relevant.»

Love doing the tedious things, like gathering in Monster Hunter (or just grinding monsters for that matter) off - screen, while having a movie play on the main screen.

The film, which is considered the «' Citizen Kane of bad movies»,» became a cult hit, spawning midnight screenings across the nation and now worldwide where fans quote iconic lines like «Oh hi, Mark» and «You're tearing me apart, Lisa» as they watch the film onscreen — in between throwing plastic spoons.

WHY: Mel Gibson is no stranger to a comeback, and following his brief return to the big screen with movies like «The Beaver,» «Machete Kills» and «The Expendables 3,» the actor delivers arguably his best work in years in the indie crime thriller «Blood Father.»

By the way, I seem to be the only one, but what I liked the most in the movie were the close ups, I'm tired of seeing movies that look like tv, and use the close ups thinking in the little frame, here we had real, long, uncomfortable close ups for the big screen.

It also felt like some of the big names in small parts originally had more screen time but that the movie was whittled down to ninety - one minutes for the mini-mall crowd.

It's also important to note that Saudi Arabia still intends to censor all movies that are screened in this fashion to make sure they're in line with the country's strict cultural standards, which may be why they chose to focus on kid - oriented fare like this.

The movie is meant for fanboys like myself and the one - time screening was full of others such as myself who laughed giddily at the antics of the brothers who were both self - destructive and epic in equal measure.

The movie feels like it belongs on a stage rather than the screen, and if it ever got a cast like this on Broadway or the West End, it would be a smash, unlike it's small box office draw it received in it's theatrical run.

If you release a movie in April it has more space, more screens and time than a release in October, November or December, when heavy hitters from the studios like «The Post» with Hanks and Streep and Spielberg are hurting the art films.

It's just difficult to forget his public transgressions when he's on screen, and yet if you can leave that behind, you're going to have a good time watching him in movies like How I Spent My Summer Vacation and The Expendables 3.

Set aside your concerns about Mark Wahlberg portraying PlayStation 3 action hero Nathan Drake in the big screen adaptation of Uncharted: Drake's Fortune, because it doesn't sound like this movie is based on the video game at all.

A stark, brutal, yet tender prison drama starring Jack O'Connell as a violent inmate sent to the same lock - up as his jailbird father (Ben Mendelsohn), the film's shot through with a raw energy and authenticity that's closer to «A Prophet» than to most other British films in the genre, with Mackenzie making the movie feel like he's bottled up a hurricane of tension, which at any second could kick through the screen at you and hit you with a sock full of snooker balls.

Despite his preposterous big - screen appearances as Loki in the Marvel movies, it was this sizzlingly atmospheric Le Carré adaptation that suddenly made Tom Hiddleston look like a superstar (though reports of him toppling Daniel Craig were exaggerated).

It is a symptom of Marvel's oppressive world - building that so much of the film's run time is devoted to new characters like the twins, or Vision (Paul Bettany, actually having a face on screen for the first time in the franchise), or Ulysses Klaw (Andy Serkis, a villain for a movie that will not see the light of day for three more years), squeezing the interstitial moments down to little more than an afterthought.

Found - footage works best when you feel like you're an active witness in the events unfolding on - screen, but playing up the «documentary» aspect removes audience involvement because it naturally creates a disconnect (Europa Report handled this effectively by having talking - head interviews in the first act, only to end up using them as sparingly as possible throughout the rest of the movie).

Starting with his role as Ra's al Ghul in Batman Begins, Liam Neeson has transformed from a strong actor with a formidable screen presence into the current definitive movie badass, following his turns in films like Seraphim Falls, Taken, Unknown, and The Grey (among others).

Wayans had followed in his siblings» footsteps on «In Living Color», graduated to the WB sitcom «The Wayans Bros.» and alongside that began developing a promising big screen career in movies like the urban drama Above the Rim and the Wayans family spoof Don't Be a Menace to South Central While Drinking Your Juice in the Hooin his siblings» footsteps on «In Living Color», graduated to the WB sitcom «The Wayans Bros.» and alongside that began developing a promising big screen career in movies like the urban drama Above the Rim and the Wayans family spoof Don't Be a Menace to South Central While Drinking Your Juice in the HooIn Living Color», graduated to the WB sitcom «The Wayans Bros.» and alongside that began developing a promising big screen career in movies like the urban drama Above the Rim and the Wayans family spoof Don't Be a Menace to South Central While Drinking Your Juice in the Hooin movies like the urban drama Above the Rim and the Wayans family spoof Don't Be a Menace to South Central While Drinking Your Juice in the Hooin the Hood.

As Netflix and Amazon draw more filmmakers on a forced march to other platforms, Franco and a host of Hollywood filmmakers use The Disaster Artist to celebrate the way even a movie like The Room can bring people together, in the warm glow of the big screen.

Redford barely speaks a word of dialogue in the entire film, he's the only one on screen and as far as penetrating, memorable survival narratives in 2013, I'll take this one over «Gravity» any day (I keep saying that, sorry Alfonso Cuaron, I like the movie, but it's a thrill ride and nothing more).

It's not often you hear an audience of movie critics gasp out loud at something on - screen, but Toni Erdmann, the new comedy of forced familial closeness from German director Maren Ade, has a comic moment so perfectly timed that it got the civilized cinema - set of New York City to jump out of their seats like this was an Evil Dead movie in 3D.