Their screen time marks the best parts of the film.
Not exact matches
Mark Thompson, president and CEO of The New York
Times, hinted at the company's NewFront presentation that the NYT could bring some of its most popular pieces of content and sections to living room
screens, Ad Age's Jeanine Poggi reports.
A dweeby and unenchanting concoction as romantic comedies go,
Mark Decena's debut feature also juggles enough storylines to fill five or six movies in barely 80 minutes of
screen time, ending up with a whole distinctly less than the sum of its parts.
Having stars like Gal Gadot,
Mark Hamill, Ansel Engbert, Armie Hammer, Lupita Nyong» o and Margot Robbie pass out concessions at a sneak
screening of A Wrinkle in
Time was one of the best moments of the show.
The role
marked another important turning point in Murphy's genesis as a comedic actor: It was the first
time that he really began to experiment with makeup and prosthetics in the creation of multiple personae on
screen.
The Edwards - helmed movie
marks the first
time that the Star Wars story has been told on the big
screen outside the confines of its episodic structure.
There were numerous recognizable faces who were clearly having a good
time and while not forwarding the action or leaving an indelible
mark on the silver
screen, did themselves no great harm.
Mark Gatiss didn't get too much
screen time as the Iron Bank of Braavos» Tycho Nestoris but good news!
The
screenings, which took place at 90 AMC theatres in 47 markets nationwide Wednesday, Aug. 31,
marked the first
time AMC has offered a free advance
screening to members of its AMC Stubs rewards program.
Blended
marks the third
time Drew Barrymore and Adam Sandler have teamed up on -
screen, recapturing the strong chemistry that made both The Wedding Singer (1998) and 50 First Dates (2004) such big hits.
The fact that he spends an extended amount of
screen time depicting the origin of «The Room's» «Oh, hi
Mark» moment, water bottle and all, is one indicator of how far Franco's attempting to plumb the Wiseau mythos.
There was an unbearable dumb and endless comedy bit where Kimmel led a group of movie stars to crash a
screening of A Wrinkle In
Time, with Gal Gadot,
Mark Hamill, Lupita Nyong «o, Ansel Engort, Lin - Manuel Miranda, Emily Blunt and Margot Robbie.
Mark Ruffalo has co-starred with fellow nominees Ethan Hawke («What Doesn't Kill You»), Keira Knightley («Begin Again»), Julianne Moore («The Kids Are All Right» and «Blindness») Reese Witherspoon («Just Like Heaven») and aside from his
screen time with Steve Carell in «Foxcatcher» also had a scene with him in «Date Night»
Debuting at a
time where diverse directors are making their mark, «A Wrinkle in Time» comes to the screen on the heels of Disney's groundbreaking «Black Panther&raq
time where diverse directors are making their
mark, «A Wrinkle in
Time» comes to the screen on the heels of Disney's groundbreaking «Black Panther&raq
Time» comes to the
screen on the heels of Disney's groundbreaking «Black Panther».
Except for Alps, which
screened in Venice, all of Lanthimos» films premiered on the Croissette and this year
marks the second
time for the director to compete in the Official Competition with an English - language film and an international cast.
Shot for $ 1.5 million over 30 days, Laughlin's film, while heavy on extended takes and a few awkward edits, overall looks very nice, and Elite's transfer
marks the first
time the film's been available with its original, evocative Technicolor - styled cinematography by Louis Horvath (who also photographed «Chandler,» and Laughlin's other directorial efforts); and in its original aspect ratio, which, in previous full
screen versions, chopped Condon's second appearance as a «dead kid».
But while they had worked together and been friend for 11 years, the film
marked the first
time they had ever acted together on -
screen.
Frances McDormand, «Three Billboards Outside Ebbing, Missouri» A five -
time Oscar nominee, McDormand made her on -
screen debut in a film that also
marked the debut of Ethan and Joel Coen (the latter became her husband); she is one of the leads in the 1984 crime drama «Blood Simple.»
«Spider - Man» frequently falls victim to easy sentimentality — the knee jerk reaction seems to be «if we want people to care, put a six - year - old on
screen» — especially with Peter and Gwen's on - again / off - again relationship which doesn't develop so much drive in an endless circle,
marking time until the climax.
