Sentences with phrase «screen shots by»

The Capture button can be used to capture screen shots by either cropping the desirable section or by capturing the entire screen by pressing enter.

We like the little touches, such as being able to create folders on the home screens, and the ability to take screen shots by holding the power and volume up button simultaneously.

Marine Biodiversity / Screen Shot by NPR hide caption

Not exact matches

In 1,2 Switch, players take control of each Joy - Con controller and can play out scenarios like quick draw shooting and sword fighting without needing to look at the screen, with their movements determined by the motion control features in the controller.

Across party lines, 77 % of individuals polled said the Parkland shooting could have been prevented by more effective health screening treatment.

In the months before the teenage killer's mug shot and name were splashed across the nation's TV screens and newspaper front pages, he had posted messages online telegraphing his plans and told others about his deadly intentions — warnings that police and federal agents, alerted by tipsters, did not heed.

While most of Khosrowshahi's presentation — which was run from his computer — had to do with much of what you might expect from a longtime techie (artificial intelligence, better software, etc.), one screen was clearly a pretty big risk for the long - shot candidate to take and was much noticed by the directors.

I'm gonna screen - shot this before the deleter troll comes by.

Naturally, it was quickly deleted, but in this day and age on social media, it wasn't quick enough to avoid some from screen - shotting it, as noted by The Mirror.

It's hard to get good shots of a TV screen, but Jackie, (played by Michaela Watkins) and Kate, (played by Malin Akerman) gave me lots of good angles — way better than my pics here show.

The shots below, from Kennedy's first website, his first campaign site (1994), an even - earlier BBS site and a 1996 congressional site are really narrow — they had to fit on screens that are miniscule by today's standards.

WAMC's David Guistina talks with Mike Spain of the Times Union about the family of a man shot by police in Troy that is now filing a lawsuit and additional screenings at Albany County Airport.

To achieve the high - definition needed for the big screen, Domino takes images which have been shot on movie film and converts them into a video format by breaking each of the 24 frames per second into a mosaic of 3000 × 2000 picture points.

Notable early screen deaths included Nemo's mother being eaten by a barracuda 4 minutes 3 seconds into Finding Nemo; Tarzan's parents being killed by a leopard 4 minutes 8 seconds into Tarzan; and Cecil Gaines» father being shot in front of him 6 minutes into The Butler.

This explains why close - ups of an actor appear on screen for shorter periods than shots in which the person's face is smaller and is surrounded by distracting objects, according to a study by James Cutting and Kacie Armstrong of Cornell University in the US, published in Springer's journal Attention, Perception, & Psychophysics.

She goes step - by - step with pictures and screen shots of how to go about everything, which was so great to have when I was getting everything set up.

The shot was used as the basis of a pop art screen print by Andy Warhol, as well as the image that helped make the cover design of punk band the Sex Pistols» hit, «God Save the Queen.»

Created by Laura Nowak, the account includes screen shots of different conversations Nowak has with men on Tinder and their reactions to her «feminist» About section.

Help us by - any information you can provide including screen shots or browser type will be very helpful.

(Screen shot showing we received 3 email messages from «user profiles» created and operated by the site.)

You get good at it have a few runing riots yet as you get killed by a «camper» with a pistol shot from all the way accross the screen the game get's annoying and you find it more fun to commit suicide so your team loses and you can go home faster.

Filmed on location in Italy and Spain and shot in brilliant Todd - AO and Color and directed by the great British director Carol Reed, Charlton Heston and Rex Harrison (in their first and only film together) give two of the screen's best performances.

The hypnotic quality created by phrases repeated, building up with slight modifications, gradual additions and then the nearly out - of - control spiralling crescendo best exemplified in my opinion on the shamanistic «Screen Shot» which, had the words been different, could well make for an incitement to ritual mayhem.

On the bottom screen, Samus can even leave her Morph Ball form and shoot at enemies by using the stylus on the touch - screen.

Unlike any of Cruise's characters before, his latest creation Stacee is introduced onto the screen via his barely concealed crotch region sporting a very fetching gold animal head with its tongue out, followed closely by a shot of his barely covered buttocks.

Whereas most trailers linger a few seconds at most on any one image, this extended spot — attached to screenings of Logan back in the spring — blows almost a minute and a half on an unbroken shot of Ryan Reynolds» irreverent crime - fighter laboriously changing into his costume in a phone booth, underscored by the iconic John Williams Superman score, as well as the sound of the bystander he's taking way too long to rescue being violently murdered off camera.

Presented in widescreen and fullscreen on the same side of a dual - layer DVD, the film's image lacks depth here — there's a muted, Seventies quality to Barry Stone's cinematography that no doubt looked smashing on the big screen and probably would've been marginally improved at home by dispensing with the fullscreen version (thus lessening the compromise of compression), which lops a significant amount of visual information from the right side of the frame (while restoring a negligible amount to the bottom — in one shot literally a pinkie toe).

