You can see the embedded Sway below, or the full
screen version at this link.
Not exact matches
After showing footage of «Alita: Battle Angel»
at CinemaCon on Thursday, Rodriguez and producer Jon Landau («Avatar» movies) sat down with Business Insider to talk about the evolution of the project and why this manga won't end up like the big -
screen version of «Ghost in the Shell.»
• Starts
at $ 799 for a Core i3 model, but if you can live with 128 GB of storage and a non-touch
screen, the $ 999
version we tested is a good value
Posters
at the NeoGAF forums, a wildly popular gaming forum site, took
screen grabs of a posting on the Microsoft Store showing off the new Xbox One S, an as - yet announced new
version of the Xbox One.
Giggling employees pass through a mock security entrance manned by «flight attendants» into a cavernous space filled with music, beer, food and
versions of the airport's
screens, with all their movies running
at full tilt.
Obviously, it's not the first time the book has been adapted for the big -
screen:
At the time, the 1927
version was one of the most acclaimed films ever made.
A printable
version would be really nice =\ Or something I can see on my
screen all
at once without having to be scrolling, looking for ingredients, etc... It looks cool, but I basically have to go through and write down the ingredients and directions for myself.
At one point, the faces of many jurors looked to Singh, and then to documents projected on the
screen or to the prosecutor, in kind of a courtroom
version of a tennis match.
This acceleration can be controlled with a single parameter that is readily tuned with a digital hologram written to a standard LCD
screen, much like your LCD television
at home, but just a much smaller
version.
When the scientists looked for the human
version of the newly identified fly marker for sleep deprivation, they found ITGA5 and realized it hadn't been among the human immune genes they
screened at the start of the study.
The teacher
version of SAEBRS is a
screening survey completed by teachers
at the start of the school year to identify which students might need more support.
At the same time, he also wrote the scenario for Raoul Walsh's
screen version of Battle Cry — a sprawling, epic - length film with a huge cast.
Presented in either wide or full
screen, both
versions offer commentary by directors David Bowers and Sam Fell, a behind the scenes interactive tour, and a peek
at the animator's gallery.
Seen on a 72 cm CRT
screen at home, though, it's like having the negative held up to your eyes - a lot of care and attention has gone into this transfer, and the fact that it looks so cinematic and so natural (despite Fincher's characteristically unnatural visual style) is reason enough to come back to this movie in its newly - mastered
version.
Families looked up
at the
screen and saw a
version of themselves reflected back.
This new disc is yet another remaster (take a look
at one of the HD
versions if possible) that rights previous wrongs; even the overture and exit music play over a appropriately blank black
screens.
I meant to watch the 1933
version of Alice in Wonderland on the big
screen at BAM last night, but the heat chased me inside instead and onto my computer.
A fair stab
at adapting the classic novel by science fiction novelist Ray Bradbury, this is still the definitive
screen version.
Originally written and produced as a play for television, the
screen version of Judgment
at Nuremberg was nominated for 11 Academy Awards, with Maximilian Schell and Abby Mann taking home Oscars for (respectively) Best Actor and Best Adapted Screenplay.
The retrospective spans his entire career and will include
screenings in 15 cities showing restored 4K or 2K
versions of his early work, including Paris, Texas, Tokyo - Ga, American Friend, Wings of Desire and of course The Goalie's Anxiety
at the Penalty Kick.
Presented in widescreen and fullscreen on the same side of a dual - layer DVD, the film's image lacks depth here — there's a muted, Seventies quality to Barry Stone's cinematography that no doubt looked smashing on the big
screen and probably would've been marginally improved
at home by dispensing with the fullscreen
version (thus lessening the compromise of compression), which lops a significant amount of visual information from the right side of the frame (while restoring a negligible amount to the bottom — in one shot literally a pinkie toe).
The idea of an U.N.C.L.E. adaptation now feels as old as the source material itself: A big -
screen version has been in the works since the»90s, attached
at various times to Quentin Tarantino and Steven Soderbergh and reportedly starring every white guy to grace the pages of People in the past two decades (including Don Draper himself, Jon Hamm.)
Not incredible — certainly no 60 FPS, but instead it runs
at a consistent 30 FPS, meaning that if anything, the framerate is better than what you might see from the Switch
version running in Quality mode; there are less characters on
screen in the 3DS
version and it's a much lower resolution of course, but in terms of playability it's not bad
at all.
A new feature that separates Aqua Kitty DX from it's original
version is the option for an easy or normal difficulty; this can be changed
at any time on the level select
screen, but even the easier difficulty can be rather testing of anyone's patience.
Still, it's best to look
at «The Game Plan» as a big
screen version of something made for the Disney Channel — only with The Rock instead of Zac Efron.