Making the best use of their short
time on
screen are Tom Hardy,
Mark Strong, and Benedict Cumberbatch, who gives the second best performance in the flick.
The film
marks the first
time Fonda and Redford have appeared on
screen together since they both starred in 1979's The Electric Horseman.
Other notable films that will
screen at TIFF include Tom Ford «s «Nocturnal Animals,» with Jake Gyllenhaal and Amy Adams; «Whiplash» director Damien Chazelle «s musical «La La Land,» with Ryan Gosling and Emma Stone; Peter Berg «s «Deepwater Horizon,» a true - life drama about the oil spill, starring
Mark Wahlberg and Kurt Russell; Werner Herzog «s «Salt and Fire,» a drama in which Michael Shannon and Gael Garcia Bernal face ecological disaster in South America; Ewan McGregor «s Philip Roth adaptation «American Pastoral,» the actor's directorial debut; Denis Villeneuve «s sci - fi drama «Arrival,» formerly titled «Story of Your Life,» with Amy Adams and Jeremy Renner; Juan Antonio Bayona «s «A Monster Calls»; «Denial,» Mick Jackson's drama starring Rachel Weisz as a historian sued by a Holocaust denier; Irish director Jim Sheridan «s «The Secret Scripture,» with Vanessa Redgrave and Rooney Mara playing two different ages of a woman who keeps a diary of her
time in a mental hospital; and «Mascots,» Christopher Guest «s comedy about the world of sports mascots.
Though «Bowfinger» can't match up to the previous bests of either Martin or Murphy, for both stars (on
screen together here for the first
time) it
marks a notable up - turn in form.
Javier Bardem's platinum - haired cyber-terrorist doesn't appear until the midway
mark, but the actor makes the most of his limited
screen time, including a particularly memorable introduction.
Season 8 will premiere in 2018,
marking the the
time fans will get to witness Fred Armisen and Carrie Brownstein «s on -
screen adventures.
Every single one of us should be praising the complexity with which Dee fights against and humanizes Scott's movin» - on - up reductivism (that slapping scene, a scorching evocation of a mother
marking her territory and asserting her right to be heard, is of a volatile emotional tenor only Tilda Swinton comes close to achieving), but the almost racist rumblings echoing from certain circles suggest that Dee's miniscule
screen time is not just a point of contention but a point of active resentment (must be all those size queens rallying behind Blanchett), and may work against her and the traction she picked up since her SAG victory.
In spite of this sterling work from the performers, the shifting tone and the endless need to explain every action and feeling mean that it often frustrates and there is the occasional moment of laugh - out - loud misjudgement (including a sequence best described as sexy pie
time, pictured above right); the
screening I attended was
marked by quite a lot of derisory laughter.
Kudos, too, to Charles Dance and
Mark Strong, both able to make lasting impressions with limited
screen time as Turing's superior officers.
The film
marks the first
time on -
screen together for Krasinski and Blunt.
Though
Mark Wahlberg stars as Luttrell, Berg wisely does not tilt the
screen time in his favor, and we fear for each member of his team equally, even though we already know what the eventual outcome will be.