Mark Steven Johnson's 2007 attempt to bring Ghost Rider to the big screen didn't turn out particularly well, and although many believed that would be the last we'd ever see of Marvel's B - list antihero, Sony decided to give the character another shot with this equally shoddy reboot by Mark Neveldine and Brian Taylor.

Perhaps best known for her turn in 2011's «The Help» as Elizabeth Leefolt, who employs Aibileen (Viola Davis), O'Reilly is currently on screens in «Fruitvale Station,» which chronicles the last night in the life of Oscar Grant, who was shot and killed by BART Station officers in the Bay Area.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

«Breaking In» far too quickly devolves into unintentional laughs provided by the henchmen, complete with long stretches of near silence, affording the smart alecks in the audience the chance to half - shout, «She's gonna ELECTROCUTE him,» or «There's ONE IN THE CHAMBER» and «Shoot SHOOT» at the scShoot SHOOT» at the scSHOOT» at the screen.

Intriguingly, Ramsay later described You Were Never Really Here as not completely finished, as she planned to weave in more music by Jonny Greenwood, and the script was a work in progress during shooting; the film press - screened without closing credits.

All beautifully shot by Darius Khondi — an amazing looking film that stars one of my screen crushes Jena Malone.

The beauty of the shot - by - shot approach is that the theater is filled with other eyes watching the screen.

Fearing financial responsibility should any attack actually occur (a precedent foretold by a civil lawsuit in the Aurora, Colorado theater shooting at The Dark Knight Rises), the five biggest theater chains all took Sony up on their offer and reneged on their plans to screen the movie.

Ratner grew no less shy this weekend, according to Twitter and several Vulture sources: After a screening of his film Tower Heist at L.A.'s Arclight Cinemas, the director came out for a Q&A, and when asked by the moderator whether he prepares and rehearses with his actors before shooting a scene, Ratner waved his hand dismissively and said, «Rehearsing is for fags.»

Tim Burton has gathered another wonderful cast for his big screen version of the book Miss Peregrine's Home for Peculiar Children by Ransom Riggs and THN have witnessed the incredible set in Cornwall and have a few shots from the setup, which has all been created for this adaptation.

One episode is framed, clumsily, by flashbacks in which a younger and more virile Hank, seen exclusively in silhouette and shot at what appears to be magic hour, mewls misterioso about the chemistry of the human body as though he were screen - testing for an Alejandro Gonzalez Iñárritu film.

From the superimposed crease patterns and dim, degraded image during these shots, I have to assume they were captured by pointing a camera at or through a screen at an actual projection — perhaps of a workprint, which would account for the minor but consistent wear - and - tear on the print itself, as well as its obvious generational distance from the negative.

THE DVD by Bill Chambers Universal releases Seabiscuit on DVD in competing widescreen and fullscreen editions; concern yourself only with the former (which we received for review), for if there's one thing you never want to do, it's watch a film shot by John Schwartzman that's been «reformatted to fit your screen.»

The pair start tormenting the three residents — father, mother and boy - child — but as they say, in direct - to - camera shots, they merely commit their violent acts to entertain the audience, presuming that spectators are delighted by watching torture scenes on screen.

Some circumstances, at least, have worked out in «Margaret» «s favor: in the wake of «True Blood,» Paquin is arguably a more marketable name than she was at the time of the film's shooting, while Ruffalo might well be coming off a profile - raising awards season run by the time it hits screens.

At a special industry screening director Paul W.S. Anderson said that the film was always planned as an R - rated movie and shot that way, but only three weeks prior to release the studio changed that by severely cutting the film for a lower PG - 13 rating.

Helmed by veteran TV director Mimi Leder in somehow small - screen - friendly Panavision (that she manages to make her panoramic establishing shots look like the stock transitions in any episode of «Hart to Hart» should be included in a textbook somewhere), the picture goes through the motions — from discovery of the peril by naïfs to the involvement of the Internet to the slow - in - coming participation of the powers that be — of a genre most recently (and faithfully) resurrected by The Day After Tomorrow.

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Violence: A movie studio films various scenes for pictures including: a western with a shoot - out where one of the actors is gunned down on screen, an underwater extravaganza where an actress is swallowed by a whale, and a Roman epic that depicts centurions beating slaves.

Shot in Northern Ireland the film was financed by The Fyzz Facility, BFI and Northern Ireland Screen in association with Goldcrest.

These a scene in the movie were one of them get's shot in the leg by accident and oh my god they reaction to getting shot was freaking dreadful and such bad acting it took me out of the movie a little bit, but luckily Maika Monroe was on screen most of the time in that scene so she pretty much saved it.

Not only does the film open with the real video of Oscar's shooting, shot on a mobile phone by a fellow train passenger, but throughout the film we see Oscar's text messages pop up on screen.

Not only does it not really draw us into the action, despite its first - person perspective, but a sizable portion of the film is actually not shown to have been shot by any of the characters we see on the screen.