«In my mind, you only get one shot
at the iconic Hercules, so I really wanted to make sure that the
version I had in my head was the
version that the audiences would see on
screen,» says Johnson.
As a further lure, Jackson has even fashioned this CG - heavy film in 3 - D and shot it digitally
at 48 frames per second instead of the usual 24 f.p.s. (A 2 - D, 24 - f.p.s.
version is also being
screened.)
Christopher Nolan, Michael Bay and Alfonso Cuaron are
at the top of the studio's list to helm the new big
screen version of The Twilight Zone.
While the original script of the movie called for Robin Hood to be the villain and the Sheriff to be the hero, which could have been truly excellent,
at least this new
version gives a better look
at what should have hit the big
screen a few months ago.
The
version that world premiered
at the South by Southwest film festival was presented as a «work in progress» — where it killed to a room full of «The Room» obsessives, many of whom stuck around for a midnight
screening of Wiseau's disasterpiece.
An unfinished
version of the movie was
screened in competition
at the Cannes Film Festival, where it received awards for Best Screenplay and Best Actor.
I feared I was somehow mistakenly being shown a work - in - progress
version with temp track recordings
at my month - early
screening, Noonan's masculine tone an unlikely sound to come from a waitress and Michael's wife on a phone call home.
Playing the younger
version of Michael B. Jordan's nuanced villain for only a few minutes, the young lad was only on
screen briefly
at the start of the movie, in a flashback scene and for a longer - speaking part in a poignant dialogue in the ancestral plain (trust us, it makes sense in the movie).
Out 1: Spectre (Jacques Rivette — I did not get to see the original 12 - hour
version, which did not play in Seattle but was
screened in Vancouver in 2006 — sadly,
at a time when I was in Paris).
I've always held a firm belief that Warriors games work best on the most capable and powerful platform they're released on — why play Samurai Warriors 4 on PS3 or Vita, when the PS4
version looks better, performs better, and with hundreds of enemy characters being rendered on
screen all
at once?
The
screenings of «Norman Lear: Just Another
Version of You,» and Ben Lear's «They Call Us Monsters»
at Ebertfest 2017.
That same year, Andrew Dosunmu «s «Restless City» also
screened at the festival, but it was the feature
version of «Pariah» that really made his name.
A Dangerous Method (Sony) was overlooked
at Oscar time but David Cronenberg's superb
screen version of Christopher Hampton's play about the friendship and eventual split between Sigmund Freud and Carl Jung is a sharp, lucid, perceptive film about the rational and irrational sides of human behavior.
Wii u
version would be different as looking
at the motion tracker is an large gameplay system blurring the
screen.
In theaters, I feared I was somehow mistakenly being shown a work - in - progress
version with temp track recordings
at my month - early
screening, Noonan's masculine tone an unlikely sound to come from a waitress and Michael's wife on a phone call home.
To check that you have the latest
version of the game, simply launch it: you should see this
at the bottom right corner of the
screen:
Hmmm... The fact that in a few of the
screen shoots we see the Nintendo logo is telling me we are in fact looking
at the Wii U
version early build.
In addition, she recently landed a lead role in the re-make of the
screen version of Fame, the 1980 musical revolving around students
at the New York Academy of Performing Arts.
Directed by the program's creator, Doug Ellin, this eagerly - anticipated, big
screen version more than lives up to its legions of loyal fans» high expectations, between the bawdy, locker room banter and the trademark misogyny we've come to expect from the unapologetic bad boys
at the center of the story.
The 3DS
version is taking an alternate approach, with the most unique feature being the ability to play both 3D and 2D interpretations of the game
at the same time, on the top and bottom
screens respectively.
If
at times «The Old Man and the Sea» looks like an animated
version of those lame megabudget nature documentaries they used to show
at IMAX theaters, that's partly because it is an IMAX film — the first animation to be shown on that huge
screen, in fact.
This remarkably - rich
screen version was directed by Nick Cassavetes who went to great lengths to develop each of the principal player's perspective of the fundamental, ethical life - or - death question
at hand.
Releasing on regular
screens and in IMAX (where audiences are treated to a several - story high
version of the caped crusader), the movie takes a long hard look
at justice.
Having only ever seen muddy, public - domain
versions of the film, the 4K digital restoration on Criterion's Blu - ray completely rewrote my memories of it; the crystalline VistaVision images are a revelation I'd compare with seeing the 70 mm restorations of Lawrence of Arabia and Vertigo, even
at the reduced size of a TV
screen.
Benson then took the idea further,
screening both
versions back - to - back
at TIFF with the «Him» section showing first, although the ultimate intention is that the films be released separately and present audiences with a choice as to which one they watch first.