Tim Grierson,
Screen International; Ed Gonzalez, Slant; Pete Hammond, Deadline; April Wolfe, L.A. Weekly; Scott
Marks, San Diego Reader; Susan Granger, SSN Syndicate, Chris Nashawaty, Entertainment Weekly; Eliza Berman,
Time; Tomris Laffy, Freelance Writer; Gene Seymour, Newsday; Colin Covert, Minneapolis Star Tribune; Allyson Johnson, The Young Folks; Drew Taylor, Movie Fone; Allison Shoemaker, Consequence of Sound; The Daily
Times; Reuters; Nick Schager, Esquire; Carrie Rickey, The Philadelphia Inquirer; Erik Anderson, Awards Watch; Matt Patches, Thrillist; Kevin Laforest, Extra Beurre; Scott Mendelson, Forbes; Dana Buffa, KSDK St. Louis; Rahul Punja, Blasting News; Alissa Wilkinson, Vox; Ann Hornaday, Washington Post; Kyle Turner, Mass Appeal; Brian Tallerico, RogerEbert; David Ansen, Newsweek; Joe Stemme,
Mark Johnson, Awards Circuit; Jazz Tangcay, Awards Daily; Claudia Puig, LAFCA; Ethan Anderton, Slash Film; Nick Clement, Freelance Writer; Ben Pearson, Slash Film; Jack Girous, Slash Film; Richard Lawson, Vanity Fair; Amy Nicholson, MTV; Oliver Jones, Observer; Laura Clifford, Reeling Reviews; Anne Thompson, IndieWire; Kye Buchanan, Vulture; Yahoo Movies; Matt Donato, We Got This Covered; Bilge Ebiri, Village Voice; Joey Magidson, Awards Circuit; Julie Kosin, Harper's Bazaar; Christopher Bumbray, Joblo; ScreenCrush; Andrew Shearer, Online Athens; Marlowe Stern, The Daily Beast; Jonathan Caouette, Filmmaker; Edgar Wright, Filmmaker; Ben Croll, The Wrap; Pop Crush; Nathaniel Rogers, The Film Experience; Kent Turner, Film Forward; What Culture; Steve Pond, The Wrap; Richard Roeper, Chicago Sun -
Times; Peter Debruge, Variety; Jordan Raup, The Film Stage; KGMI; Hunter Heilman, Niner
Times; Jeffrey Wells, Hollywood Elsewhere; Peter Travers, Rolling Stone; Kenji Fujishima, Paste; Larry Bartleet, NME; Matt Prigge, Metro US; Matt Hoffman, The Film School Rejects; Bill Goodykoontz, Arizona Central; Edward Douglas, The Weekend Warrior; Brian Truitt, USA Today; Jake Mulligan, DigBoston; Rafer Guzman, Newsday; Alex Bieze, Asbury Park Press; Matthew Jacobs, The Huffington Post; Clayton Davis, Awards Circuit; Glenn Whipp, Los Angeles
Times; Complex; Consequence of Sound; David Edelstein, Vulture; Angie Han, Mashable; Paste; Jason Guerrasio, Business Insider; Erik Childress, The Playlist; David Ehrenstein, L.A Weekly; Josh Brunsting, Criterion; Jon Frosch, The Hollywood Reporter; Edwin Arnaudin, Citizen -
Times; Steve Erickson, Village Voice; Joana Langfield, The Movie Minute; Graham Fuller, Culture Trip; Chuck Wilson, Village Voice; Dan Sallitt, Filmmaker; Hans Morgenstern, Indie Ethos; Robert Abele, The Wrap; Luke Y. Thompson, Nerdist; Nicolas Bell, IONCINEMA; Jacob Hall, Slash Film; Jared Mobarak, Freelancer; Robert Koehler, Film Comment; Jason Shawhan, Freelancer; Michael Atkinson, Village Voice; Todd Gilchrist, Freelancer; MaryAnn Johanson, The Flick Filosopher; Eric Henderson, Slant Magazine; Roger Moore, Movie Nation; Juan Barquin, Miami New
Times; Saul Austerlitz, Five - Thirty - Eight;
This prompted the company head to (somewhat wistfully) note that Jotun's arrival on Nintendo Switch
marks the first
time a Thunder Lotus production is fully untethered from a dedicated TV
screen or monitor.
Benicio del Toro makes a bigger
mark with a similar amount of
screen time, playing a pirate - like character from the aforementioned corrupt planet, who helps Finn (played by John Boyega) and Rose Tico, a maintenance worker aboard the same Rebellion ship, to crack a code that could help save them from certain death.
What You Need To Know: Arguably the most famous scientist in the world, Stephen Hawking's story has been brought to the
screen before (Benedict Cumberbatch played him in a television film a decade ago), but «The Theory Of Everything»
marks the first
time the story's made it to the big
screen, and has some hefty names behind it: an adaptation of Hawking's ex-wife Jane's memoirs «Travelling To Infinity,» it's backed by «Atonement» producers Working Title and is helmed by Oscar - winning «Man On Wire» and «Shadow Dancer» helmer James Marsh.
The film, which will be released on December 20th, 2013,
marks the first
time ever these four Hollywood icons, who have garnered a total of six Oscar wins and 14 nominations and accumulated over an estimated $ 16.6 billion at the worldwide box office, will appear together on the big
screen.
Batman v Superman: Dawn of Justice
marks the first
time Wonder Woman will appear in a live action film, and director Zack Snyder has revealed exactly what role she'll play in her big
screen debut.
Also making a
mark is Hamish Linklater, playing an enthusiastic young man who follows Sophie around like a puppy, singing her romantic»20s pop tunes on his ukelele (a sight ten
times funnier on
screen than it is on paper).
Returning to reprise their roles in «Star Wars: Episode VIII — The Last Jedi» is Golden Globe Award nominee Oscar Isaac as Poe Dameron; Daisy Ridley as Rey; Black Reel Awards nominee John Boyega as Finn; two -
time Primetime Emmy Award nominee Carrie Fisher as Leia; three -
time Primetime Emmy Award nominee Adam Driver as Kylo Ren; two -
time British Independent Film Awards nominee Domhnall Gleeson as General Hux; Anthony Daniels as the voice of C - 3PO; three -
time Screen Actors Guild Awards nominee Gwendoline Christie as Captain Phasma; Academy Award winner Lupita Nyong» o as Maz Kanata; and BAFTA Award winner
Mark Hamill as Luke Skywalker.
When: June 3rd Why: It's been four years since «Entourage» ended its incredible run on HBO, and in that
time, there's been a lot of talk about a potential big
screen revival from series creator Doug Ellin, producer
Mark Wahlberg and the cast.
It
marks the debut
screen appearance of Paddy Considine, and though it's easy (and probably appropriate) to refer to him as our De Niro, it took Bob five years to get to Johnny Boy, while Paddy knocked it flat first
time in the ring.
Coverage of Reach Every Reader Launch: Zuckerberg, Chan Give $ 30M to Harvard and MIT for Literacy (The New York
Times) Reach Every Reader Targets Early Literacy Crisis (Harvard Gazette) Zuckerberg, Chan Donate $ 30 Million to Literacy Effort (The Boston Globe)
Mark Zuckerberg's Charity Is Giving $ 30 Million to Help Kids Learn to Read — and Love It (Quartz) Harvard - MIT Personalized Learning Program to Help Early Readers Gets $ 30M From Chan Zuckerberg Initiative (The 74) Zuckerberg, Wife Give $ 30M for Child Literacy (The Boston Herald) Chan Zuckerburg Initiative Funds Harvard - MIT Effort to
Screen Children for Reading Problems (Education DIVE) Zuckerberg, Chan Donate $ 30 Million to Ed.
Technology amenities on the long - wheelbase models will include voice - activated hard disk drive (HDD) Navigation with Bluetooth ® technology and XM real -
time traffic system, a first in the prestige luxury segment, a rear - seat DVD entertainment system with 9 - inch drop - down
screen, and the specially developed 19 - speaker 450 - watt
Mark Levinson ® Reference Surround Sound audio system, which creates a new standard for automotive sound systems.
The only things that really
mark the XC60 down are the in -
screen functions that tend to get your eyes off the road (which you get used to over
time) and the rather sedate mid-range punch from the motor.
It was a very unique reader when it first launched and
marked the first
time ever an e-ink display was coupled with a small color LCD
screen.
Properly
marked up headings are important for
screen reader users, who can use a shortcut to quickly access a list of these headings and navigate to any section in the document (saving valuable
time).
This release also
marks the first
time one of the original line of Kindle devices has gained built - in Bluetooth, which allows visually impaired readers to use the new VoiceView
screen reader feature with Bluetooth headphones or speakers.
Well, it's getting past that
time and if you believe the word counter at the bottom of my computer
screen I've passed the 1,300 word
mark.
A mobile device benchmarked with a
screen size of 9.2 inches
marks the first
time a tablet of that size from Panasonic have been heard of.
As electronic paper becomes ever more present in everyday life, Visionect says the Community HUB
marks just the beginning of socially - conscious projects that can be made possible by epaper technology, from wayfinding to alert systems and real -
time notification
screens installable everywhere.
OLED are also quite sensitive to oxygen / water damage and may suffer from burn - in (an image that is displayed for a long
time might leave a permanent
mark on the
screen).